Опубликовано: 17 авг. 2012 г.hoffe es gefällt euch is en basshunter remix ;)
ich hoffe es gefällt euch schreibt kommentare und abboniert mich .
besucht mich auch uf meiner fan page:http://www.facebook.com/pages/Sebasti...=true, .
Stars of the Lid — The Tired Sounds of Stars of the Lid (HD)
Опубликовано: 26 янв. 2013 г.Stars of the Lid — The Tired Sounds of Stars of the Lid
The Tired Sounds of Stars of the Lid is the sixth studio LP by ambient drone music group Stars of the Lid. It was released in late 2001 on the Kranky label, on two CDs and three LPs. The album features long minimal, droning compositions created from heavily treated guitar, horn, flute, piano, and other classical instruments. An interesting feature of the second track, «Requiem For Dying Mothers, part 2» is that it features a sample from the final scene of Andrei Tarkovsky's film Stalker, where the character Monkey pushes a glass across a table by way of telekinesis as a dog whines and a train whistle blows in the distance.
Ripped using EAC with 99% accuracy and then encoded using FLAC at -8. The picture changes every ten minutes from art found on the inside and front of the CD case.
Опубликовано: 7 авг. 2014 г.Band: Múm
Album: Summer Make Good
Tracklist:
1. Hú Hviss — A Ship 0:00
2. Weeping Rock, Rock 1:27
3. Nightly Cares 7:64
4. The Ghosts You Draw On My Back 12:45
5. Stir 17:01
6. Sing Me Out The Window 19:42
7. The Island Of Children's Children 24:46
8. Away 29:43
9. Oh, How The Boat Drifts 31:12
10. Small Deaths Are The Saddest 36:24
11. Will The Summer Make Good For All Of Our Sins? 37:55
12. Abandoned Ship Bells 41:59
Released through Fat Cat records. Disclaimer: I do not own the material in this video, all copyright belongs to the respective authors (Múm and Fat Cat). With their work published here on youtube, more people can get to know about the band and become potential supporters.
Опубликовано: 11 февр. 2014 г.Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding «a voice of its own» as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's death some sixteen years earlier: «I wrote the piece in 1987 thinking, let me write a piece that my father would have liked. A very smart nice man who had no education in music whatsoever, but the kind of person who fills up concert halls. It's popular, it's supposed to be — it's for my Dad.»
