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Philip Glass - 1980 Satyagraha

Philip Glass — 1980 Satyagraha

Опубликовано: 14 июн. 2015 г.Philip Glass
Satyagraha — World Premiere;
Stadsschouwburg, Rotterdam, The Netherlands;
September 5, 1980. Very good Dutch Radio broadcast.

Satyagraha (”insistence on truth”) is a 1979 opera in three acts for orchestra, chorus and soloists, composed by Philip Glass, with a libretto by Glass and Constance DeJong. Loosely based on the life of Mohandas K. Gandhi, it forms the second part of Glass’s “Portrait Trilogy” of operas about men who changed the world, which also includes Einstein On The Beach and Akhnaten. The title refers to Gandhi’s concept of non-violent resistance to injustice, Satyagraha, and the text, from the Bhagavad Gita, is sung in the original Sanskrit. [The opera is semi-narrative in form and deals with Mahatma Gandhi’s early years in South Africa and his development of non-violent protest into a political tool.]

Satyagraha was commissioned by the city of Rotterdam, Netherlands, and first performed at the Stadsschouwburg (Municipal Theatre) there on September 5, 1980, by the Netherlands Opera and the Utrecht Symphony Orchestra, conducted by Bruce Ferden. — wikipedia

In Satyagraha, Glass is confident he has an enduring hit, People magazine reported. “We’ve had 70 years of pieces since Schoenberg that no one understands,” he argues, “so there’s nothing really wrong, is there, with a little contemporary music being appealing?”


• (Act 1) • Leo Tolstoy •
0:00:00 On the Kuru Field of Justice 18:35
0:18:35 Tolstoy Farm 13:38
0:32:33 The Vow 15:11

• (Act 2) • Rabindranath Tagore •
0:47:24 Confrontation and Rescue 15:52
1:03:16 Indian Opinion 15:28
1:18:45 Protest 17:26

• (Act 3) • Martin Luther King, Jr. •
1:36:11 Newcastle March 46:19


Performers:
Miss Schlesen — Claudia Cummings, soprano
Mrs Naidoo — Iris Hashishkee, soprano
Kasturbai — Beverly Morgan, contralto
Mahatma Ghandi — Douglas Perry, tenor
Mr Kallenbach — Bruce Hall, bariton
Parsi Rustomji — Richard Gill, bass
Mrs Alexander — Rhonda Lyss, contralto
Lord Krishna — Tom Heanen, bass
Prince Arjana — René Claassen, tenor
Choir of the Rotterdam Conservatorium
Utrecht Symphony Orchestra
Conducted by Bruce Ferden
Rotterdamse Schouwburg — September 5, 1980
Commissioned by the City of Rotterdam, The Netherlands
Dutch Radio Recording

Philip Glass ─ Mishima (full soundtrack)

Philip Glass ─ Mishima (full soundtrack)

Опубликовано: 24 окт. 2015 г.Mishima is the soundtrack of the movie «Mishima: to Life in Oven» Chapters de Paul Schrader, composed by Philip Glass.

The quartet for ropes, interpreted by Kronos Quartet, is nowadays still played, independently of the soundtrack. He is entitled String quartet No. 3 Mishima.

• Composer: Philip Glass
• String quartet interpreted by: Kronos Quartet
• Conductor: Michael Riesman
• Producer: Kurt Munkacsi
• Label: Elektra/Nonesuch 7559-79113-2
• Year: 1985
_________________________________________________

Tracks :

0:00 — 1. Mishima / Opening
2:47 — 2. November 25: morning
6:58 — 3. 1934: grandmother & Kimitake
10:37 — 4. Temple of the golden pavillon (like some enormous music)
13:38 — 5. Osamu's Theme: Kyoko's house
16:38 — 6. 1937: Saint Sebastian
17:45 — 7. Kyoko's house (stage blood is not enough)
22:48 — 8. November 25: Ichigaya
25:02 — 9. 1957: award montage
29:00 — 10. Runaway horses (poetry written with a splash of blood)
38:09 — 11. 1962: body building
39:39 — 12. November 25: The last day
41:10 — 13. F-104: epilogue from Sun and Steel
43:09 — 14. Mishima / closing
_________________________________________________

Over the last fifteen years, Philip Glass has defined a new form of biographical opera. There was never any doubt that he would be the ideal composer for Mishima, a mosaic film biography. I wanted a score which would unite the film's disparate elements and propel it forward. Such a score, by definition, would be a distinct, cohesive composition.

I only wondered how to induce Glass. Money was out of the question: the film was already an egregiously under-budgeted labor of love production. I opted for a soft sell. (I've subsequently learned how remarkably resistant Philip is to a hard one.) I simply gave him the script and all the materials by and about Mishima at my disposal.

Philip responded enthusiastically and after several pre-production meetings and a trip to the Tokyo locations, wrote a score from the script as he would from a libretto. With Kurt Munkacsi and Michael Riesman he recorded a temp synthesizer version.

I edited the film to this temp score, altering it as necessary: cutting, expanding and repeating cues. I then played the edited film and score for Philip. He rewrote the music to fit the film's now-precise specifications and recorded it with a full orchestra. Later, he supervised last-minute changes during the final mix.

In keeping with the original concept, Glass has re-edited the score as a distinct musical entity. His Mishima equally serves the film and stands alone.

— Paul Schrader


CREDITS:
Original music composed by Philip Glass. Conducted by Michael Riesman. String quartets performed by The Kronos Quartet: David Harrington, violin. John Sherba, violin. Hank Dutt, viola. Joan Jeanrenaud, cello.

Produced by Kurt Munkacsi for Euphorbia Productions, Ltd. NY, NY. Recording engineer: Dan Dryden, Assistant: Don Christensen. Recorded at: Greene St. Studios NY, NY and The Living Room Inc. NY, NY. Remixed by: Dan Dryden, Kurt Munkacsi, Michael Riesman. Remixed at: The Living Room, Inc. NY, NY. Contractor for the musicians: Earl Shendell. Mastered by: Bill Kipper, Masterdisk, NY, NY.

Album art direction: Eiko Ishioka. Photo: Sukita. Album design: Makoto Kumakura.

Published by Dunvagen Music Publishers, Inc. (ASCAP). © 1985 Nonesuch Records.

The Bassement sessions by Dubmatix n1 - 4 MARS 2013

The Bassement sessions by Dubmatix n1 — 4 MARS 2013

Опубликовано: 4 мар. 2013 г.Comme promis, voici un peu de nouveauté dans la programmation de la semaine sur Party Time. Retrouvez tous les 1ers lundis du mois l'émission «The Bassement Sessions» animée par Jesse du Dubmatix crew. Une émission en vivant et en direct du Canada, axée roots, early dub, stepper, electro dancehall avec bientôt de belle surprises en live. Faites vous plaisir avec ce premier podcast de 2h de grosse selections. D'auttres émissions sont à venir pour les autres lundis du mois. Keep connect!!!