1. Cold Front 0:00
2. Ten Thousand Years Won't Save Your Life 6:57
3. Together Alone 13:24
4. Artificial Paradises 20:31
5. (Tonight) We Burn Like Stars That Never Die 25:49
6. Pathos 32:16
7. Awakened, He Heard Only Silence 39:01
8. Words You Said...I'll Never Forget You Now 42:03
9. Tape Recorder 48:36
10. Frailty (For the Dearly Departed) 54:42
11. Dark Circles 1:01:35
12. (Let's Kiss) While All the Stars Are Falling Down 1:07:48
13. All Is Dream and Everything Is Real 1:14:39
14. Mute Angels 1:20:36
15. Hiding But Nobody Missed You 1:25:32
16. We Could Die Chasing This Feeling 1:30:38
17. Glossolalia 1:37:00
18. (Leaving) the House Where We Grew Up 1:39:08
19. Tornado Warning 1:45:09
Опубликовано: 6 дек. 2012 г.Eduard Nikolaevich Artemyev (Russian: Эдуа́рд Никола́евич Арте́мьев; born November 30, 1937) is a Russian composer of electronic music and film scores. Outside of Russia he is mostly known for his film scores from films such as Solaris, Siberiade, Stalker or Burnt by the Sun.
Artemyev was born in Novosibirsk and studied at the Moscow Conservatory under Yuri Shaporin. His interest in electronic music and synthesizers began after his graduation in the 1960, when electronic music was still in its infancy. He wrote his first composition in 1967 on one of the first synthesizers, the ANS synthesizer developed by the Soviet engineer Evgeny Murzin. He was thus one of the first composers and a pioneer of electronic music. His collaboration with the film director Andrei Tarkovsky in the 1970s made him well-known. He wrote the film scores of Tarkovsky's Solaris, Zerkalo and Stalker. Later he also wrote film scores for films by Andrei Konchalovsky and Nikita Mikhalkov. His film scores and his music received several awards, including three Nika Awards. Recently, he licensed several pieces from the Solaris soundtrack in order to use them in the upcoming Spanish production The Cosmonaut.
Опубликовано: 27 июл. 2014 г.Zardonic & Reid Speed's track called Sideshow amazingly remixed by Hecq (Ben Lukas Boysen) (2014)
seriously in my personal opinion what Hecq remixes, sounds incredibly awesome.
Опубликовано: 12 февр. 2015 г.Track 2/4, from Mare Nostrum (Hymen Records ¥832).
The base of the work is done, and both Ben and MareNostrum can progress now that they have common words.
The abstract mechanical and electronic parts quickly stay in the background of the track, being overwhelmed by layers of spatial ambient sounds ponctuated every so often by high-pitched cries and deep kicks. The machine has to tell a story, and even if we still don't know how to translate the details, the emotions can be rightly interpreted.
The sounds in II don't lie, we are already at the next level of understanding and communication. The erratic patterns of computer sounds are more and more weak against the distant melodies appearing and disappearing in the track. We are still in a calibration process, guided by the moanings of the computer, but the database to truly understand each other is exponentially increasing, and the emotions strictly computerized have now a human resonance.
However, are we understanding what the computers says or is the computer understanding what we say? Does the machine adapt to humans or does the human turn into a machine ?
Enjoy folks, and if you feel like it, I'd like you to share your sensations too, here in the comments section or on my Facebook page at https://www.facebook.com/adda.ambient
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This video is uploaded only in a promotional purpose, as I do not own any rights on this music. All rights reserved to Ben Lukas Boysen aka Hecq and Hymen Records.
If you (artist, label or viewer) have any inquiry, just email me at a2damusic@gmail.com
XPeHb