Маша и Медведь мультик Маша открывает Киндер Сюрприз ДЖОЙ с игрушкой Тачки мультфильм для детей
Опубликовано: 21 июн. 2016 г.Сегодня Маша и Медведь будут открывать новый Киндер Сюрприз, этот Сюрприз из коллекции Джой Тачки. Яйцо поможет открыть волшебница, а что будет внутри, вы узнаете в видео.
*Маша и Медведь — это самый популярный мультик для детей во всей России и многих других странах. В мультике с Машей и Мишей рассказывается о дружбе Медведя и маленькой веселой девочке Маши, которая не даст никому соскучиться. Смотрите все серии Маша и Медведь Сюрприз Игрушки онлайн на нашем канале YouTube!
На нашем канале вы увидите не только Машу и Мишу, а еще и их друзей, таких как: Свинка Пеппа, Смешарики, Фиксики и многие Другие.
Все видео канале Маша и Медведь Сюрприз Игрушки исключительно из Сюрприз Игрушек, это и делает нас уникальными и интересными.
Не забывайте Подписаться, что бы не пропустить новые серии: https://goo.gl/cn3zmz
Приятного Просмотра =)
Electric Wizard is:
Jus Oborn – Vocals, Guitar, Bass
Liz Buckingham – Guitar
Mark Greening – Drums
«Good news for all of those who love drugs, doom and the demonic one, metal’s favourite stoners Electric Wizard are back with their eighth album Time to Die. Once again taking their trademark evil heavy sound and combining it with their love of all things seventies doom, it’s another fantastic album for fans of the mighty riff.
Spoken word samples of suicide, drug abuse, satanism and the occult are used throughout the album, bringing to mind everything Electric Wizard and setting the scene for the heavy drugged up atmosphere to come. From the opening slow barrage of drums on Incense of the Damned bringing to mind metal classic Am I Evil, they dive right into their trademark riff-fest. Not as ludicrously heavy as the classics Dopethrone and Come My Fanatics, what The Wizard excel at this days is slow catchy Sabbath and St Vitus style riffs combined with their own brand of drugged up heaviness that they do so well. Jus’ vocals aren’t as ferociously apocalyptic as the aforementioned classics, instead his effects laden Ozzy impressions sound as drugged up as his doom hero, and combined with the slow heavy riffs they create a brilliant occult atmosphere. It’s a continuation of the Black Masses sound, but it’s a massive improvement over their last outing.
It’s their longest full length outing to date, showing their ambition with the new album, and opener Incense of the Damned pushes the ten minute mark with ease, the vocals, riffs and production creating the atmosphere of the occult and the thick guitar sound invoking the smell of incense (or perhaps a different herb) hanging heavy in the air. The lead guitar and mammoth riffs of the title track combine with the synths to continue that occult atmosphere further, while Jus’ brilliant wails are brilliantly seventies, equally as good as that wailing lead guitar at the end.
I am Nothing is the highlight, the eleven minute behemoth is the heaviest, slowest and nastiest track, with vitriolic lyrics and thick sludgy riffs. Downtuned chugged guitars and, a slow pounding assault on the drums make it ludicrously evil, and the great lyrics and vocals as Jus sings “I Am Nothing, I Mean Nothing, I See Nothing, I Feel Nothing….as I kill you” is fantastic. It’s great to have Mark Greening back on the drums, and it’s his best performance on the album here, even if it was a short lived reunion, having left since the recording. More murder, drugs and satanic samples on the heavy Destroy those who love God continue the atmosphere, while Funeral of Your Mind is more straight up seventies riffage through the distorted haze of Electric Wizard’s guitar tone and it’s a lot of fun. There’s not a bad track to be found, each one a great example of modern stoner doom.
The only criticisms to be had here are that I am Nothing aside they just simply don’t reach the pure evil of Dopethrone, and that might not appeal to those who haven’t accepted the band’s change in sound – it’s also not highly original. But for great catchy stoner doom with a strong occult vibe, and melding of the seventies vibe with their classic heaviness you can’t go wrong and it’s perhaps the best they’ve released since Dopethrone.» — Originally written for swirlsofnoise.com
Mastered By – James Platkin
Mixed By – Chris Fielding
Producer – Jus Oborn
Recorded By – Chris Fielding, Jus Oborn, Liam Watson
Recorded At – Toe Rag Studios
Recorded At – Skyhammer Studio
Produced For – Satyr IX Productions
Released September 1, 2014 by Spinefarm Records.
If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.
I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Опубликовано: 12 апр. 2014 г.70's Classic Soul Music Mix by DJ Amuur
Mixcloud Profile: http://www.mixcloud.com/olskool56 (My Mix Page)
ReverbNation: http://www.reverbnation.com/inreellife ( 90's Dance Tracks)
Official Website: http://hiphopsoul.ning.com
1. INTIMATE FRIENDS — EDDIE KENDRICKS
2. BECAUSE I LOVE YOU — BRIGHTER SIDE OF DARKNESS
3. YOU GOT YOURS AND I'LL GET MINE — THE DELFONICS
4. FEELS LIKE THE WORLD — THE ISLEY BROTHERS
5. FREE AT LAST — AL GREEN
6. AND I PANICKED — THE DRAMATICS
7. LOVE GONNA PACK UP — THE PERSUADERS
8. STRANGERS IN DARK CORNERS — TAVARES
9. SPELL — BLUE MAGIC
10. YOUR WELCOME STOP ON BY — BOBBY WOMACK
11. YOU KNOW HOW TO MAKE ME FEEL SO GOOD — HAROLD MELVIN
12. WHAT A WOMAN REALLY MEANS — DONNY HATHAWAY
13. I REALLY LOVE YOU — FATHERS CHILDREN
14. I'LL BE HERE — GLADYS KNIGHT AND THE PIPS
15. A LETTER TO MYSELF — THE CHI-LITES
16. WHAT DOES IT TAKE — ISAAC HAYES
17. LET THE MUSIC KEEP PLAYING — LTD
18. ANGEL — OHIO PLAYERS
19. I GET MY GROOVE FROM YOU — BOBBY PATTERSON
20. THE PRAYER — JOE BATAAN
21. A MESSAGE TO MY BABY — BILLY HARNER
22. STILL WATER — FOUR TOPS
23. CAN'T HELP IT BABY — CLINTON HARMON
24. WE CAN'T BELIEVE YOUR GONE — BOBBY HARRIS
25. DO YOU REALLY MEAN GOODBYE — THE MANHATTANS