This panel discussion seeks to provide context both to MOCAD's music programming for the evening of July 1, 2011 with Hunting Lodge, Lichens and Michael Dec, as well as a broader understanding of the history and context of the music that today's culture has deemed «noise.» From Luigi Russolo and the Futurists to John Cage, Anthony Braxton and Lou Reed, and from Les Rallizes Dénudés and the Boredoms to Animal Collective and Wolf Eyes, the history of «music» presented as sound and art has been long and well documented. To a large group of forward thinking artisans the terms music, noise and art are non-exclusive.
This discussion includes artist and musician Davin Brainard from the long running performance art/noise music group Princess Dragon Mom and the art collective/record label TIME STEREO; Cary Loren of highly influential Michigan-based proto-noise band Destroy All Monsters; artist Alivia Zivich who runs the influential noise label AA records and performs as part of the noise ensemble Demons; artist and musician Chip Flynn of the robotic art collective Apetechnology; and Detroit promoter and DJ Greg Baise. This loose conversation and information session is led by Detroit artist and MOCAD Public Program Coordinator Ben Hernandez whose venue Detroit Art Space acted as a hub for the Detroit «noise scene» from 2003-2005. There is also a live presentation of a Luigi Russolo noise machine created and installed by Apetechnology.
For more information on MOCAD's future events, please visit: mocadetroit.org/upcomingevents.html
Опубликовано: 26 февр. 2015 г.No copyright intended — this is just for fun
1 Bad Start / Mr Oizo
2.Black Betty-1977 / Ram Jam
3.Time / Benny Benassi
4.Global Players (My Name Is Techno) / Mr. X & Mr. Y
5.I Believe / Celvin Rotane
6.Interference / Connector
7.Magnum / Dirtydisco
8.Monsta Bringing It Down / (Robbie's Disco Mix) Robbie Rivera Presents D
9.I Love You / Phil Kieran
10.Forever Young / Robbie Rivera
11.Adagio For Strings / DJ Tiesto
12.Here's Johnny / Deepack
13.Slice / JB³
14.Mojito (Original Mix) / Marco Bailey
15.Pump jump break / dj. Marski
Note: I'm not the creator of this Music or Image, All rights belongs to respective owners. This video is purely fan-made, it's done for entertainment purposes only.
Disclaimer: I do not own anything in this video. No copyright infringement intended.
Not used for commercial use.
Bohren & der Club of Gore — Black Earth [FULL ALBUM]
Опубликовано: 8 мая 2013 г.Black Earth is the fourth album by the jazz/ambient band Bohren & der Club of Gore. Black Earth was re-released on the American label, Ipecac Recordings(http://www.ipecac.com/) in 2004, increasing the band's exposure in the United States.
All songs written by Bohren & der Club of Gore.
«Midnight Black Earth» — 00:00
«Crimson Ways» — 08:44
«Maximum Black» — 15:25
«Vigilante Crusade» — 22:52
«Destroying Angels» — 30:14
«Grave Wisdom» — 37:22
«Constant Fear» — 43:50
«Skeletal Remains» — 50:12
«The Art of Coffins» — 58:07
Defqon.1 2015 | The Gathering at BLUE | D-Block & S-te-Fan
Опубликовано: 10 июл. 2015 г.• Mark your calendar for Defqon.1 Weekend Festival 2016. From June 24 until 26, all Weekend Warriors unite for the ultimate rave adventure.
Опубликовано: 19 авг. 2012 г.In my opinion, Glue Funk Hits is one of his best. It is something of a landmark release for Aaron «Venetian Snares» Funk when compared to subsequent releases. Released in 2002, it is his first label-released LP in which he would display a particular sonic substance with which he would become associated. Bits of «Amen» and «Think» breaks are sprinkled over distorted supersaw synths, feedback whines and third party samples, at times touched with oscillating flangers and frequency filters, with snare rushes and time stretched percussion samples abounding. In future releases, such as the following year's Chocolate Wheelchair Album (alternately titled Stupid Chocolate Wheelchair), Funk would tone down the harshness and give his tracks a more tangible metronomic meter, but most of the major identifiable traits of a Venetian Snares record first manifested themselves on Glue Funk Hits. Not to say this is a generically uniform record throughout. «Walmer Side» displays glitchcore elements first explored on his previous releases such as printf(«shiver in eternal darkness/n») and Songs About My Cats, while «Dismantling Five Years» is a plaintive atmospheric tune devoid of percussion, and «Banana Seat Girl» sees Funk trying his hand at synthetic Trout Mask Replica-esque free jazz. Certainly a breakcore benchmark and an underrated record from the catalogue of one of the greats.
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