Дата загрузки: 21 авг. 2008 г.«The cry of Morgoth» by Squaremeter (m²) (the panacea sideproject) from the War of sound album. All pictures (including the m² stage and backstage portraits in this video — maschinenfest 2006) made by patrick s. including shots in sint-niklaas, holland, belgium, russia, united kingdom, germany. «War of sound» is the ultimate album for nightly lonely drives on highways or late night urban mp3player walking, staring outside the windows of a flight late at night, to play in a darkened house… one of the best, most subtle and intensely mysterious albums in this «genre» ever.
THIS IS NOT AN OFFICIAL VIDEO, just a collage of images I see when listening to this album. For more info on the panacea and m² (squaremeter) releases and other artists go to www.positionchrome.com or for this particular album go to www.ant-zen.com
Опубликовано: 9 авг. 2013 г.Listen to our entire catalog free on Spotify: http://spoti.fi/1bZd8sX
LPs, FLAC, CDs, shirts, posters: http://bit.ly/19JxR3S
Hammock's official new music video, «Mute Angels», by Alex Amoling.
Director: Alex Amoling (http://alexamoling.com)
Producers: Anna P. McCarthy & Caroline K. Edwards
DP: Charles Swazey
Gaffer: Stephen D. Chang
Production Design: Evan Mrva
Editor & VFX: Alex Amoling
Starring: Evalena Marie
Автор музыки:Dope Solution aka UnorthodoxX
Автор слов: Акела
Сценарий: Слава Дубенко
Режиссер: Андрей Усланов
Продакшн: NAU production
Жанр: hip-hop,rnb,pop
Не забудь подписаться на новые популярные русские клипы новинки музыки 2015 года!
2010-2015 канал Klassnenkiy (Классненький)
новинки музыки, новые песни и клипы 2015
Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014
From the album «Chasing After Shadows… Living with the Ghosts»
Director/Editor: David Altobelli
Prod. Co: Conker All / Symphony 19
Exec. Producers: Jesse Fleece / Kelly Norris Sarno
Producer: Ross Girard
Prod. Coordinator: Stuart Denton
Director of Photography: Larkin Seiple
1st AC: Ken Tanaka
Gaffer: Koby Poulton
Key Grip: Luke Hanlein
Production Design: Ethan Feldbau
Stylist: Gabby Canton
Makeup: Katie Machaiek
VFX: Hank Friedmann
Official Selection Los Angeles Film Festival 2010
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