Опубликовано: 19 окт. 2013 г.Track 5/8, from Gravity (Ad Noiseam adn168).
The eponym song is one of the most powerful of this album, a flight of lyricism mastered in every way.
I picture myself as an external spectator observing someone whose dream comes true, but sharing his feelings in real time. I think I found the perfect picture to describe that dream.
I see this man who had the dream to fly but never got the opportunity to live it, although he settled down next to an airfield. Every day, he watches a few people climbing aboard gliders and flying away to spend hours free in the clear sky, and then slowly dancing in the sky in silence, turing, looping, circling through the air. He swears that one day, he will be the pilot of one of these and do the same.
He starts to save money each month in order to take lessons and earn the right to pilot of a glider. At 1:34, he saved enough money to take the lessons he wanted, and starts working hard to have his license, thinking more and more to the moment he'll be up above.
2:39 is the turning point of the song, where the man finally sits in the cockpit. The pitch of the notes, particularly at 2:45, makes the scene dramatic. You can feel the adrenaline in his veins, the moment he awaited for so long has finally come. The glider is slowly pulled by the plane and starts gaining altitude. The weather couldn't be more perfect, some clouds are stripping the blue sky like foam on the ocean.
And finally, at 3:43, the rope between the glider and the plane is dropped. The moment of his life he will never forget. That dream followed him for years and years, and now, he tastes the true definition of freedom. The intensity of the moment is almost unbearable.
4:47, I slowly stop following him, because I want to leave him with his dream. I see this man in the cockpit, getting smaller and smaller, and observe him until the glider is just a white dot in the deep blue sky annoucing the arrival of the night. Now, I can't even make the difference between the glider and the bright stars. He probably won't come home and will stay far up above us for eternity.
A sensation of freedom and bliss emanates from this song, that's why I'll advise it to you first.
Enjoy folks, and if you feel like it, I'd like you to share your sensations too, here in the comments section or on my Facebook page at https://www.facebook.com/adda.ambient
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This video is uploaded only in a promotional purpose, as I do not own any rights on this music. All rights reserved to Ben Lukas Boysen and Ad Noiseam.
If you (artist, label or viewer) have any inquiry, just email me at a2damusic@gmail.com
Опубликовано: 19 авг. 2012 г.In my opinion, Glue Funk Hits is one of his best. It is something of a landmark release for Aaron «Venetian Snares» Funk when compared to subsequent releases. Released in 2002, it is his first label-released LP in which he would display a particular sonic substance with which he would become associated. Bits of «Amen» and «Think» breaks are sprinkled over distorted supersaw synths, feedback whines and third party samples, at times touched with oscillating flangers and frequency filters, with snare rushes and time stretched percussion samples abounding. In future releases, such as the following year's Chocolate Wheelchair Album (alternately titled Stupid Chocolate Wheelchair), Funk would tone down the harshness and give his tracks a more tangible metronomic meter, but most of the major identifiable traits of a Venetian Snares record first manifested themselves on Glue Funk Hits. Not to say this is a generically uniform record throughout. «Walmer Side» displays glitchcore elements first explored on his previous releases such as printf(«shiver in eternal darkness/n») and Songs About My Cats, while «Dismantling Five Years» is a plaintive atmospheric tune devoid of percussion, and «Banana Seat Girl» sees Funk trying his hand at synthetic Trout Mask Replica-esque free jazz. Certainly a breakcore benchmark and an underrated record from the catalogue of one of the greats.
Venetian Snares — Thank You For Your Consideration — full album (2015)
Опубликовано: 7 апр. 2016 г.Venetian Snares — Thank You For Your Consideration,
The full album «Thank You For Your Consideration» by Venetian Snares, 2015. I'm not the owner of these songs. If you like this music you can buy it from https://venetiansnares.bandcamp.com/a...
01. Smersonality — 00:00
02. Koopa Cookies — 04:49
03. Baked Circuses Funk — 08:05
04. Beside The Past By A Lake — 11:28
05. Sissy Growl — 15:50
06. Sweet And Fruitful — 20:15
07. Burgershot — 24:00
08. Simpleton — 28:33
09. 09sept09 — 31:49
10. Poking Holes — 35:10
11. Ötvenöt 3 — 40:02
12. Accidents in Skyland 2 — 43:30
13. Thousand Mile Stare — 47:55
14. Nestled — 54:02
Chasing The Golden Hour Pt. 1 — GRiZ (Full Mixtape) (Audio)
Опубликовано: 3 сент. 2015 г.Official audio for Detroit based electronica future funk DJ GRiZ's 2015 mixtape «Chasing The Golden Hour Pt. 1».
Subscribe for more GRiZ: http://bit.ly/1QUolAC
Get GRiZ’s new studio album, Say It Loud:
iTunes: http://apple.co/1V6DvmH
Tracklist: 00:00 — Love Will Follow You (ft. Russ Liquid) 04:13 — Summer '97 (ft. Muzzy Bearr) 08:42 — It's Over (but it's just begun) 12:55 — Cabin Sessions (ft. Exmag & Benny Bloom) 16:16 — Blue Vervain 19:40 — Feelin' High (ft. Benny Bloom) 23:22 — Sexier Than Austin Powers 25:30 — Sometimes The Truth Don't Rhyme 30:00 — The Moment Seizes
GRiZ Bio:
Today at age 25, GRiZ (or Grant Kwiecinski, to his mom) is already being hailed as visionary. With his latest releases Say It Loud and Chasing The Golden Hour Pt. 1 (both via his All Good Records imprint), follow-ups to their predecessors, End of The World Party, Rebel Era and Mad Liberation, GRiZ has had a massive year. A sold out spring tour saw the artist headlining some of the nation’s top venues in New York, Chicago, Los Angeles, Philly, Nashville etc., the legendary Red Rocks Amphitheatre and the Detroit Masonic Temple in his beloved hometown. Just this year alone, the sax man released six singles that all claimed the coveted #1 spot on Hype Machine’s most popular charts.
Drum and Bass Mix 2016: Best of DnB Workout Mix – Pixl Podcast Ep. 9
Опубликовано: 2 мар. 2016 г.«Drum and Bass Mix 2016: Best of DnB Workout Mix» is a podcast featuring the best drum and bass songs. This mix also serves as a gaming mix and is a good way to listen to DnB without the need to click through several videos. Subscribe to this channel to be updated with new podcasts and the latest and most diversified EDM or electronic dance music releases.
0:00:07 Rob Gasser – I'm Here ft. The Eden Project [NCS Release] 0:04:00 Feint – We Won't Be Alone ft. Laura Brehm [Monstercat Release] 0:07:50 Virtual Riot – Paper Planes [NCS Release] 0:11:30 Laszlo – Our Arrival [Monstercat Release] 0:14:19 Draper – Joyride [Monstercat Release] 0:18:04 PIXL & Dead Robot – Dream of You [Monstercat Release] 0:22:36 Laszlo – Fall to Light [NCS Release] 0:25:31 Rameses B – Mountains ft. Veela [Monstercat Release] 0:29:33 JIKES – Let's Fly Away Pt. 2 ft. Nori [NCS Release] 0:34:44 Feint – Homebound [Monstercat Release] 0:38:03 Melano – On Fire [Monstercat Release] 0:41:45 Laszlo – Here We Are [NCS Release] 0:45:25 Rameses B – Dream Catcher ft. Charlotte Haining [Monstercat Release] 0:48:55 Cartoon – Why We Lose ft. Coleman Trapp [NCS Release] 0:52:23 Tristam & Braken – Frame of Mind [Monstercat Release] 0:56:25 TwoThirds – Universal [Monstercat Release] 1:00:59 Cartoon – Immortality ft. Kristel Aaslaid (Futuristik Remix) [NCS Release] 1:04:28 Rameses B – We Love [Monstercat Release] 1:08:53 T Sugah x NCT – Stardust ft. Miyoki [NCS Release] 1:13:40 Laszlo – Don't Look Down [NCS Release] 1:17:20 Priority One & TwoThirds – Hunted ft. Jonny Rose [Monstercat Release] 1:21:43 Rootkit – Too Late [Monstercat Release] 1:25:29 Feint – Snake Eyes [Monstercat Release] 1:29:26 Rameses B – Timeless ft. Veela [Monstercat Release] 1:33:19 High Maintenance – Change Your Ways ft. Charlotte Haining [NCS Release] 1:37:20 MitiS & MaHi – Tribute 1:41:23 Feint – One Last Time 1:45:03 Itro – Tidal Waves ft. Kèdo Rebelle 1:48:15 Rameses B – Serenity ft. Charlotte Haining [Monstercat Release] 1:52:09 Electro-Light – The Ways ft. Aloma Steele 1:56:42 TwoThirds – Breathe [Monstercat Release]
Two Lone Swordsmen DJ set — Haywire Sessions on Groovetech Radio (2001-05-31)
Опубликовано: 23 мая 2015 г.Two Lone Swordsmen on Groovetech Radio in 2001.
The Two Lone Swordsmen are British house DJ and producer Andrew Weatherall and studio engineer Keith Tenniswood. Formed in early 1996, following the dissolution of Weatherall's influential Sabres of Paradise techno act, the Swordsmen have explored a variety of styles, from electro and 4/4 techno to post punk and downtempo in later years. Originally they released material on the label Emissions Audio Output, run by Weatherall. However, the small nature of the operation limited the duo's success and they subsequently signed to Warp Records, making them labelmates with acts such as Autechre and Boards of Canada, as well as setting up the Rotters Golf Club label for their more dancefloor-friendly output under various other guises.
In 2004 they released From the Double Gone Chapel, exhibiting more of a late 1970s dub and post punk sound than their previous work, influenced heavily by groups like PiL. It was released with the single Sex Beat, a cover of the popular Gun Club song. Their latest album, Wrong Meeting, was released in April 2007, with Wrong Meeting II following a month after. Set solidly in the dub rock vein they explored on From the Double Gone Chapel, the duo venture into sleezy country and LCD Soundsystem-style punk funk disco.
These sets were were originally streamed in real media in the early days of online streaming radio. Unfortunately, you'll have to excuse the poor quality.