Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014
Опубликовано: 1 мар. 2015 г.For the 14th darkstep session, I decided to make a special mix of Katharsys, one of my favorite darkstep duo. They introduced me to the darker side of drum and bass. This mix contains most of their songs (a few are missing) and they are NOT in order of date/release. I completly made it all by myself and used my imagination for the transitions and combos/double drop. There are also alot of edits, especially at the intros. Enjoy you all. Comments are appreciated! Tracklist at the bottom.
''Katharsys began in 2001 when Hugo and Tom, start producing their first drum and bass tracks, inspired by the dark grooves and demented beats of artists such as Tech Itch, Dylan, Kemal, Konflict, Photek and Ice Minus to name just a few. After countless hours of waveshaping and savage beat processing, the duo were ready to begin releasing in 2004. Katharsys, from the ancient greek word «catharsys» meaning the emotional cleansing of the audience in relation to drama, is an extreme change in emotion. The main focus of the duo is to create intense sounds which evoked that kind of extreme changes, into electronic music. Producing from darkstep to neurofunk hard drum&bass, Katharsys has reached different labels, such as Habit (US),Guerilla (US), Barcode (UK), Sinuous (UK), and Obscene (UK), and have progressed to playing their hard as balls sets out to fans around Europe.
Katharsys's tunes appear on many dj mixes from Counterstrike, Donny, Dylan, Cooh, Evol Intent, Audio, Dj Hidden, Nanotek, Dean Rodell and Forbidden Society.''
I do not own any of the following tracks.
Tracklist:
1. 00:00 C-Netik & Syrinx — Hidden Sides
2. 00:42 Katharsys — Train Wreck
3. 03:54 Katharsys — Nothing Left
4. 08:10 The Outside Agency, Peter Kurten & Katharsys — Favorite Sin
5. 11:22 Katharsys — No End For The Darkness
6. 17:04 Katharsys — Storm Of Light
7. 20:48 Katharsys — Deadman
8. 25:21 Katharsys — Guidance
9. 28:34 Katharsys — Call Of The Wild
10. 31:06 Katharsys — Ghost
11. 33:38 Katharsys — Stomper
12. 36:56 Forbidden Society & Future Signal — Hellbringers (Katharsys Remix)
13. 39:51 Katharsys — The Chain
14. 43:09 Katharsys — Reptiles
15. 45:20 Katharsys — Think It's Done
16. 49:34 Katharsys — Hi Tension
17. 52:49 Katharsys — Sword Of Vengeance
18. 57:48 Katharsys — Life Is A Bitch
19. 1:02:41 Katharsys — Mute
20. 1:04:12 Katharsys — Jupiter
21. 1:07:47 Katharsys — Night Terror
22. 1:12:01 Katharsys — Squake
23. 1:16:17 Kano & Flame — Swarm (Katharsys Remix)
24. 1:21:16 Katharsys — Timehole
25. 1:24:51 Katharsys — Symbiosis
26. 1:29:06 Katharsys — Konvolution
27. 1:31:56 Katharsys — Saddiction
28. 1:35:30 Katharsys — Q bot
29. 1:39:08 Katharsys — Erges
30. 1:41:53 Katharsys — Mostly VIP
31. 1:45:27 Katharsys & Forbidden Society — One Hundred Thousand
32. 1:47:37 Ruin — Security Breach (Katharsys Remix)
33. 1:51:28 Katharsys — Infectious
34. 1:55:23 Donny & Counterstrike — The Watchers (Katharsys Remix)
35. 1:57:13 Donny & Audio — Horribly Ribbed (Katharsys Remix)
