Czech of all trades ''Forbidden Society'' is on the verge of a new era. After a long haul of releases, gigs and a consistent output of mixes, he now returns with what he describes as a breakthough work to add to his long list of perfectly mixed efforts.
After delightfully receiving an invitation to play at one of the world's main events in Drum & Bass music called ''Inferno Pirate Station'' in St Petersburg (March 22, 2014) he rapidly switched on the decks to create
a mix that would represent his anticipation for the upcoming event. As motivated as ever Forbidden Society is ready to showcase his signature sound for one of the most exciting moments in his career thusfar.
EN:
Pirate Station is the world's biggest drum and bass music festival.It's held every year since 2003, when St. Petersburg held the first event. It has spread to biggest Russian cities (Moscow, Ekaterinburg, Novosibirsk, Samara etc.) and has also taken place in Estonia and Ukraine, which makes Pirate Station the biggest dance project ever. Almost half a million people visited the festival during these years. The main St. Petersburg show hosts more than 25,000 fans annually. Pirate Station is not just about music — it is a mix of unique performances and special effects united by a concept which changes every year. This is the promo mix for Pirate Station 2014 — Inferno from Forbidden Society.
CZ:
Pirate Station patří k nejvetším ruským eventům vůbec. Za 11 let existence prošlo vstupními branami už pomalu 500 tisíc návštěvníků a v samotném Sankt- Petěrburgu akci navštíví okolo 25 tisíc lidí! Pirate Station si získala od samotného začátku velké množství fanoušků díky silným lineupům, světelné show, videoprojekci, obří tématické dekoraci a neskutečné doprovodné show, která se v průběhu večera několikrát mění. Toto je promo mix pro Pirate Station 2013 — Inferno — od Forbidden Society
TRACKLIST
1.Hallucinator feat. The Modern Age Slavery — Redlines
2.Audio — Burn It Down
3.Current Value — Ghost Rider
4.Killer Industries — Side Kick
5.Forbidden Society — Cobra (Katharsys Remix)
6.Receptor & Engage — Gothic
7.Forbidden Society — Monger
8.Forbidden Society — Can't Be Soft (Counterstrike Remix)
9.Faith In Chaos — Possesion (Kemal & Rob Data Remix) (FS Hype Up)
10.Receptor — Punks
11.Current Value — Shimmer
12.Katharsys & Forbidden Society — Lords Of The steel
13.Forbidden Society — Forcer (Killer Industries Remix)
14.Katharsys & Forbidden Society — Lords Of The steel VIP
15.Rene Lavice — Perfect World
16.Evol Intent — Punchout
17.Mefjus — Dissuade
18.Lucio De Rimanez & Dereck — Why
19.Katharsys — Deadman
20.Black Sun Empire feat. Forreign Beggars — Dawn Of A Dark Day (Prolix Remix)
21.Forbidden Society & Coppa — Hurtlocker
22.The Bloody Beetroots feat. Refused — New Noise (FS Hype Up)
23.Forbidden Society & Coppa — Clap Back / Dope D.O.D. feat. Redman — Groove
24.Forreign Beggars feat. Noisia — Contact / Pornothrasher — Disco Illusion
25.Spl — Sickness / Noisia & Evol Intent — The Liquid
26.Hive — Neo (Audio Remix)
27.Excision — X Rated (Calyx & Teebee Remix)
28.Proton Kid — Scare (CA2K Remix)
29.Gancher & Ruin & CA2K — The Return Of Ardo
30.Forbidden Society — Hustlers & Hardcore
31.Forbidden Society — Bodycount
32.Katharsys — Iron Sky
33.Forbidden Society — Cobra
34.Forbidden Society — Surge
35.Slyer — Reign In Blood (PK Bootleg) (FS Hype Up)
Опубликовано: 22 нояб. 2014 г.Neurofunk mixed by Db One | Best and epic Neuro Drum and Bass & Dark Dnb of 2014 [#2]
That subgenre of D'n'B emerged between 1997 and 1998 in London as a progression of techstep.
Between 2007 and 2008, a decade after the pioneering artists first established neurofunk's technical soundscape, the style was enhanced with a series of diverse, forward thinking debut albums set to redefine its concept production with some artists like: Psycho, Gridlok, Mindscape, The Upbeats, ed rush and more.
Now, the scene is led by artists such as The Upbeats, Noisia, Spor, Black Sun Empire, Phace and Gridlok.
And now, i decided to make my mixage with some of those (and more) artists!
Comment and rate if you like it!
Tracklist: 00:00 | High Contrast — Seven Notes In Black
(Kill Bill soundtrack remix) 00:00 | SPOR — Kingdom 03:00 | Noisia & SPOR — Falling Through 05:00 | Ed Rush — Scarabs 07:30 | Optiv & BTK — Inception (Maztek Remix) 10:00 | SPOR — Knock You Down 13:00 | 8 Bits & Q Project — Low End Theory 15:00 | Calyx & Teebee — Skank 18:00 | DaVip — Pulse 20:00 | SPOR — Molehill 22:30 | Audio — Beacon 24:00 | Optiv & BTK — You Got Me So 27:00 | Chris SU & State Of Mind — Above Earth 29:00 | SPOR — 103 Degrees 31:30 | Fourward — Steady State 33:30 | Axon — STTR 36:30 | Chris SU — First Snow
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I have not produced the tracks included in the mix, they are the property of their respective artists and record labels.
This video was created just for fun.
Send me a private message if you have a legal problem with the mix to be loaded and will be removed immediately.
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Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014
Опубликовано: 5 окт. 2013 г.HECQ / BEN LUKAS BOYSEN http://hecq.de/
Since 2003, Ben Lukas Boysen is writing, producing and performing music, specializing in sounddesign and composition.
The focus of every project is to find an efficient and direct way to leave a strong emotional impact, whether it is the production of an album or the conception and completion of a commercial project.
The concept of investing a lot of thought and therefore making every production special rather than settling with something fast and convenient is the driving force behind every project as well as the thought that every score, commission, track, or remix should get the same amount of attention and detail. In short: moving away from music and sound as a product and perceive every project as a customizable and individual challenge.
I do not claim ownership for any of the contents on the video. If you like it, you can support the artist buying from his own website. http://hecq.de/discography/0000/