Опубликовано: 19 окт. 2013 г.Track 5/8, from Gravity (Ad Noiseam adn168).
The eponym song is one of the most powerful of this album, a flight of lyricism mastered in every way.
I picture myself as an external spectator observing someone whose dream comes true, but sharing his feelings in real time. I think I found the perfect picture to describe that dream.
I see this man who had the dream to fly but never got the opportunity to live it, although he settled down next to an airfield. Every day, he watches a few people climbing aboard gliders and flying away to spend hours free in the clear sky, and then slowly dancing in the sky in silence, turing, looping, circling through the air. He swears that one day, he will be the pilot of one of these and do the same.
He starts to save money each month in order to take lessons and earn the right to pilot of a glider. At 1:34, he saved enough money to take the lessons he wanted, and starts working hard to have his license, thinking more and more to the moment he'll be up above.
2:39 is the turning point of the song, where the man finally sits in the cockpit. The pitch of the notes, particularly at 2:45, makes the scene dramatic. You can feel the adrenaline in his veins, the moment he awaited for so long has finally come. The glider is slowly pulled by the plane and starts gaining altitude. The weather couldn't be more perfect, some clouds are stripping the blue sky like foam on the ocean.
And finally, at 3:43, the rope between the glider and the plane is dropped. The moment of his life he will never forget. That dream followed him for years and years, and now, he tastes the true definition of freedom. The intensity of the moment is almost unbearable.
4:47, I slowly stop following him, because I want to leave him with his dream. I see this man in the cockpit, getting smaller and smaller, and observe him until the glider is just a white dot in the deep blue sky annoucing the arrival of the night. Now, I can't even make the difference between the glider and the bright stars. He probably won't come home and will stay far up above us for eternity.
A sensation of freedom and bliss emanates from this song, that's why I'll advise it to you first.
Enjoy folks, and if you feel like it, I'd like you to share your sensations too, here in the comments section or on my Facebook page at https://www.facebook.com/adda.ambient
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This video is uploaded only in a promotional purpose, as I do not own any rights on this music. All rights reserved to Ben Lukas Boysen and Ad Noiseam.
If you (artist, label or viewer) have any inquiry, just email me at a2damusic@gmail.com
Ten year veterans of the international dark alternative scene and one of the most dynamic and engaging live acts in the UK, the mighty Deviant UK need no introduction.
Marking their first release since 2011, Deviant UK’s explosive new single ‘Cracks Starts To Show’ is an electro-rock monster, a hymn to self-destruction providing a tantalising glimpse of what to expect from the long-awaited third album due for release later in 2015. Soaring synth hooks, crunching metal guitars and a huge chorus combine to make ‘Cracks Start To Show’ an uncompromising stride forward for Deviant UK with a newfound rock edge to Jay Smith’s instantly recognisable vocals.
Featuring the original mix of the track and no less than FOURTEEN stellar remixes from electronic music’s best and brightest covering every base, ‘Cracks Start To Show’ simply swaggers with inimitable in-your-face attitude.
00:00 Blacklist Whitelist 01:08 Got the Row 02:07 Cradle to Grave 05:18 Open Arms 09:17 Crosses 11:08 Tap Tap Tap 13:07 Choose Again 17:13 With Sticks and Stones 18:38 We Turned at a Dozen Paces, for Love is a Duel 20:16 Built for War 22:23 The Path 26:05 Headstrong & Heartfoolish 32:33 Holy Morning 37:01 My Heart Flies to Where You Are 41:32 Credits & Links
Video by Nıhıl Mınus http://nihilmin.us
Generated from the album artwork by Jupiter & Aaron
Music, vocals, & lyrics by Aaron Spectre
Vocals on 10 & 11 by Leo Miller
Drums on 4, 10, & 12 by Mike Justian, recorded by Kurt Ballou @ GodCity Studio
Drums on 11 by Iggor Cavalera
Опубликовано: 31 окт. 2014 г.The 4th episode of Ad Noiseam's podcast series was prepared by Machinecode a few weeks after they finished recording their «Samurai» album, which is coming out on Ad Noiseam in November 2014.
Machinecode is a project of Current Value and Dean Rodell, in which they go beyond the boundaries of their usual styles and combine sharp drum'n'bass, heavy dubstep and innovative electronica.
All tracks written by Machinecode.
1. Its Time (taken from «Samurai»)
2. Gattling (taken from «Samurai»)
3. A Thousand Tales (taken from «Stems»)
4. City Light (taken from «Samurai»)
5. Ready (taken from «Velocity»)
6. Samurai (taken from «Samurai»)
7. Canticle (taken from «Environments»)
8. In The Shell (taken from «Environments»)
9. Drunken Master (taken from «Velocity»)
10. Scanners (taken from «Velocity»)
11. Others (taken from «Velocity»)
12. Vessel (taken from «2nd Nature»)
13. Audio Assault (taken from «2nd Nature»)
14. Machine Freak (taken from «Environments»)
15. Mining (taken from «Samurai»)
16. Existence (vip) (taken from «Environments»)
~Find out more about the party~
Friday 1st May 2015 — DARKSIDE XL: Warehouse Event: Glasgow
Darkside Area: NEOPHYTE, ANIME, DR PEACOCK, DESTRUCTIVE TENENCIES
Motormouth invites PRSPCT XTRM Area: THE OUTSIDE AGENCY, THRASHER vs DEATHMACHINE, DOLPHIN
info: goo.gl/wUyy9b
Tickets: tickets.twisted.fm