2015 Acid Techno Mix — March 303 Madness — Mr. LooteR — El Callejon Del Diablo
Опубликовано: 21 мар. 2015 г.Check out my other mixes
Mix By: Mr. LooteR — El Callejon Del Diablo
Track Listing for this mix
Intro: Woofer Test II (The Longest Hum On The Planet) — Dynamix II — Dynamix II Records
1. Scum Like Us Like Acid — Chris Liberator & Sterling Moss — Corrosive Records
2. Don't Fuck Around — Sterling Moss — Rebeltek
3. Squat!!!.Come On!!! — Squat Dom — Interstate One
4. Fist Of The Dragon — BIRI 'N' THE GEEZER — U.F.O. Recordings
5. Poppin These Pills — Sterling Moss & DJ Zebedee — Rebeltek
6. Acid Cortex — Acid Chochi Marcio M.- Acid Resistance Records
7. Clear Cut Case — Wake 'N' Bake — Hive
8. Whitestone Place — Rowland The Bastard — Acid Resistance Records
9. The Devil's Rejects — Wake 'N' Bake — System Rejects
10. Factory Grade — OB1 — System Rejects
11. Onwards & Upwards — AP — Interstate One
12. No More Fucking Rock N Roll — 303 Pirates — Braingravy Records
13. Electric Land Lady — Sterling Moss & Steve Mills / Rene Reiter / OB1 — Braingravy Records
14. Recharge — TASSID
15. Imminent Attack — Sterling Moss & Biri — Planet Techno
16. Tweak Ya Fucking Beak — Steve Mills — Official
17. Balls Out — MK303 — System Rejects
18. Gangsta Shit — Lethal One — Official
19. Refuse — Tassid & OB1 — System Rejects
20. Cocaine — Lethal One — Interstate One
21. Mischievous Bodily Harm — Gash Generators — System Rejects
22. Peso Pussy Tuesday — Mobile Dogwash vs LSDJ
23. Groove Is In The Acid — Acid Kazuals
Outro: Blue Aura (Weird Meeting) — The Infinity Project — Blue Room Released
Опубликовано: 12 июл. 2015 г.The Flipside Paradox is Simon Segers (drums), Luk Sponselee (electronica), KwintenMordijck (electronica), Niels Duffhues (guitar).
Recorded for a live audience at Vrooom #28 in WORM Rotterdam
Passion, dedication and hard work — Kosenprod is a label which is all about these things and more. Created back in 2011, the label is known to cross boundaries between bass music, techno and drum & bass, with a diverse roster of artists and producers all with an eye and an ear for creativity and sincerity.
One such artist is The Clamps. Graduating from techno, to breaks and trance, to d&b, the producer values everything hard and extreme, taking his influences and creating something new. All of this is showcased on the new release, the Aekon EP.
Aekon is stunning. Right from the intro, all the way through the track, The Clamps means business. Slowly building up, the producer adds layers of sounds, from the complex and involving drum work through to bass and percussion. Things drop down quickly, with booming, punchy beats and attitude-filled background. Engaging, serious and ever-so addictive, this one is set to be huge. Take a trip through the known universe and beyond with The Clamps.
Powerful rhythms correspond with the melody tracks and creepy movie samples top things off. Clubs are going to explode whenever Aekon gets dropped, guaranteed. Make sure you don’t hesitate, get involved now.
Don’t turn away for a second as things heat up again, showing off the full range of The Clamps’ talent. The Aekon EP is another huge release for Kosenprod, further ensuring their place at the very top. Essential.
Available exclusively on Beatport: April 11th, 2016.
Worldwide release: April 25th, 2016.
The Clamps is a fellow member of «Enter The Grid», Tour & Booking Agency :
Опубликовано: 7 мая 2012 г.Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns.
The composition is based upon a poem by Henri Cazalis, on an old French superstition: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed.
According to the ancient superstition, «Death» appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year.
The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the «Devil's chord») played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin. The rest of the orchestra, particularly the lower instruments of the string section, then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes at this point; the full orchestra playing with strong dynamics.Towards the end of the piece, there is another violin solo, now modulating, which is then joined by the rest of the orchestra. The final section, a pianissimo, represents the dawn breaking and the skeletons returning to their graves.
The piece makes particular use of the xylophone in a particular theme to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils part of his Carnival of the Animals.
[from Wikipedia]
Artwork:Remedios Varo,«Les Feuilles Mortes».
Played by:National Philharmonic Orchestra,
conductor:Leopold Stokowski.
