Отдельная благодарность:
Яне Рудковской;
Руководству Парка Горького;
Героям:
Илья Резник, Максим, Энни, Вероника, Леонид Лукин, Вадим Пушкин, Ксения Бобрицкая и Злата, Сергей Тутукин, Дворняжка, пара Роман и Дарья и всем, кто остался не равнодушен!
Стилист проекта: Кристина Лисовец и Анастасия Брилинг
Макияж: Инна Шихова
Прически: Алена Кисилева
ЮМОР ГОДА 2016.Юмористический концерт 1 часть.Приколы 2016.
Опубликовано: 1 янв. 2016 г.Юмор года. 2016.Большой юмористический концерт.Приколы 2016.
Ведущие: Максим Галкин и Николай Басков.
На сцене: Игорь Маменко, Евгений Петросян, Елена Степаненко, Новые Русские Бабки, Владимир Винокур, Сергей Дроботенко, Елена Воробей, Геннадий Ветров и другие.
На телеканале «Россия» летняя Юрмала встречает Новый год со смехом. Ни летняя жара, ни зимний холод не мешают артистам, не теряющим чувства юмора при любой погоде, веселить публику.
Международный фестиваль «Юрмала-2015» — главное юмористическое событие уходящего года!
В праздничном дайджесте фестиваля телезрителей ждут незабываемые встречи с любимыми артистами.
Ю́мор — интеллектуальная способность подмечать в явлениях их комичные, смешные стороны. Чувство юмора связано с умением субъекта обнаруживать противоречия в окружающем мире. В широком смысле — всё, что может вызвать смех или улыбку.
ПРИЯТНОГО ПРОСМОТРА!!!
Все вопросы по авторскому праву, просьба писать на: donba.ss@mail.ru
Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014
