Timo Andres at The Phillips Collection January 11, 2015 — Philip Glass
Опубликовано: 27 мар. 2015 г.Composer and pianist Timo Andres performed Etude No. 16 by Philip Glass, at The Phillips Collection in Washington, DC, on January 11, 2015.
Mr. Andres paired several of these new etudes by Philip Glass with Impromptus of Franz Schubert, proposing that the composers share more in common than just their birthdays (January 31st), generations apart.
More about Timo Andres: andres.com
More about concerts at The Phillips Collection: phillipscollection.org/music
Filmed and edited by H. Paul Moon for The Phillips Collection | Zen Violence Films | zenviolence.com
Audio engineered by Edward Kelly | Cedar Knoll Media
Tracklist:
01 Dissidenten — Jungle Book Pt. II (Sven Vath's Mantra-Trance Mix)
02 Human Beings — Phase (Speedy J Remix)
03 Tata Box Inhibitors — Insane (It's Getting Too Much)
04 Astralasia — The Seven Pointed Star
05 Capricorn — Walking On The Moon (Jamez Remix)
06 Spicelab — Feathers (Terry Lee Brown Junior Remix)
07 OJ Project — Locator
08 Liquid Art — Liquid Art
09 Framic — Status X
10 Razor's Edge — Sleepless (Underground Contribution Mix)
01 Solid State — Welcome
02 Luke Cage — Tightrope
03 E & B Project — Feel The Love
04 Jim Clarke — Paraguay
05 Quadran — Naked Light (Trance Mix)
06 Transverse — I Am House
07 Milk Inc. — La Vache (Mad Cow Mix)
08 Sean Dexter & Frank 'Farmer' Simon — Bass
09 Unitone Rockers — Sun Arise
10 Matthew Grey — Indian Lights
Q-dance presents: Headhunterz LIVE — Opening Show and set
Опубликовано: 23 окт. 2012 г.Here you can watch at and listen to the complete opening show of Q-dance presents: Headhunterz, followed by the first 40 minutes of Headhunterz' set.
Q-dance presents: Headhunterz
Hard With Style
Ziggo Dome, Amsterdam
Andy Smith — The Sound Burger on Groovetech Radio (2003-01-21)
Опубликовано: 16 мая 2015 г.Andy Smith on Groovetech Radio in 2003
The Sound Burger
Growing up in Portishead, Andy met Geoff Barrow who was later to head the band that put the place on the map. Andy became Portishead's Tour DJ where his eclectic style was perfectly showcased on the band's 1995 and 1998 world tours and he's been in constant demand in clubs across the globe ever since. (LastFM)
These sets were were originally streamed in real media in the early days of online streaming radio. Unfortunately, you'll have to excuse the poor quality.
Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014