Опубликовано: 9 окт. 2014 г.Le jeune Paul est blessé dans une bataille de boules de neige. Il est obligé de garder la chambre sous la surveillance de sa grande soeur Elisabeth. Tous deux s'inventent des jeux innocents ou cruels, ambigus ou poétiques. Prisonniers volontaires de l'enfance, ils ne permettront pas à d'autres d'entrer dans cette étrange relation où l'amour croise la mort...
Autres Philip Glass / Compositeur Stéphane Vérité / Metteur en scène Chloé Briot / Elisabeth Amalia Dominguez / Dargelos / Agathe Olivier Dumait / Gérard: le narrateur Guillaume Andrieux / Paul Emmanuel Olivier / pianiste Jean-Marc Fontana / pianiste Françoise Larrat / pianiste Emmanuel Olivier / Chef d'orchestre
Philip Glass — Documentary and performance from Four American Composers by Peter Greenaway
Опубликовано: 27 янв. 2016 г.Based on London performances under the aegis of the New York/Almeida Festival, this set of four one-hour documentaries, originally produced in 1983, introduced these avant-garde composers and their music to general British audiences. It is a tribute to the filmmakers' accomplishment (and a sorry comment on how we honor our own prophets) that the set provides no less valuable an introduction for American audiences a full decade later.
Philip Morris Glass (born January 31, 1937) is an American music composer. He is considered to be one of the most influential composers of the late 20th century and is widely acknowledged as a composer who has brought art music to the public (along with precursors such as Richard Strauss, Kurt Weill and Leonard Bernstein).
Peter Greenaway, CBE (born 5 April 1942) is a British film director. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. The scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death are common traits in his films.
With Mary Anne Hobbes championing Nils Frahm and A Winged Victory For The Sullen and Hauschka performing live orchestral performances with Icelandic experimental outfit mum on Boiler Room, Contemporary Classical (or Neo-Classical) music is gradually, gently moving into a position where songs titled 'Steep Hills Of Vicodin Tears' wouldn't sound amiss on prime time radio slots.
Опубликовано: 19 сент. 2015 г.Violin Concerto
1. ♪ = 104 — ♪ = 120
2. ♪ = ca. 108
3. ♪ = ca. 150 — Coda: Poco Meno ♪ = 104
Orchestra – Wiener Philharmoniker
Conductor – Christoph Von Dohnányi
Violin – Gidon Kremer
Philip Glass
(*1937)
1 — 3: Concerto for Violin and Orchestra
Konzert für Violine und Orchester
Concerto pour violon et orchestre
Concerto per violino e orchestra
For Paul Zukofsky and Dennis Russell Davis
Commissioned by The American Composers Orchestra, Inc.
Live recording ⋅ Konzertmitschnitt ⋅ Enregistrement public ⋅ Registrazione dal vivo
Recordings, Vienna Musikverein, Grosser Saal 2/1992
Опубликовано: 24 дек. 2015 г.To celebrate a successful year and to thank all those who have supported me I have followed up last year's Party Mix with a new and better one! Here's to a great 2016!
Опубликовано: 11 февр. 2014 г.Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding «a voice of its own» as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's death some sixteen years earlier: «I wrote the piece in 1987 thinking, let me write a piece that my father would have liked. A very smart nice man who had no education in music whatsoever, but the kind of person who fills up concert halls. It's popular, it's supposed to be — it's for my Dad.»
AMAZING: Maki Namekawa plays Philip Glass Piano Etude No 9 & No 20 HD (dir. Andreas H. Bitesnich)
Опубликовано: 30 янв. 2016 г.Directed, filmed and edited by ANDREAS H. BITESNICH.
Styling: Nina Kepplinger
Make Up and Hair: Wolfgang Lindenhofer
Sound recording: Robert Lunak
Assistant: Christoph Kaltenbacher
Assistant: Michael Obex
Technician at Ars Electronica Center: Florian Wanninger
Опубликовано: 21 янв. 2013 г.This is the re-recorded version of Koyaanisqatsi OST for the movie with the same title. The re-recording of the album featured two additional tracks from the film, as well as extended versions of previous tracks from the original album, making 8 tracks in total. Stop talking about Interstellar in the comments you losers.
Ripped using EAC with 99% accuracy and then encoded using FLAC at -8. The picture changes every ten minutes from art found on the inside and front of the CD case.
Images found at. http://imgur.com/a/iMhdY
I've never watched the movie or listened to this album all the way through. It's my least favourite. :^)
