Satyagraha Conclusion Act 3, by Philip Glass, live Lisa Moore piano Eastern Ripples 12:17:15
Опубликовано: 29 дек. 2015 г.Satyagraha Conclusion Act 3, by Philip Glass, (arr. Reisman)
Lisa Moore piano
live @ the Thalia Theatre, Symphony Space, NYC
Steinway Salon series
Eastern Ripples recital, 12:17:15 www.lisamoore.org
Filmed by Asaf Blasberg www.asafblasberg.com
Опубликовано: 22 янв. 2016 г.Following the headlights
Gotta find a way back to you
I can be the white knight
You can play the princess
We'll be running like outlaws
Hiding in the midnight
Break down them gates
Let in the sunlight
Throw me over these walls
High up in the atmosphere
If I could catapult my heart
What's the empire for
I'm gonna get you outta here
If I could catapult my heart
To where you are
You say you had your heart broken
What a stupid little thing to do
Now you're tied to a train track
But I'm a gonna come
and rescue you
Make no mistake
I'll do whatever it takes
To get over these walls
High up in the atmosphere
If I could catapult my heart
What's the empire for
Ooh I'm gonna get you outta here
If I could catapult my heart
To where you are
If I could catapult my heart
Oh throw me over these walls
Ooh high up in the atmosphere
If I could catapult my heart
What's the empire for
Ooh I'm gonna get you outta here
If I could catapult my heart
To where you are
If I could catapult my heart
To where you are
I'm gonna catapult my heart.
Alex Paterson and Sherman — Thursday Tea Time on Groovetech Radio (2002-07-11)
Опубликовано: 15 мая 2015 г.Alex Paterson and Sherman on Groovetech Radio in 2002
Thursday Tea Time Show
Paterson had worked as a roadie for Killing Joke during the '80s, and began to be influenced by the explosion of Chicago house music in England during the mid-to-late-'80s. He joined the A&R department of E.G. Records Ltd. Records — the home of Brian Eno himself — and first recorded as the Orb with Jimmy Cauty. The duo's first release as the Orb, the failed acid-house anthem «Tripping on Sunshine», appeared on the 1988 compilation album Eternity Project One.
Alex Paterson and Jimmy Cauty had been recording an album during the turn of 1989-90, but the two split in April 1990 — a result of Paterson's fear that the Orb had become known more as a KLF, The side-project than an original act. Cauty stripped Paterson's contribution to the recordings and released the eponymous album — credited simply as Space — later that year.
The Orb released several albums trough the '90s, including The Orb's Adventures Beyond The Ultraworld, Aubrey Mixes: The Ultraworld Excursions (which were only available for one day but still managed to place in the Top 50) and Orblivion.
These sets were were originally streamed in real media in the early days of online streaming radio. Unfortunately, you'll have to excuse the poor quality.
Two Lone Swordsmen DJ set — Haywire Sessions on Groovetech Radio (2001-05-31)
Опубликовано: 23 мая 2015 г.Two Lone Swordsmen on Groovetech Radio in 2001.
The Two Lone Swordsmen are British house DJ and producer Andrew Weatherall and studio engineer Keith Tenniswood. Formed in early 1996, following the dissolution of Weatherall's influential Sabres of Paradise techno act, the Swordsmen have explored a variety of styles, from electro and 4/4 techno to post punk and downtempo in later years. Originally they released material on the label Emissions Audio Output, run by Weatherall. However, the small nature of the operation limited the duo's success and they subsequently signed to Warp Records, making them labelmates with acts such as Autechre and Boards of Canada, as well as setting up the Rotters Golf Club label for their more dancefloor-friendly output under various other guises.
In 2004 they released From the Double Gone Chapel, exhibiting more of a late 1970s dub and post punk sound than their previous work, influenced heavily by groups like PiL. It was released with the single Sex Beat, a cover of the popular Gun Club song. Their latest album, Wrong Meeting, was released in April 2007, with Wrong Meeting II following a month after. Set solidly in the dub rock vein they explored on From the Double Gone Chapel, the duo venture into sleezy country and LCD Soundsystem-style punk funk disco.
These sets were were originally streamed in real media in the early days of online streaming radio. Unfortunately, you'll have to excuse the poor quality.
Andrew Weatherall — Resident Advisor 470 (01.06.2015)
Опубликовано: 1 июн. 2015 г.Tracklist:
Vermont — Elektron (Prins Thomas Version)
Flash Atkins — The Wilderness
Simon Says — Coloritmo
Duncan Gray — I Can't Stand Lorraine (Club Bizarre Remix)
Club Bizarre — Trip To Holy Land
Flash Atkins — Acid House Creator
P.P.F. — Umbilical Cord
Duncan Gray — Churn Again
Vox Low — Something Is Wrong (Boot & Tax Remix)
Boot & Tax — Balkan Youth
«There's plenty of mythology surrounding Andrew Weatherall—Boys Own, Shoom, Primal Scream, the beard and so on. But in a career that's lasted over 30 years, and has presumably included every conceivable high and low, Weatherall has always been about cutting out the bullshit, building a reputation that's beyond reproach.
The short version of the story is that Weatherall established himself as a DJ, producer and journalist during dance music's first wave in the UK; went on to produce and remix acts like Primal Scream, Beth Orton and My Bloody Valentine; formed two influential groups—Two Lone Swordsmen, The Sabres Of Paradise—who were signed to Warp; and, through his work as a DJ, producer and label boss, became a sort of father figure for leftfield dance music in the UK. These days, collaboration is still an important part of Weatherall's artistic makeup. He runs the semi-regular „mid-tempo“ party A Love From Outer Space with Sean Johnston, which takes place at various venues in the UK and Europe. His last album, Ruled By Passion, Destroyed By Lust was written with Timothy J. Fairplay as The Asphodells; together they write dubby, synth-heavy dance tracks in the manner of a band. While Daniel Avery has almost become Weatherall's protégé, the two work from the same studio space in East London and play back-to-back whenever they get the chance.
RA.470 incorporates many of the elements that have made Weatherall so consistently interesting. The tempo is set to a carefully considered chug while rich electronics take flight overhead. The tracks are rooted in house and disco but the spirit of a guitar band never feels far away.»