The Stone Roses — Fools Gold (Tall Paul Remix) [Silvertone]
One Dove — White Love (Psychic Masturbation Mix) [FFRR]
Rhythim Is Rhythim — Beyond The Dance [Transmat]
K-Klass — Rhythm Is A Mystery [Deconstruction]
S.A.I.N. Part Two — It's Alright [Effective]
Celvin Rotane — I Believe [Alphabet City]
Blondie — Atomic (Van Helden Mix) [Chrysalis]
O.T Tunes — High [RDR/Our Tribe Management]
Gems For Jem — Lifting Me Higher [Box 21]
Tin Tin Out — Always [Warner/Hooj Choons]
Raw Tunes — Get Wid You [Yum Yum Yummy]
Bizarre Inc — Playing With Knives [Vinyl Solution]
Olav Basoski & Erick E — Silver Blizz [Work]
Chris & James — Tune In [Stress]
Aphrohead — In The Dark We Live [Bush]
Chaka Boom Bang — Tossin And Turnin [Game]
Kool World Productions — In-Vader [Kool World]
DJ Misjah & DJ Tim — Access [X-Trax]
Ace Of Base — Living In Danger [London]
Ashah — Every In The World [White Label]
JX — You Belong To Me [Hooj Choons]
New Order — True Faith [London]
DJ Tim & Ortega — Heartbreak [Direct Drive]
D.M.B. — If We Lose Our Lovin [Metropolitan Music]
Peyote — Alcatraz [R&S]
Jones & Stephenson — The First Rebirth [Prolekult]
Partizan — Kellys Heroes [Kartoonz]
South Of Trance — De La Troisieme Dimension (Gracious Mix) [Lush Recordings]
The Future Sound Of London — Papua New Guinea [Jumpin & Pumpin]
All Them Witches — Our Mother Electricity (2012) (Full Album)
Опубликовано: 7 апр. 2014 г.All Them Witches earn immediate distinction for being the first American band signed to German heavy psych purveyors Elektrohasch Schallplatten. Endorsement from the label of Colour Haze guitarist/vocalist Stefan Koglek, which has released albums from My Sleeping Karma, Sungrazer, Rotor, Been Obscene and The Machine — essentially casting the blueprint by which a goodly portion of the up and coming European scene is built — goes a long way in my book, and the feat is even more impressive when one considers that the Nashville four-piece's debut full-length, Our Mother Electricity sounds so distinctly American. They're not the first to use the wordplay, but in calling their approach «psychedelta rock,» neither are All Them Witches inaccurate. Swampy blues is definitely a major element in what they do, but along with that and the heavy psych aspect to their sound, there's also a dynamic sense of Americana in the songwriting, taking hold either in the twang of centerpiece «Elk Blood Heart» or the countrified moaning and Skynyrd solo bursting out of closer «Right Hand.»
Our Mother Electricity is a bold, at times stunning, debut, and All Them Witches impress in both their cohesiveness of sound and their obvious drive toward an individual approach. For its intricate balance of influence and for the band's brazen willingness to play in the dirty end of rock and roll, it earns the Elektrohasch logo with which it's stamped.
Amazing debut album from one of my favorite up and coming bands. This is All Them Witches with Our Mother Electricity. Enjoy!
1 Heavy Like A Witch — 0:00
2 The Urn — 5:48
3 Bloodhounds — 9:26
4 Guns — 12:58
5 Elk.Blood.Heart — 17:24
6 Until It Unwinds — 23:16
7 Easy — 31:57
8 Family Song For The Leaving — 36:12
9 Right Hand — 39:57
10. I Can't Even See Myself (Bonus Track) — 45:49
If you have not heard, I have a backup channel called Stoned Meadow Of Doom 2. Check it out and subscribe. All new full albums will now be posted there. https://www.youtube.com/channel/UCkqj...
Also check out my new website for Stoned Meadow Of Doom (Please consider donating if you appreciate the channel and radio station) ~ http://stonedmeadowofdoomradio.weebly...
☂ Bohren & der Club of Gore is a German ambient/jazz band from Nordrhein-Westfalen, Germany. The band was founded in 1992 in Mülheim an der Ruhr, Germany by Thorsten Benning, Morten Gass, Robin Rodenberg and Reiner Henseleit. Originally, group members started out playing in various hardcore bands such as 7 Inch Boots and Chronical Diarrhoea. In 1992 they produced a crossover of jazz and ambient, which they self described as an «unholy ambient mixture of slow jazz ballads, Black Sabbath doom and down tuned Autopsy sounds». Henseleit left the band in 1996 and was replaced by Christoph Clöser in 1997, replacing the guitar with a saxophone at the same time.
Epicness overload with the Defqon.1 Legends of 2016. Headhunterz, Technoboy & The Prophet created a special moment we’ll never forget.
♫ Defqon.1 Legends features the following tracks ♫
1. Technoboy, Tuneboy & DJ Isaac — CTRL
2. Headhunterz — Dragonborn
3. Builder — Her Voice (Headhunterz Remix)
4. The Prophet — Recession
5. Headhunterz — Scrap Attack (Lessons In Love Vocal Edit)
6. Technoboy & Tuneboy & Isaac — Digital Nation
7. Proppy & Heady — Summer Of Hardstyle
8. Headhunterz — From Within (Lotgenoot Edit)
9. Brennan Heart & TNT — It's My Style
10. The Prophet — One Moment
11. Headhunterz ft. Tatu — Colors (Qlimax 2014 Edit)
12. Showtek & TNT Aka Technoboy N' Tuneboy — Have You Ever Been Mellow
13. The Prophet vs Deepack — Stampuhh
14. Headhunterz ft. Malukah — Reignite (Tonight Vocal Edit)
15. Technoboy & Activator — Steam Train
16. Scope DJ — Locked Down Again (The Prophet Remix)
17. Headhunterz — Rock Civilization
18. Technoboy — Rage
19. Brennan Heart & The Prophet — Wake Up!
20. Headhunterz & Wildstylez vs Noisecontrollers — World of Madness (Defqon.1 2012 anthem)
21. The Prophet — Caramba!
22. Headhunterz — The Saifam Mashup
Andrew Weatherall @ The Hacienda, Manchester, U.K. 07.1993
Опубликовано: 9 нояб. 2014 г.Fac 51 The Haçienda (better known simply as The Haçienda) was a nightclub and music venue in Manchester, England. It became most famous during the «Madchester» years of the late 1980s and early 1990s; during the 1990s it was labelled the most famous club in the world by Newsweek magazine. The Haçienda opened in 1982, and despite considerable and persistent financial troubles survived until 1997 – during much of this time the club was mainly supported by record sales from New Order. The Haçienda is associated with the rise of acid house and rave music.
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