Black Sun Empire — Driving Insane Remixed

Дата загрузки: 23 нояб. 2011 г.Artist: Black Sun Empire
Track: Driving Insane Remixed

Artist Last.fm:
http://www.last.fm/music/Black+Sun+Em...
Artist website:
http://www.blacksunempire.com/


Timed tracklist, thanks to Appelsjap1

«BSE = Black Sun Empire Songs with no artist listed are from Black Sun Empire themselves.»

1. 0:00 Sinthetix — Cryogenic (BSE Remix)
2. 4:19 The Rat
3. 6:12 ICBM — The Pursuit
4. 7:51 Breach
5. 10:48 Typecell — Bad Illusions (BSE Remix)
6. 13:00 SKC — Recharger (BSE Remix)
7. 15:57 Stasis
8. 18:31 Stone Faces
9. 21:07 Boris The Blade
10. 25:28 B Negative (Chris Su&SKC Remix)
11. 28:05 Don't You
12. 29:55 Rawthang — Scorned
13. 33:58 Benjie — Ai
14. 36:10 Gun Seller
15. 38:00 Swipe (Ft. Stu)
16. 40:13 B Negative (Ill Skillz Remix)
17. 42:26 Driving Insane
18. 45:44 Benjie — Ai (Rawthang Remix)
19. 49:47 Arrakis
20. 54:56 Eye-D — Unicorn MF (BSE Remix)
21. 59:43 The Sun VIP (Ft. Concord Down)
22. 01:01:55 Rawthang — Epilogue VIP

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Katia and Marielle Labèque; 4 movements (Philip Glass)

Опубликовано: 19 нояб. 2013 г.Part of 4th movement of Philip Glass by Katia & Marielle Labèque, piano.
Live recording from the Concertgebouw, Amsterdam is exclusively made for the MASTER PIANISTS SERIES of RIASKOFF CONCERT MANAGEMENT.

A L P (Amon Tobin — Dark Jovian) HD

Опубликовано: 28 авг. 2015 г.DER ALP
Inspiriert von einer alten deutschen Sage. (inspired by an old german myth of the alp. A creature which causes nightmares and suffocation.
Song: Amon Tobin -Dark Jovian
Idee, Regie und Kamera: Julian Schöll
ALP: Florian Schmidt
Träumer: Manuel Schäfer
Schnitt: John Haag, Florian Schmidt und Julian Schöll

Amon Tobin @ Teatar &td + interview

Опубликовано: 4 июн. 2013 г.Watch this Amon Tobin concert that was part of the Žedno Uho Festival

Philip Glass — [Abridged Concert] @ River to River Festival (6/21)

Опубликовано: 3 июл. 2012 г.

Les enfants terribles — Philip Glass — complete

Опубликовано: 9 окт. 2014 г.Le jeune Paul est blessé dans une bataille de boules de neige. Il est obligé de garder la chambre sous la surveillance de sa grande soeur Elisabeth. Tous deux s'inventent des jeux innocents ou cruels, ambigus ou poétiques. Prisonniers volontaires de l'enfance, ils ne permettront pas à d'autres d'entrer dans cette étrange relation où l'amour croise la mort...
Autres Philip Glass / Compositeur Stéphane Vérité / Metteur en scène Chloé Briot / Elisabeth Amalia Dominguez / Dargelos / Agathe Olivier Dumait / Gérard: le narrateur Guillaume Andrieux / Paul Emmanuel Olivier / pianiste Jean-Marc Fontana / pianiste Françoise Larrat / pianiste Emmanuel Olivier / Chef d'orchestre

Philip Glass: «Funeral of Amenhotep III» from Akhnaten (1987) HQ

Опубликовано: 1 дек. 2015 г.If I had to list the masterpieces composed and recorded by Philip Glass, this one would certainly be one of them. If «It was Always You, Helen» was one of Glass's most beautiful and haunting compositions, «Funeral» is doubtlessly his most stirring, along with «The Photographer.» I will not belabor my description by discussing the opera from which it comes as my video does not follow its plot. My focus in the video primarily is partly impressionistic, partly historic, and partly dedicatory. Without question «Funeral of Amenhotep III» is a funeral march worthy of a great king and the mourning for the age that dies with him.

Washington National Opera: Appomattox with Philip Glass

Опубликовано: 16 окт. 2015 г.To mark 50 years since the Voting Rights Act and 150 years since the end of the Civil War, Washington National Opera will present the world premiere revised version of Philip Glass's acclaimed opera «Appomattox.» Prior to the premiere, excerpts were performed at a Works & Process sneak peek on October 5, and WNO artistic director Francesca Zambello moderated a discussion with director Tazewell Thompson and Glass.

For tickets to Works & Process: http://gu.gg/HN2LW
Subscribe for more Works & Process: http://gu.gg/HN2Js

Since 1984, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works, offered audiences unprecedented access to our generation's leading creators and performers, and hosted post-show receptions for the audiences and artists to continue the discussion.

Each performance uniquely combines artistic creation and stimulating conversation and takes place in the Guggenheim's intimate Frank Lloyd Wright-designed 285-seat Peter B. Lewis Theater. Described by The New York Times as «an exceptional opportunity to understand something of the creative process,» Works & Process is produced by founder Mary Sharp Cronson.

Follow Works & Process on social media:
http://www.Facebook.com/worksandprocess
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Joep Franssens — Harmony of the Spheres

Опубликовано: 21 нояб. 2012 г.Joep Franssens (1955)

Harmony of the spheres: cycle in five movements for mixed choir and string orchestra (2001)

Movement I — 00:00
Movement II — 10:10
Movement III a — 18:15
Movement III b — 33:45
Movement IV — 42:36
Movement V — 49:20

Netherlands Chamber Choir
Tallinn Chamber Orchestra
Conductor: Tõnu Kaljuste

Dedicated to Tõnu Kaljuste and the Nederlands Kamerkoor


Joep Franssens is a Dutch composer. He studied piano in Groningen, and composition in the Hague and Rotterdam with Louis Andriessen and Klaas de Vries respectively. He is representative of the post-serial generation of Dutch composers who use tonal means and an accessible idiom without neo-Romantic features, even if the pathos-laden, highly emotional nature of his music appears to contradict this endeavour. In his works, which consist of chamber music and choral and orchestral works, Franssens aims at a synthesis of monumentality and euphony and is initially guided by J.S. Bach and the Ligeti of Lontano and Atmosphères. Later a trend towards radical austerity becomes apparent under the influence of American minimalist music, East European mysticism (e.g. Pärt) and the symphonic pop music of the 1970s, culminating in the static diatonicism of the ensemble work Dwaallicht (1989) and the serene counterpoint of Sanctus for orchestra (1996, rev. 1999). The instrumentation increasingly shows a preference for warm, luxuriant colours.

The Hours Soundtrack — 11 Tearing Herself Away

Дата загрузки: 27 июн. 2009 г.From the 'The Hours' soundtrack, by Philip Glass.
11: Tearing Herself Away.