Satyagraha Conclusion Act 3, by Philip Glass, live Lisa Moore piano Eastern Ripples 12:17:15
Опубликовано: 29 дек. 2015 г.Satyagraha Conclusion Act 3, by Philip Glass, (arr. Reisman)
Lisa Moore piano
live @ the Thalia Theatre, Symphony Space, NYC
Steinway Salon series
Eastern Ripples recital, 12:17:15 www.lisamoore.org
Filmed by Asaf Blasberg www.asafblasberg.com
Arvo Pärt — Passio Domini Nostri Jesu Christi Secundum Joannem (Medium Minimalist Level)
Опубликовано: 31 дек. 2015 г.Arvo Pärt (1935-)
Passio Domini nostri Jesu Christi secundum Joannem (St. John Passion)
The Hilliard Ensemble/Western Wind Chamber Choir/Capricorn Ensemble
The Hilliard Ensemble
David James: countertenor
Rogers Covey-Crump: tenor
John Potter: tenor
Gordon Jones: baritone
Elizabeth Layton: violin
Melinda Maxwell: oboe
Elisabeth Wilson: cello
Catherine Duckett: bassoon
Christopher Bowers-Broadbent: organ
The Western Wind Chamber Choir
Paul Hillier: conductor
With Mary Anne Hobbes championing Nils Frahm and A Winged Victory For The Sullen and Hauschka performing live orchestral performances with Icelandic experimental outfit mum on Boiler Room, Contemporary Classical (or Neo-Classical) music is gradually, gently moving into a position where songs titled 'Steep Hills Of Vicodin Tears' wouldn't sound amiss on prime time radio slots.
Patti Smith with Philip Glass 2013 Tribute to Allen Ginsberg
Опубликовано: 13 сент. 2014 г.Live at Auditorium, Parco della Musica, Roma
during 'Patti Smith: My Festival' night tribute to Allen Ginsberg 'The Poet Speaks'
April 13th, 2013
0:00:00 01 Notes to the Future 6:32
[music from 'Metamorphoses' by Philip Glass] 0:06:32 02 Wichita Vortex Sutra 8:42
[poem by Allen Ginsberg] 0:15:14 03 The Blue Thangka 4:55
[music from 'Metamorphoses' by Philip Glass] 0:20:09 04 My Blakean Year 8:43 0:28:52 05 Ghost Dance 7:23 0:36:15 06 Pissing in a River 4:47 0:41:01 07 Etudes # 2 and #10 18:59
[Philip Glass solo] 1:00:00 08 To Aunt Rose 5:25
[poem by Allen Ginsberg] 1:05:25 09 On Cremation of Chögyam Trungpa, Vidyadhara 6:01
[poem by Allen Ginsberg — music by Philip Glass] 1:11:26 10 Magic Psalm 7:56
[poem by Allen Ginsberg — music by Philip Glass] 1:19:22 11 Footnotes to Howl 5:04
[poem by Allen Ginsberg] 1:24:26 12 People Have the Power 8:34
Personnel:
track 1-3: Patti Smith (vocals), Philip Glass (piano)
track 4: Patti Smith (vocals, guitar), Lenny Kaye (guitar), Jesse Smith (piano)
track 5: Patti Smith (vocals), Lenny Kaye (guitar, back. vocals), Jesse Smith (piano)
track 6: Patti Smith (vocals), Lenny Kaye (guitar), Jesse Smith (piano)
track 7: Philip Glass (piano)
track 8-11: Patti Smith (vocals), Philip Glass (piano)
track 12: Patti Smith (vocals), Lenny Kaye (guitar), Jessie Smith (piano), Philip Glass (piano)
Note: «My Festival» is a project organized by Patti Smith and Marco Tirelli to celebrate the 10th year of life of Auditorium, Parco della Musica in Rome. During this festival, from 9th to 25th April, Patti Smith remember her own life, through her friendships and music, with the exhibit 'Memories' minded by Marco Tirelli. The Festival has seen the participation of a lot of great artists, as the director Bernardo Bertolucci and the musician Nicola Piovani. During this night, Patti wants to remember her friend Allen Ginsberg through a reading of his best poems and the musical partnership of Philip Glass on piano.
Why did Patti Smith choose this collaboration with Glass to give her personal tribute to the Master of Beat Generation? «I knew Philip» Patti said «in 1978, together with Ginsberg and Burroughs. When my husband died in 1994, we made a charity event with both of them. And then, when Allen died in 1997, we began to work together, because we missed him so much. April is the perfect month to remember Allen, because he died on 5th». Patti Smith is able to create a fantastic atmosphere with a passional and strong reading while on the back some photos of Ginsberg flow; when she comes on the stage, she turns towards the screen saying hello to his friend Allen.
Patti Smith mingles the reading of Ginsberg's poems with the Glass's execution of his best works and her great songs of her long and glorious career, with a special end that sees on the stage Patti Smith, Lenny Kaye, Jessie Smith (Patti's daughter) and Philip Glass playing the same piano while all people are dancing and singing under the stage on the fantastic notes of «People Have the Power».
Philip Glass — Einstein On The Beach — 1976. Timelapse — Czech, Bouda na Mulde, 2011-2014
Опубликовано: 18 июн. 2015 г.Philip Glass — Einstein On The Beach — 1976. The present recording of 1979 is an accurate recreation of the original production in 1976.
Timelapse — Czech, Bouda na Mulde, 2011-2014
Washington National Opera: Appomattox with Philip Glass
Опубликовано: 16 окт. 2015 г.To mark 50 years since the Voting Rights Act and 150 years since the end of the Civil War, Washington National Opera will present the world premiere revised version of Philip Glass's acclaimed opera «Appomattox.» Prior to the premiere, excerpts were performed at a Works & Process sneak peek on October 5, and WNO artistic director Francesca Zambello moderated a discussion with director Tazewell Thompson and Glass.
Since 1984, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works, offered audiences unprecedented access to our generation's leading creators and performers, and hosted post-show receptions for the audiences and artists to continue the discussion.
Each performance uniquely combines artistic creation and stimulating conversation and takes place in the Guggenheim's intimate Frank Lloyd Wright-designed 285-seat Peter B. Lewis Theater. Described by The New York Times as «an exceptional opportunity to understand something of the creative process,» Works & Process is produced by founder Mary Sharp Cronson.
Philip Glass — The 5 Knee Plays from Einstein On The Beach (medium minimalist level)
Опубликовано: 15 июл. 2015 г.«Einstein on the Beach» is an opera in four acts framed and connected by five «Knee plays».
These five «Knee Plays» frame the opera's structure and appear in between acts, while also functioning as the opening and closing scenes.
Glass defines a «Knee Play» as an interlude between acts and as «the knee'' referring to the joining function that humans' anatomical knees perform».