Опубликовано: 17 апр. 2013 г.Just a short set featuring some exclusive live remixes performed by myself. All credit goes to the original artists listed below...
01. Dj Hidden — Times Like These
02. Obsidia — Heart Of Darkness
03. Forbidde Society — king Of Pogo
04. Crypsis — lost In The Mist (The Horror Music Sorcerer Refix)
05. Obsidia — Evolution
06. Forbidden Society — Heavy Metal Tank
07. Stereotuners — Search And Destroy
Опубликовано: 13 июн. 2014 г.High quality recording from DNB Rodeo — Titan Records night w / A.M.C (UK), T-Phonic (UK) & Six Blade (UK) in Storm Club Prague!
In Low Orbit — Poschek
Sometimes We Forget — Flowrian
Let Me Go (Break Remix) — Octane and DLR featuring Marion
Close To You — Satl
Almost U — Gerra & Stone
Psychonaut feat. Dan Stezo — Redeyes
Fruit And Water — Mark System
Waiting For Inspiration — Soultec
These Words — Critycal Dub
Let It Rain — Blastikz
Leave Me Alone — Phase 2
Now You're Gone (feat. Collette Warren) — Facing Jinx
Forotten Note — Redeyes
Escape That — 4hero
The Notes You Play Inside My Heart — Lurch
Brother's Keeper — Rowpieces
Coffy — Glen E.Ston & Revival
Dimension — Blastikz
Brazil Calling — Rowpieces
Just One Second (Riot Jazz Cover) — London Elektricity
Foundations — Atlantic Connection
Icarus (Syncopix Remix) — Lovebirds feat. Galliano
Опубликовано: 21 окт. 2013 г.~| no copyright infringement intended! |~
via NPR -
Over the course of 15 years, Tim Hecker's experimental electronic compositions have intensified like oceans. While few contemplated their soothing, unfathomable waves, the observant noted rising temperatures, torment and microcosmic disturbances that truly told of awesome powers. But with Virgins, Hecker may have reached his point of no return, a piece of such force and clarity that even the indifferent should tape up the windows.
From the opening seconds of «Prism,» Hecker heralds a change. His layered drones, incidental percussion and piano motifs, long submerged in deep chasms of noise, echo and static, are now exposed and glinting. «Prism» hurtles inexorably upward, piercing and shattering through sound barriers before the rest of the album bursts into fragments, then dust, then mist, almost as if Hecker himself is exploding from the murky beneath. Not only do you hear distinct notes and instruments; you also sense the room in which they were played and the people who played them. What had always been vaguely melancholy, solitary and dreamlike is now harrowingly vivid, visceral and real, yet no less mesmerizing.
On the surface, Hecker reinvents himself, but he also re-frames what he's done before. Compare Virgins' «Black Refractions» to «Borderlands,» from 2009's An Imaginary Country. Technically, they couldn't sound any different. The former sets a stunningly simple, repetitive piano melody atop distant but definite brushes, while the latter is a reverberating sound bath. But the underlying component remains the same: a beautiful, indelible melody. The comparison invites listeners to search back through these songs, to listen for what now seems obvious.
For the first time in his career, Hecker recorded his compositions with live ensembles and mixed these sessions with composer Valgeir Sigurðsson, whose engineering and producing credits include fellow Icelanders Björk and Sigur Rós. For an artist who recently referred to his process as «a kind of continual transformation,» the effect of Hecker's new way of working feels startling and revelatory. An artist many critics and fans assumed would simply continue to refine his signature sound has instead shed its most defining characteristics. The transformation is complete; this is a new being.
It is an artist's boldest move, to reject his established style, especially when his audience is relatively small yet devoted. It's as if Richard Serra demolished one of Gehry's shimmering civic trophies and built a rural mega-spiral from its scraps. Sharp, blinding, somewhat confusing, wholly fascinating and most definitely meaningful — but would his biggest fans long for the age of rust? For Virgins' listeners, the proposition is simpler: Hit play and forget what you know.
Disclaimer — This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners.
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I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law.
All of the music on this channel has either been sent to me directly by the artists themselves or from the label who own the copyright to the song. If you have any further questions please dont hesitate to email me. Images are downloaded from a free site, if you happen to be the owner/designer please again dont hesitate to inbox me to attach links, copyright or to simply remove the content.