❤ Барби мультик на русском мультфильм куклы барби для девочек мультики про barbie для челси
Опубликовано: 14 мая 2016 г.❤ Барби мультик на русском мультфильм куклы барби для девочек мультики про barbie для челси https://youtu.be/aTK-50JFky0 Смотреть все серии "❤ Барби мультик на русском мультфильм барби для детей мультики про barbie для челси" в плейлистах: https://www.youtube.com/user/Multfilm...
MultfilmyTV Dolls Channel for Children Girls Video File ID:
41 07 Vol41 Vid07 malciki devocki 20160514 1354 kdnv shffr n kids at mltflmtv stfi adl n artm mame p
Новогодние мультфильмы для детей — Двенадцать месяцев
Опубликовано: 9 апр. 2012 г.Волшебная сказка 12 месяцев. Хочешь узнать об этом мультике больше? Заходи к нам в группу: vk.com/soyuzmultiki или на facebook.com/SovetskieMultfilmy Разверни полностью описание: все ссылки на плейлисты, классные подборки мультиков, интересные группы и многое другое. Посмотри полное описание!
Сюжет мультфильма
Как-то, холодным, зимним, январским вечером, когда люди сидят дома и греются у печки, прислушиваясь к треску поленьев, злая мачеха отправила свою падчерицу в лес, чтобы та набрала корзину подснежников, дабы угодить капризу глупой принцессы. И бедной девочке пришлось исполнить наказ мачехи…
Пеппа – симпатичная маленькая свинка, которая живет вместе со своей семьей: мамой Свинкой, папой Свином и маленьким братиком Джорджем. Пеппа обожает играть, наряжаться, бывать в новых местах и прыгать по грязным лужам. Eе приключения всегда заканчиваются благополучно и сопровождаются взрывами смеха.
Ми-ми-мишки — Маленькое приключение — Новая серия 42 — мультики детям
Опубликовано: 26 июл. 2016 г.Ура! Вышло приложение «МУЛЬТ»! Скачайте и смотрите все серии «Ми-ми-мишек» и другие мультики без Интернета!
Подробнее о приложении по ссылке http://i-mult.ru/games/mult?utm_sourc...
Анимационный сериал «Ми-ми-мишки» расскажет о приключениях неутомимых озорников бурого медвежонка по имени Кеша, белого по имени Белая Тучка и их подружки лисички по имени Лисичка. На этот раз герои решили уменьшить себя, чтобы найти на полу потерянную вещь. Но взгляд на мир меняется, когда ты ростом с муравья. О крупных неприятностях крошечных героев смотрите в новой серии под названием «Маленькое приключение».
Бурый медвежонок Кеша и его друг Белая Тучка живут в лесу. Давным-давно Белая Тучка приехал в гости и поселился в своем доме на некотором расстоянии от дома Иннокентия. Это позитивный, юморной, оптимистический сериал. Он может помочь людям увидеть, что можно жить в гармонии с природой и при этом быть развитым, увлеченным, любящим науку и технику. Ну и что дружба преодолевает любые препятствия.
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Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014
Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014
Опубликовано: 19 окт. 2013 г.Track 6/8, from Gravity (Ad Noiseam adn168).
Eos could be the musical translation of «finesse».
A few notes on the piano, cleverly mixed between two octaves; simple, but certainly not simplistic.
I see myself stopping the time at some point, allowing me to freely walk near people, animals, vegetals and observe the scenes taking place in front of me.
I could see the smallest details of the facial expressions of the people and guess their thoughts, witness the blooming of a flower while the dew is still dropping of the petals, watch an eternal sunrise over the Finnish lakes… So many events I wish I could take the time to see but never make it.
This tune is soothing, mesmerizing and would make the coldest hearts more sensitive.
Stunning.
Enjoy folks, and if you feel like it, I'd like you to share your sensations too, here in the comments section or on my Facebook page at https://www.facebook.com/adda.ambient
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This video is uploaded only in a promotional purpose, as I do not own any rights on this music. All rights reserved to Ben Lukas Boysen and Ad Noiseam.
If you (artist, label or viewer) have any inquiry, just email me at a2damusic@gmail.com