Techno-Punk Andrew Weatherall Is 50 And He's Way Cooler Than You
Опубликовано: 19 авг. 2013 г.Click here now to subscribe to THUMP: http://bit.ly/Subscribe_to_THUMP
Travel into the deepest recesses of the Rotters Golf Club studio with the chain-smoking cult hero behind Sabres of Paradise, Two Lone Swordsmen, and The Asphodells. http://rottersgolfclub.co.uk/
Director — Caswell Coggins
DOP — Dan Trapp
Editor — Toby Conway Hughes
A CROSSFIRE LIVE SESSIONS PRODUCTION http://www.crossfireproductions.tv
Опубликовано: 2 нояб. 2012 г.1- Animus Vox 00:00
2- Bad Wings 06:42
3- How to Be Eaten by a Woman 13:20
4- A Dream Within a Dream 19:19
5- Fistful of Silence 24:41
6- Between Two Points (feat. Swan) 29:50
7- We Swarm 35:24
8- Drive It Like You Stole It 41:17
9- Fortune Days 47:12
10- Starve the Ego, Feed the Soul 53:33
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for «fair use» for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Опубликовано: 27 июн. 2012 г.1. «The Piano Drop» 0:00
2. «In the Fog I» 2:54
3. «In the Fog II» 7:46
4. «In the Fog III» 13:47
5. «No Drums» 18:48
6. «Hatred of Music I» 22:12
7. «Hatred of Music II» 28:23
8. «Analog Paralysis, 1978» 32:45
9. «Studio Suicide, 1980» 36:37
10. «In the Air I» 40:02
11. «In the Air II» 44:14
12. «In the Air III» 48:22
Ad Noiseam Podcast #3: Tapage («Expanding Perspective» mix)
Опубликовано: 22 авг. 2014 г.The third episode of Ad Noiseam's new podcast series comes from Holland's Tapage who celebrates here his latest album, «Eight» (adn180, released on Ad Noiseam in June 2014).
As usual with our podcast series, Tapage goes beyond his own tracks in this mix and pays homage to other musicians who have had an influence on his art.
Tracklisting:
1) Joseph Nothing — Yesterday Evening
2) The Void* — R
3) Tapage — Five of Seven
4) Tapage — Seven of Seven (intro)
5) Massive Atack — Special Cases
6) Tapage — Two of Eight
7) Tapage — Six of Eight (outro)
8) Clark — The Pining pt1
9) Autechre — Overand
10) Tapage & Access to Arasaka — Ancient Tiger Proton
11) The Void* — Sine Saw Square
12) Tapage — Eight of Eight
13) Boards of Canada — Happy Cycling
14) Tapage — Six of Eight
15) Amon Tobin — Kitchen Sink (Clark Remix)
16) Lights Off — Only You Can See (Tapage Remix)
17) Four Tet — She Just Likes To Fight
18) Tapage — Sine (intro)
19) Tapage — Three of Eight
20) Portishead — Threads
21) Tapage — 90 Seconds
Опубликовано: 24 окт. 2015 г.Mishima is the soundtrack of the movie «Mishima: to Life in Oven» Chapters de Paul Schrader, composed by Philip Glass.
The quartet for ropes, interpreted by Kronos Quartet, is nowadays still played, independently of the soundtrack. He is entitled String quartet No. 3 Mishima.
• Composer: Philip Glass
• String quartet interpreted by: Kronos Quartet
• Conductor: Michael Riesman
• Producer: Kurt Munkacsi
• Label: Elektra/Nonesuch 7559-79113-2
• Year: 1985
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Tracks :
0:00 — 1. Mishima / Opening 2:47 — 2. November 25: morning 6:58 — 3. 1934: grandmother & Kimitake 10:37 — 4. Temple of the golden pavillon (like some enormous music) 13:38 — 5. Osamu's Theme: Kyoko's house 16:38 — 6. 1937: Saint Sebastian 17:45 — 7. Kyoko's house (stage blood is not enough) 22:48 — 8. November 25: Ichigaya 25:02 — 9. 1957: award montage 29:00 — 10. Runaway horses (poetry written with a splash of blood) 38:09 — 11. 1962: body building 39:39 — 12. November 25: The last day 41:10 — 13. F-104: epilogue from Sun and Steel 43:09 — 14. Mishima / closing
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Over the last fifteen years, Philip Glass has defined a new form of biographical opera. There was never any doubt that he would be the ideal composer for Mishima, a mosaic film biography. I wanted a score which would unite the film's disparate elements and propel it forward. Such a score, by definition, would be a distinct, cohesive composition.
I only wondered how to induce Glass. Money was out of the question: the film was already an egregiously under-budgeted labor of love production. I opted for a soft sell. (I've subsequently learned how remarkably resistant Philip is to a hard one.) I simply gave him the script and all the materials by and about Mishima at my disposal.
Philip responded enthusiastically and after several pre-production meetings and a trip to the Tokyo locations, wrote a score from the script as he would from a libretto. With Kurt Munkacsi and Michael Riesman he recorded a temp synthesizer version.
I edited the film to this temp score, altering it as necessary: cutting, expanding and repeating cues. I then played the edited film and score for Philip. He rewrote the music to fit the film's now-precise specifications and recorded it with a full orchestra. Later, he supervised last-minute changes during the final mix.
In keeping with the original concept, Glass has re-edited the score as a distinct musical entity. His Mishima equally serves the film and stands alone.
— Paul Schrader
CREDITS:
Original music composed by Philip Glass. Conducted by Michael Riesman. String quartets performed by The Kronos Quartet: David Harrington, violin. John Sherba, violin. Hank Dutt, viola. Joan Jeanrenaud, cello.
Produced by Kurt Munkacsi for Euphorbia Productions, Ltd. NY, NY. Recording engineer: Dan Dryden, Assistant: Don Christensen. Recorded at: Greene St. Studios NY, NY and The Living Room Inc. NY, NY. Remixed by: Dan Dryden, Kurt Munkacsi, Michael Riesman. Remixed at: The Living Room, Inc. NY, NY. Contractor for the musicians: Earl Shendell. Mastered by: Bill Kipper, Masterdisk, NY, NY.
Album art direction: Eiko Ishioka. Photo: Sukita. Album design: Makoto Kumakura.
