Опубликовано: 21 янв. 2014 г.This upload is intended for sharing purposes only. I do not own anything in this video, all rights reserved by Sleep and their label. Please support the band by buying this album.
Опубликовано: 5 мая 2013 г.I do not own any copyrights im just a fan, every album i upload is an album i own, plz buy the album if you like it thank you \m/
1. With Hearts Toward None I 00:00
2. With Hearts Toward None II 05:07
3. With Hearts Toward None III 09:41
4. With Hearts Toward None IV 17:38
5. With Hearts Toward None V 22:46
6. With Hearts Toward None VI 28:53
7. With Hearts Toward None VII 33:45
Дата загрузки: 7 июл. 2010 г.I was asked to upload the full version of this track. Which im completely fine with because its so godamn awesome. I had already uploaded a short 1:17 clip, it was the beginning of the track, which is the only drumstep in this tune. The whole track is a killa in my opinion. anyways go nuts on this!
Опубликовано: 14 окт. 2015 г.Upgrade — Superset 2015
Subscribe: http://bit.ly/UpgradeSubscribe
Our new Superset with our best Music and Some New stuff is finally out. Enjoy the music and share the love :)
Upgrade, Udi Pilo and Raz Kfir from Israel, are considered to be a worldwide phenomenon and the biggest break of the electronic Trance scene in the last three years .
Everyone who has been exposed to their unique music cannot remain indifferent, and they have been raising the bar with each new release and performance. Upgrade's unique sound, melodic motifs and monstrous beats keep creating successful party anthems (Baileys, Day Dream, The Chakra Flow with Azax Syndrom & more) that have been playing constantly around the world and puts them in the front row with the biggest names in the scene. Their uplifting melodic full power Trance music has carved a special path for them in the world of Psytrance
The rapid emergence of micro-genres has a long history in music, but the Internet has intensified the process. Online communication creates a situation where young artists, separated by geography but brought together through the web, can share the same obsessions and quickly develop remarkably similar aesthetics. The umbrella of music sometimes called witch house is perhaps the most obvious example of this in the last few years, since it combined musical concerns (moody synths, slow tempos, warped vocals, allusions to Southern rap) with a specific visual aesthetic (anonymous producers shielded by hoodies, Christian imagery, deep knowledge of the computer keyboard's symbol keys), and so many artists with these exact qualities appeared simultaneously. Unusually, the bulk of the movement could be traced to precisely one source, Salem, demonstrating how much sway that sometimes reviled outfit had over the minds of budding young producers who spend way too much time online.
Once a scene or sound crystalizes, you can bet that the most interesting artists to emerge from it will quickly set off on their own and develop an individual voice. Balam Acab, the project of 20-year-old Pennsylvanian Alec Koone, was rightly slotted with witch house when he released his See Birds EP in 2010. He has the warped voices and the slow tempos, he was on the right label, and his IRL identity had a cultivated air of mystery. But the careful construction of See Birds hinted that his musical ear was a cut above, and now his excellent full-length debut, Wander / Wonder, confirms it. This is a personal and distinctive record with its share of current reference points that nonetheless doesn't need a scene to prop it up.
A few things set Balam Acab apart from the pack, first being the overall mood. The post-Salem «dark and creepy» crawl became a cliché in record time, but Wander / Wonder, despite the spectral voices that take the lead on every track, has no hints of nightmares or grim violence. Instead, its primary concern is simple aesthetic beauty, the way a small and specific combination of sounds, carefully arranged but given room to breathe, can have a deep emotional impact. It's pretty, in other words, but its prettiness never feels manipulative or overbearing. It's the sort of music that exists at the intersection between art and design, but it manages to avoid feeling sterile.
There are eight tracks here in 37 minutes, the perfect length given the consistent mood. They have vague titles like «Apart» and «Now Time» and «Oh, Why» that serve as a light tint but don't really point to anything in particular. In fact, differentiating between the tracks seems sort of beside the point, since so many of the same motifs pop up over and over again: The album feels very much like one sustained thing. The basic elements are twinkly keyboards and and music-box chimes, dusty crackles floating on sounds of shifting liquid, and deep basslines bumping into the occasional drum machine clap. Floating above it all are the voices, pitched up to accentuate their delicacy and set loose in a cloud of echo. While the current vogue is for sampled vocals that allude to R&B, Balam Acab's mostly have a classical feel, sounding like they are pulled from recordings of ancient hymns and airs. Accentuating the «chamber dub» qualities are liberal samples of orchestral sections and nylon string guitar. But the most important instrument of all is silence, which frames every note and brings it to the foreground.
Where the ghostly dubstep of Burial, an obvious antecedent, has a crucial connection to the urban street, Wander / Wonder is pastoral, more likely to bring to mind sunlight slanting through a window that overlooks a rural garden. And you can't have a garden without water. As anyone who has ever knocked over a cup next to a computer knows, water is the digital sphere's mortal enemy, the thing that can bring our precious electrical circuits down in an instant. In line with recent productions by Clams Casino and AraabMuzik, Wander / Wonder has has an obsession with the sound of the life force: Laced throughout are samples of lapping currents, slow drips, and light splashes. These accents reinforce both the bucolic feel and, with the complexity of the natural world that computers still envy, liberates the music from the computer grid. They also make Wander / Wonder an immersive experience, like something you lower yourself into, inch by inch. And in the end, that seems to be the overriding idea: This is functional music that highlights the simple pleasure of artfully arranged sound, the kind of gorgeous and evocative record that fills up the room and shifts your perception for 37 minutes and then brings you gently back to the surface.
Дата загрузки: 23 нояб. 2011 г.0:00 — All You Are Going To Want To Do Is Get Back There 3:45 — Moments Of Sufficient Lucidity 7:33 — The Great Hidden Sea Of The Unconscious 10:35 — Libet's Delay 14:00 — I Feel As If Might Be Vanishing 15:57 — An Empty Bliss Beyond This World 20:16 — Bedded Deep In Long Term Memory 22:05 — A Relationship With The Sublime 25:40 — Mental Caverns Without Sunshine 28:54 — Pared Back To The Minimal 30:40 — Mental Caverns Without Sunshine 32:15 — An Empty Bliss Beyond This World 36:03 — Tiny Gradiations Of Loss 38:55 — Camaraderie At Arms Length 43:41 — The Sublime Is Disappointingly Elusive 45:25 — Fleeting Dreams 48:28 — The Story Is Lost
Опубликовано: 7 мая 2013 г.This is a chill/dreamy mix that I made with the main focus being on Bonobo :)
Huge thanks to JonoHewitt1 for compiling the tracklist and the times for me :D
Tracklist: 0:00 = Bonobo — Silver 6:30 = Active Child — Hanging On 11:40 = Bonobo — All in Forms 16:25 = Phaeleh — Should Be True 23:05 = Bonobo — We Could Forever 27:12 = Phaeleh — Nothing's Wrong 31:45 = Bonobo — Brace Brace 38:38 = Phaeleh — In the Twilight 44:50 = Bonobo — The Keeper Banks Remix 50:50 = Koda — Hands 55:40 = Bonobo — Stay the Same 1:00:20 = Koda — Limnos 1:04:48 = Bonobo — Kiara 1:09:46 = Koda — Labyrinth 1:14:08 = Bonobo ft Bajka