Опубликовано: 24 апр. 2015 г.Денис Майданов — российский автор и исполнитель песен, композитор, поэт, актёр, музыкальный продюсер. Лауреат фестиваля «Песня года», обладатель премий «Золотой граммофон», «Шансон года»
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Пролетая над нами — 00:00:00
Мы с тобой одной крови — 00:03:54
Ничего не жаль — 00:07:22
48 часов — 00:11:04
Вечная любовь — 00:16:02
Я богат — 00:19:32
Оранжевое солнце — 00:23:20
Время-наркотик — 00:27:35
Молодым умирать не страшно — 00:31:47
Я возвращаюсь домой — 00:35:11
Стеклянная любовь (Ф Кирокоров) — 00:39:40
36,6 — 00:43:44
Пуля — 00:47:19
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Опубликовано: 1 янв. 2015 г.Зарабатывайте деньги в Ютубе! Присоединяйтесь к партнерской программе join.quizgroup.com?ref=32258
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Фантастическое, захватывающее шоу, в котором гармонично сочетаются зажигательные ритмы 80-х и ультрасовременная сценография, эффектные постановки и оригинальные творческие находки.
Friday, August 14 — Monday, Aug 17
Black Oak Ranch, Laytonville, California
This year we will celebrate our 5th year of Enchanted Forest Gatherings! Our community has grown and so has the vision for our unique and intimate gathering. While this year will bring plenty of saucy new surprises it will still find our roots grounded in our original intentions. This is a gathering created by and for dancers and visionaries. It is an opportunity to explore and expand upon the fundamentals of community and redefine how we consciously celebrate.
This year we will return home to Mendocino County. We are thrilled to gather at Black Oak Ranch in Laytonville, CA.
Enchanted Forest Gathering: keeping it Sacred, Sexy, Silly and Saucy since 2011
Originally formed in 1986 by Gary Watts and Andrew Stirling-Brown, Hereford-based electronic band Nature of Wires toured regularly until 1994, playing a mixture of covers & originals; self-releasing their debut Modus Operandi album in 1993. In November 2014, Gary began composing music again, later forming an unlikely partnership with Maren Northway, otherwise known as CountessM – a prolific and respected vocalist and lyricist from Fullerton, California.
With only a few single releases officially available, Nature of Wires & CountessM have developed a growing worldwide fanbase, receiving airplay on numerous radio stations including a live performance and feature on BBC Introducing.
July 2016 sees the release of the highly anticipated new album Cyber Rendezvous on Manchester’s AnalogueTrash record label.
Featuring ten brand new tracks, Cyber Rendezvous is the brainchild of two very distinct yet complementary talents. Brooding and uncompromising; stark, brutalist percussion juts menacingly from below ethereal string and synth arrangements, while CountessM’s crooning vocals and poetic lyrics spin intricate tales of subversion, love, longing and betrayal.
A must for fans of Gary Numan, Alien Sex Fiend, Talk Talk, The Knife, and Bat For Lashes.
Cyber Rendezvous is officially released on the 29th of July 2016 and is available from all good digital outlets and on CD in a six panel digipak edition, featuring artwork from Vlad McNeally.
Опубликовано: 11 мар. 2013 г.I do not own copyrights to this video. Please message me and I will take it down.
«Gore Tech -- Machine Throne»
Label: Ad Noiseam -- adn165
Format: Vinyl, 12"
Released: 11 Mar 2013
Genre: Electronic
Style: Breakcore, Drum n Bass, Dubstep http://www.adnoiseam.net/store/gore-t...
Deep Frequencies Vol. 6 (Drum & Bass Mix April 2015)
Опубликовано: 14 апр. 2015 г.Getting deep once again with a mixture old and new, soulful and hard hittin' beats for Volume 6 of the Deep Frequency mix series.
All the music from this channel has been asked permission for or have been sent in by the rightful owners. The Images used are from a free website that gathers 4chan user-submitted wallpapers automatically. If it just happens to be your image feel free to send us a message. Either to include a link or just to remove the whole picture. Feel free to contact us anytime you want, we'll be there to answer your questions. If you are by some means against our uploads, message us and we'll see what we can do.
Опубликовано: 21 окт. 2013 г.~| no copyright infringement intended! |~
via NPR -
Over the course of 15 years, Tim Hecker's experimental electronic compositions have intensified like oceans. While few contemplated their soothing, unfathomable waves, the observant noted rising temperatures, torment and microcosmic disturbances that truly told of awesome powers. But with Virgins, Hecker may have reached his point of no return, a piece of such force and clarity that even the indifferent should tape up the windows.
From the opening seconds of «Prism,» Hecker heralds a change. His layered drones, incidental percussion and piano motifs, long submerged in deep chasms of noise, echo and static, are now exposed and glinting. «Prism» hurtles inexorably upward, piercing and shattering through sound barriers before the rest of the album bursts into fragments, then dust, then mist, almost as if Hecker himself is exploding from the murky beneath. Not only do you hear distinct notes and instruments; you also sense the room in which they were played and the people who played them. What had always been vaguely melancholy, solitary and dreamlike is now harrowingly vivid, visceral and real, yet no less mesmerizing.
On the surface, Hecker reinvents himself, but he also re-frames what he's done before. Compare Virgins' «Black Refractions» to «Borderlands,» from 2009's An Imaginary Country. Technically, they couldn't sound any different. The former sets a stunningly simple, repetitive piano melody atop distant but definite brushes, while the latter is a reverberating sound bath. But the underlying component remains the same: a beautiful, indelible melody. The comparison invites listeners to search back through these songs, to listen for what now seems obvious.
For the first time in his career, Hecker recorded his compositions with live ensembles and mixed these sessions with composer Valgeir Sigurðsson, whose engineering and producing credits include fellow Icelanders Björk and Sigur Rós. For an artist who recently referred to his process as «a kind of continual transformation,» the effect of Hecker's new way of working feels startling and revelatory. An artist many critics and fans assumed would simply continue to refine his signature sound has instead shed its most defining characteristics. The transformation is complete; this is a new being.
It is an artist's boldest move, to reject his established style, especially when his audience is relatively small yet devoted. It's as if Richard Serra demolished one of Gehry's shimmering civic trophies and built a rural mega-spiral from its scraps. Sharp, blinding, somewhat confusing, wholly fascinating and most definitely meaningful — but would his biggest fans long for the age of rust? For Virgins' listeners, the proposition is simpler: Hit play and forget what you know.
Disclaimer — This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners.
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I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law.
