This project perfectly fits into the progressive Psy scene,
And continues the musical line of Yahel as a Goa Trance Artist.
135 — 139 BPM
TRACK LIST :
1. Yahel & Liya — Creatures (Darma Dub mix) 00:00 — 06:00 min.
2. Yahel & Tammy — Life Of your own (Darma Vocal cut mix) 06:00 — 10:00 min.
3. Yahel — Now Fucking Dance (System Nipel Remix ) 10:00 — 16:00 min.
4. Yahel — Intelligent Life ( Invisible Reality Remix) 16:00 — 22:00 min.
5. Yahel — Close Your Eyes ( Mindwave Remix ) 22:00 — 30:00 min.
6. yahel — Dune 30:00 — 37:30 min.
7. Yahel & Tammy VS. Impact & Numb — Ocean 2013 37:30 — 42:50 min.
8. Stanton Warriors — Turn Me Up Some (Yahel Remix) 42:50 — 47:37 min.
9. SL2 — On A Ragga Tip (Yahel remix) 47:37 — 53:20 min.
Опубликовано: 26 нояб. 2014 г.Jak nazwa wskazuje Remix składa sie z utworów Basshuntera. Jest to moje drugie nagranie w dużo lepszej jakości niż poprzednie! Pozdrawiam Wszystkich miłego słuchania.
Zapraszam na moją oficjalną stronke: https://www.facebook.com/DJKACIOR
Mój ask: http://ask.fm/k366
Rendezte — Rónai Domonkos
Fényképezte — Szilágyi Fanni
Gyártásvezető — Reich Ida
Kamera assist. — Szilágyi Gábor
Grafika — Erdei András
Látvány — Tasnádi Zsófia
Fahrt — Benkó Tamás
Smink — Véger Fibi
Ruha — Sármán Nóra
Haj — Herdlein Péter, Detti
Werk fotó — Kárász Karolina
Catering — Kovács Nikolett
Szereplők:
Szalay Ákosné
Kiss Orsolya
Baloghné Székely Tünde
Dóczé Péter
Garádi Gréta
Szalay Henrietta
Hujber Szabolcs
Hujber Lívia Gabriella
Bognár Gergely
Miklósfalvi Júlia
Kruppa Nóra
Kuppa Gergely
Nagy Viktória
Mezei Réka
Nagy Gréta
Nagy Szilvia Virág
Gordos Zsuzsanna
Golyán Eszter
Horváth Tamás László
Horváth Tamás Lászlóné
Külön hatalmas köszönet :
Benke Éva, Szilágyi Ferenc, ifj.Szilágyi Ferenc, Bánáti Vanda, Zsólyomi Norbert, Aquamarina Hotel.
Опубликовано: 28 мар. 2012 г.Der Zett halt wie wir Ihn kennen… :) Vorallem das fette, kleine, verzogene Dreckskind, welches als Intro benutzt wird, dürfte ja mittlerweile jeder kennen.
«Ich will Unreal Tournament spielen!!» Ich finds herrlich!
Опубликовано: 12 февр. 2015 г.Track 4/4, from Mare Nostrum (Hymen Records ¥832).
I think we knew the answer, but we have to make it clear: it's obvious the computer didn't turn into something more human, and it's obvious Hecq didn't turn into an abstract pile of informations. It's more than that.
What seemed to happen in the glass and steel enclosure in Barcelona is a perfect symbiosis between an organic and a digital creature. Two unique and powerful minds that somehow merged and created a new being worth more than the sum of its parts.
This statement is confirmed by the apparition of a developed melody since the beginning of the track, still having this otherworldly feeling coming from the borders of time and space. MareNostrum is working hard to follow Hecq's creation and the artist tries to convert the supercomputer's algorithms into tangible pieces; but to truly create something exceptional, they must both overtake their own limits. This is exactly what happens at half the track: the common decision to pool their knowledge and emotions to produce even more and overshoot their already incredible very own potentials.
After finding a way to communicate, MareNostrum and Hecq created melodic parts already worth the listening, but at this point, what missed was a rhythmic part. And that's what they both achieved in the last ten minutes of the album.
There is a set tempo, but the notes are hit erratically, sometimes off-key, harder or softer. Or are they? Aren't they just at the next level of comprehension for us, humans that can't grasp all the beauty of this piece? We can still get the emotional impact that this ending has on the global concept, evolving from abstract circuitry sounds and glitches to a melodic and rhythmic part that almost frees itself from its origins. But there is some next-level stuff happening here.
They say an average human uses around 10 % of its brain capacity, even if a lot of the neural connexions are existing. IV proves that some can go further and still keep themselves intelligible to the others. And that's what Hecq seems to offer here, an album ahead of its time with nothing to left nearby.
Exceptionnal, and probably already in my 2015 top releases.
Enjoy folks, and if you feel like it, I'd like you to share your sensations too, here in the comments section or on my Facebook page at https://www.facebook.com/adda.ambient
If you liked this track/album, here are some useful links to support the artist and the label :
This video is uploaded only in a promotional purpose, as I do not own any rights on this music. All rights reserved to Ben Lukas Boysen aka Hecq and Hymen Records.
If you (artist, label or viewer) have any inquiry, just email me at a2damusic@gmail.com
Nick Galemore combs through the entire Kindisch catalogue, from the very first record in 2006, up to soon-to-be-released material, compiling a new story with a goal: exit the comfort zone and broaden the horizon.
«I was asked to put together a compilation for the label. Being the product manager, I knew a lot about the more recent releases. But the older stuff I didn't really know too well — that was before my time, so to speak. I took the unfamiliarity and ran with it — I wanted to push my own boundaries a bit, to step into a new kind of genre and see what happened. „
“What I ended up with is a mix that spans over nearly a decade, and crosses a few genre lines. Nearly every track in the mix is an edit I made for the mix. For example, I took vocals from Raz Ohara's 'Whitmey Na' (first released in 2007) and put them on Ben Hoo's opening album track 'Marea', released just a couple months ago — and it's funny how well they worked together. I mean, two very different styles, from 2 different decades fit together like it was produced together… in my opinion anyway. In some places I have 3 or 4 tracks playing at the same time, some old, new and unreleased things too — and they work together so well. I have a totally new sense of respect for music now. „
“I also signed some new things, specifically for this compilation. Just 1 day before I locked myself in my studio (aka my kitchen) I got a mail from DJ T., he sent over a link to some tracks from Jobez & Echter — two dutch guys I had never heard of before. But I was totally blown anyway and signed them immediately!»
«Another new signing was 'Yesterday' from Less Hate. Now I had this — and a couple other tracks — for a while, he sent them right after his Kindisch release 'Soul Doubt'. I was in love with them for quite a while and thought, 'this is totally my chance to use them!' Keep a lookout for the EP coming in a few weeks with a couple more — I highly recommend that one.»
«And let's see… what else? Oh yes, Mr. Jonas Woehl! I originally wanted to make a remix of Pepe Acebal's 'We Will Stay Together' because that vocal line was way too good to pass up — I was talking with Jonas about it and he thought the same. He was interested in it too so I sent him the parts. 2 days later he sent me his remix… which turned out much better than mine! I signed his and have no regrets.»
«Lastly, I have been a fan of Alex Dimou for quite some time now — he played at a party we had organized last year and soon after he sent me some demos — really nice stuff coming from this guy. We signed some of his stuff to Get Physical (look out for the EP 'Sweet Berries' soon!) and so I asked him if he had anything else for me — he sent over 'Ashburg' with the note 'I like to end my sets with this.» I thought I would follow his advice, and I think it was the right thing to do."
«All in all, I am super happy with the way everything turned out — because of course I had my doubts (mostly about myself — if I would be able to pull it off or not… ). In the end it turned out so much better than I had hoped it would. If you took the time to listen to it — and read this wall of text — thank you. Thank you so much. I really hope it brought you some sort of joy, though I know one can't satisfy everyone, so if this is just not your thing, well that's OK too, maybe next time.»
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