Опубликовано: 7 февр. 2015 г.This is a mix of Excision's CODENAME X album
ENJOY!
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*www.excision.ca — GO TO EXCISIONS WEBSITE!
*www.soundcloud.com/excision — GO TO EXCISIONS STREAM!
*www.facebook.com/Excision — LIKE EXCISIONS PAGE!
*www.twitter.com/excision — FOLLOW EXCISION!
*www.youtube.com/user/ExcisionOfficial — SUB TO EXCISION!
1. Lowroller — Payback time
2. Donny vs. Dub Elements — The evil
3. I:Gor — This is what I am
4. Bong-Ra — Monolith (Cooh remix)
5. Eye-D — Mission statement
6. Friend vs. Delta 9 — Drag me to hell
7. DJ Hidden — Dying star
8. Bryan Fury vs. Homey — Terrorize (The endless cut mix)
9. Stolen Cult — Fires of hell
10. Hellfish — Raggabitch
11. Dub Elements — Pop I.M. (The Panacea's V.I.P. mix)
12. I:Gor — Drop it
13. Bryan Fury — Bot-jack
14. DJ Hidden — Drastic
15. Hellfish — Betrayer of worlds (Q-Base anthem 2013)
16. Detest — Shotgun
17. Rob Da Rhythm — Live tonight
18. The Outside Agency — Backpack wisdom
19. The Producer — Ease up selector
20. Hellfish — Hard as steel
21. DJ Tugie — The Deathchant chronicles
22. Hellfish — Fuckem (Hardcore psychopath mix)
23. Industrial Strength Records Live — Speedcore mash-up mix
24. Industrial Strength Records Live — Nasen Bluten mash-up mix
25. Hellfish — Cut faster (Friction compensated mix)
26. Axe Gabba Murda Mob — Repeat prescription (Hellfish remix)
Опубликовано: 9 окт. 2014 г.Le jeune Paul est blessé dans une bataille de boules de neige. Il est obligé de garder la chambre sous la surveillance de sa grande soeur Elisabeth. Tous deux s'inventent des jeux innocents ou cruels, ambigus ou poétiques. Prisonniers volontaires de l'enfance, ils ne permettront pas à d'autres d'entrer dans cette étrange relation où l'amour croise la mort...
Autres Philip Glass / Compositeur Stéphane Vérité / Metteur en scène Chloé Briot / Elisabeth Amalia Dominguez / Dargelos / Agathe Olivier Dumait / Gérard: le narrateur Guillaume Andrieux / Paul Emmanuel Olivier / pianiste Jean-Marc Fontana / pianiste Françoise Larrat / pianiste Emmanuel Olivier / Chef d'orchestre
Опубликовано: 11 февр. 2014 г.Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding «a voice of its own» as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's death some sixteen years earlier: «I wrote the piece in 1987 thinking, let me write a piece that my father would have liked. A very smart nice man who had no education in music whatsoever, but the kind of person who fills up concert halls. It's popular, it's supposed to be — it's for my Dad.»