Опубликовано: 8 июл. 2014 г.Профессор Чудаков стал бы чемпионом по рассеянности даже среди профессоров и чудаков! Выходя из лаборатории, он постоянно забывает ключ-карту — электронный пропуск. Что бы он делал без фиксиков?
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Black Sun Empire, Nymfo — Battlefish (original mix) 00:00 — 4:55
Future Prophecies — Black Dragon 4:55 — 10:20
Dj Hidden — Amnesia 10:20 — 17:40
Black Sun Empire — The End of Me (N.Phect Remix) 17:40 — 23:02
Dj Hidden — Breathe In Breathe Out 23:02 — 28:08
DJ Hidden & Slacknote — Where's the score? (Evol Intent Remix) 28:08 — 34:45
04. SPL — Glimmer. 34:45 — 41:32
Black Sun Empire — Breach 41:32 — 48:45
Katharsys — Infectious 48:45 — 54:35
Audio — Headroom VIP 54:35 — 59:00
Опубликовано: 3 нояб. 2014 г.The 35th edition of the Blackout Podcast, bringing the finest drum & Bass (formerly known as Black Sun Empire Podcast) Mixed by Pythius
Pythius — Abandon [Blackout Dub]
Teknian, Disprove & Ordure — Lockheed [Inspected]
Ed Rush — Scarabs [Piranha Pool]
Audio — Ultron [Ram]
Sinister Souls & Pythius — Hustlin’ [Dub]
Mefjus — Suicide Bassline [Critical]
State Of Mind & Black Sun Empire — Unconscious (Concept Vision & Segment Remix) [Blackout]
Pythius — Air Raid [Blackout Dub]
Maztek & BTK — Wraith [Renegade Hardware Dub]
Mizo — Money Spend [Overtech Dub]
Xtrah & DLR — Direct Approach [Dispatch Dub]
Nickbee — Iridium [Citrus Dub]
BTK — Spawn Ft. Rymetyme [Dutty Audio Dub]
Pythius — Vermin [Blackout Dub]
State Of Mind — Hoodoo [SOM Music]
Signs — Code Talk [Dub]
Icicle — The Edge Ft. Metropolis [Shogun]
State Of Mind & Nymfo — Put It On (Annix Remix) [Blackout]
State Of Mind — Long Term Effect [Citrus]
Audio — Stampede [Ram]
Pythius — BBT [Blackout Dub]
State Of Mind — No-Operative (Audio Remix) [Blackout]
Effector — The Destroyed Kingdom (Neonlight Remix) [Close 2 Death Dub]
Black Sun Empire & State Of Mind — Ego [Blackout Dub]
Rockwell — 1_2_3_4 [Shogun]
Mind Vortex — Gravity [Ram]
Rusty K — End War [Close 2 Death Dub]
Task Horizon — Weave The Strands [Evolution Chamber]
Delta Heavy — Reborn (June Miller Remix) [Ram]
Black Sun Empire — Inpeak [BSE Rec]
Audio & Insideinfo — Vein Drain [Virus]
Pythius — Executor [Dub]
Loadstar — Under Pressure [Ram]
State Of Mind — Full Force [Dub]
Black Sun Empire & Pythius — Desert Sand [Blackout Dub]
Black Crown Initiate — Linear
Опубликовано: 17 мар. 2016 г.The madman Prolix hits the decks for the Friction’s show and delivers what has to be the nastiest DNB60 in months. We’re privileged to bring you this hour lasting shot of pure fire featuring a great showcase of the latest material from the likes of Prolix himself, Bad Company, Fourward, June Miller, Neonlight and more.
Опубликовано: 21 окт. 2013 г.~| no copyright infringement intended! |~
via NPR -
Over the course of 15 years, Tim Hecker's experimental electronic compositions have intensified like oceans. While few contemplated their soothing, unfathomable waves, the observant noted rising temperatures, torment and microcosmic disturbances that truly told of awesome powers. But with Virgins, Hecker may have reached his point of no return, a piece of such force and clarity that even the indifferent should tape up the windows.
From the opening seconds of «Prism,» Hecker heralds a change. His layered drones, incidental percussion and piano motifs, long submerged in deep chasms of noise, echo and static, are now exposed and glinting. «Prism» hurtles inexorably upward, piercing and shattering through sound barriers before the rest of the album bursts into fragments, then dust, then mist, almost as if Hecker himself is exploding from the murky beneath. Not only do you hear distinct notes and instruments; you also sense the room in which they were played and the people who played them. What had always been vaguely melancholy, solitary and dreamlike is now harrowingly vivid, visceral and real, yet no less mesmerizing.
On the surface, Hecker reinvents himself, but he also re-frames what he's done before. Compare Virgins' «Black Refractions» to «Borderlands,» from 2009's An Imaginary Country. Technically, they couldn't sound any different. The former sets a stunningly simple, repetitive piano melody atop distant but definite brushes, while the latter is a reverberating sound bath. But the underlying component remains the same: a beautiful, indelible melody. The comparison invites listeners to search back through these songs, to listen for what now seems obvious.
For the first time in his career, Hecker recorded his compositions with live ensembles and mixed these sessions with composer Valgeir Sigurðsson, whose engineering and producing credits include fellow Icelanders Björk and Sigur Rós. For an artist who recently referred to his process as «a kind of continual transformation,» the effect of Hecker's new way of working feels startling and revelatory. An artist many critics and fans assumed would simply continue to refine his signature sound has instead shed its most defining characteristics. The transformation is complete; this is a new being.
It is an artist's boldest move, to reject his established style, especially when his audience is relatively small yet devoted. It's as if Richard Serra demolished one of Gehry's shimmering civic trophies and built a rural mega-spiral from its scraps. Sharp, blinding, somewhat confusing, wholly fascinating and most definitely meaningful — but would his biggest fans long for the age of rust? For Virgins' listeners, the proposition is simpler: Hit play and forget what you know.
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Nick Galemore combs through the entire Kindisch catalogue, from the very first record in 2006, up to soon-to-be-released material, compiling a new story with a goal: exit the comfort zone and broaden the horizon.
«I was asked to put together a compilation for the label. Being the product manager, I knew a lot about the more recent releases. But the older stuff I didn't really know too well — that was before my time, so to speak. I took the unfamiliarity and ran with it — I wanted to push my own boundaries a bit, to step into a new kind of genre and see what happened. „
“What I ended up with is a mix that spans over nearly a decade, and crosses a few genre lines. Nearly every track in the mix is an edit I made for the mix. For example, I took vocals from Raz Ohara's 'Whitmey Na' (first released in 2007) and put them on Ben Hoo's opening album track 'Marea', released just a couple months ago — and it's funny how well they worked together. I mean, two very different styles, from 2 different decades fit together like it was produced together… in my opinion anyway. In some places I have 3 or 4 tracks playing at the same time, some old, new and unreleased things too — and they work together so well. I have a totally new sense of respect for music now. „
“I also signed some new things, specifically for this compilation. Just 1 day before I locked myself in my studio (aka my kitchen) I got a mail from DJ T., he sent over a link to some tracks from Jobez & Echter — two dutch guys I had never heard of before. But I was totally blown anyway and signed them immediately!»
«Another new signing was 'Yesterday' from Less Hate. Now I had this — and a couple other tracks — for a while, he sent them right after his Kindisch release 'Soul Doubt'. I was in love with them for quite a while and thought, 'this is totally my chance to use them!' Keep a lookout for the EP coming in a few weeks with a couple more — I highly recommend that one.»
«And let's see… what else? Oh yes, Mr. Jonas Woehl! I originally wanted to make a remix of Pepe Acebal's 'We Will Stay Together' because that vocal line was way too good to pass up — I was talking with Jonas about it and he thought the same. He was interested in it too so I sent him the parts. 2 days later he sent me his remix… which turned out much better than mine! I signed his and have no regrets.»
«Lastly, I have been a fan of Alex Dimou for quite some time now — he played at a party we had organized last year and soon after he sent me some demos — really nice stuff coming from this guy. We signed some of his stuff to Get Physical (look out for the EP 'Sweet Berries' soon!) and so I asked him if he had anything else for me — he sent over 'Ashburg' with the note 'I like to end my sets with this.» I thought I would follow his advice, and I think it was the right thing to do."
«All in all, I am super happy with the way everything turned out — because of course I had my doubts (mostly about myself — if I would be able to pull it off or not… ). In the end it turned out so much better than I had hoped it would. If you took the time to listen to it — and read this wall of text — thank you. Thank you so much. I really hope it brought you some sort of joy, though I know one can't satisfy everyone, so if this is just not your thing, well that's OK too, maybe next time.»
Опубликовано: 24 мая 2016 г.Алсу — Лучшие клипы 2016
01. Алсу — Тепло от любви 00:08
02. Алсу — Я тебя не придумала 05:36
03. Алсу — Зимний сон 08:59
04. Алсу — А у моей любви 13:28
05. Алсу — Иногда 17:30
06. Алсу — Нет тебя дороже 21:41
07. Алсу — Разлюбить не в силах 25:12
08. Алсу — Там, где нет тебя 28:56
09. Алсу — Счастье ты моё 32:32
10. Алсу и Noel — Любовь 35:19