Black Sun Empire represents the finest in dark and tech fuelled dance-floor drum & bass. Since bursting onto the scene back in 2000, they've continued to develop their own unique style and sound, releasing numerous singles as well as five full-length LPs and establishing themselves as leaders in the field. With their impressive DJ skills and inspirational productions, Black Sun Empire has reached far beyond their native Holland. They've toured around the world, with highlights including Glastonbury and numerous other festival appearances, and continue to build on their growing reputation as some of the most exciting and consistent performers in the scene.
From their base in Utrecht, Holland, the Black Sun Empire trio have truly gone global, taking their own brand of high-octane techno-infused drum & bass to audiences worldwide, with over 100 appearances at live stages and clubs in the last year alone.
Their own club night, Blackout, celebrated it's ninth year anniversary in February 2012 and has seen guest appearances from some of the very best artists in drum & bass and dubstep including Goldie, Dom & Roland, Klute, Optical, Spor, Nero, and Bar 9. In 2011 and now onto 2012, Blackout goes on tour with guests and related artists from their three labels (BSE Recordings, oBSEsessions, Shadows of the Empire) and now has a highly successful residency in London at Cable.
Some of the artists who played at Blackout are:
Noisia, Audio, Jade, Nymfo, SPL, State of Mind, Ed Rush, CounterStrike, Gridlok, Dom & Roland, Calyx, Spor, Klute, Concord Dawn, Eye-D, Teebee, Chris.Su, Vicious Circle, Break, The Upbeats, Phace, Optical, Bad Company, Total Science, Matrix, Futurebound, Brookes Brothers, Fresh, Mindscape, Spectrasoul, Ulterior Motive, Dieselboy, Optiv, Cause4Concern, Andy C, Goldie, Camo&Krooked, Marcus Intalex, Prolix, Bar9, N-type and many more.
This podcast serie is all about that sound!
Subscribe to the channel if you want to say informed!
Опубликовано: 15 нояб. 2014 г.In memory of our friend, Josef Trávníček (23.5.1970 — 9.11.2014)
— great teacher, follower of Comenius way (educating while playing), who was easily able to get attention and interest of his students at any time, showing them history of their own district, city, region, country and the whole world in the way they would love to see — in context… with accent on culture, folklore and true traditions.
This is my condolence to his family — my very good friends.
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Philip Glass — «The Hours» (soundtrack from the movie «The Hours»)
Dušan Holý — piano
Grandpiano: Feurig — produced +- 1920 (truly beautiful instrument)
AMAZING: Maki Namekawa plays Philip Glass Piano Etude No 9 & No 20 HD (dir. Andreas H. Bitesnich)
Опубликовано: 30 янв. 2016 г.Directed, filmed and edited by ANDREAS H. BITESNICH.
Styling: Nina Kepplinger
Make Up and Hair: Wolfgang Lindenhofer
Sound recording: Robert Lunak
Assistant: Christoph Kaltenbacher
Assistant: Michael Obex
Technician at Ars Electronica Center: Florian Wanninger
Опубликовано: 24 дек. 2015 г.Thank you all. This channel family has reached the so joyous amount of 1000 subscribers! Never bad for a Christmas present! As a gift related to number 10, here I give you the premiere of Philip Glass’ 10th Symphony. / Gracias a todos, esta familia de canales ha alcanzado la feliz cantidad de ¡1000 suscriptores! ¡Nada mal para un regalo de navidad! Como recompensa relacionada con el número 10, aquí les ofrezco el estreno de la sinfonía 10 de Philp Glass.
Bruckner Orchestra of Linz conducted by/ Orquesta Bruckner de Linz dirigida por Dennis Russell Davies.
Philip Glass composed originally the music for his Symphony No. 10 as an incidental score for the closing ceremony of Expo 2008 at Zaragoza, Spain. However, considering its original instrumentation could lead the piece to oblivion and looking at its full orchestral potential, Glass decided to orchestrate it. It is a symphony that is certainly filled with Arab and Spanish feels as the city was an important urban center in Muslim and in Modern Spain, thus musically recalling those historical moments of the city.
Philip Glass compuso originalmente la música de su décima sinfonía como una partitura incidental para la ceremonia de clausura de la Expo 2008 en Zaragoza. Sin embargo, considerando que su instrumentación original podría llevar la pieza al olvido y que la obra tenía un enorme potencial orquestal, Glass decidió orquestarla. Es una sinfonía que está llena de sentimientos arábigos e hispánicos al haber sido la ciudad un centro urbano importante tanto en la España musulmana como en la moderna, recordando de manera musical aquellos momentos históricos de la ciudad.
Image/ imagen: Plaza from Expo 2008 center at Zaragoza. / Plaza de la Expo 2008 de Zaragoza.