Опубликовано: 21 янв. 2014 г.This upload is intended for sharing purposes only. I do not own anything in this video, all rights reserved by Sleep and their label. Please support the band by buying this album.
Опубликовано: 16 окт. 2012 г.Vicarious 0:00
Jambi 7:07
Wings For Marie (Pt. 1) 14:35
10,000 Days (Pt. 2) 20:47
The Pot 32:01
Lipan Conjuring 38:23
Lost Keys (Blame Hofman) 39:34
Rosetta Stoned 43:20
Intension 54:33
Right in Two 1:01:53
Viginti Tres 1:10:58
Опубликовано: 21 окт. 2013 г.~| no copyright infringement intended! |~
via NPR -
Over the course of 15 years, Tim Hecker's experimental electronic compositions have intensified like oceans. While few contemplated their soothing, unfathomable waves, the observant noted rising temperatures, torment and microcosmic disturbances that truly told of awesome powers. But with Virgins, Hecker may have reached his point of no return, a piece of such force and clarity that even the indifferent should tape up the windows.
From the opening seconds of «Prism,» Hecker heralds a change. His layered drones, incidental percussion and piano motifs, long submerged in deep chasms of noise, echo and static, are now exposed and glinting. «Prism» hurtles inexorably upward, piercing and shattering through sound barriers before the rest of the album bursts into fragments, then dust, then mist, almost as if Hecker himself is exploding from the murky beneath. Not only do you hear distinct notes and instruments; you also sense the room in which they were played and the people who played them. What had always been vaguely melancholy, solitary and dreamlike is now harrowingly vivid, visceral and real, yet no less mesmerizing.
On the surface, Hecker reinvents himself, but he also re-frames what he's done before. Compare Virgins' «Black Refractions» to «Borderlands,» from 2009's An Imaginary Country. Technically, they couldn't sound any different. The former sets a stunningly simple, repetitive piano melody atop distant but definite brushes, while the latter is a reverberating sound bath. But the underlying component remains the same: a beautiful, indelible melody. The comparison invites listeners to search back through these songs, to listen for what now seems obvious.
For the first time in his career, Hecker recorded his compositions with live ensembles and mixed these sessions with composer Valgeir Sigurðsson, whose engineering and producing credits include fellow Icelanders Björk and Sigur Rós. For an artist who recently referred to his process as «a kind of continual transformation,» the effect of Hecker's new way of working feels startling and revelatory. An artist many critics and fans assumed would simply continue to refine his signature sound has instead shed its most defining characteristics. The transformation is complete; this is a new being.
It is an artist's boldest move, to reject his established style, especially when his audience is relatively small yet devoted. It's as if Richard Serra demolished one of Gehry's shimmering civic trophies and built a rural mega-spiral from its scraps. Sharp, blinding, somewhat confusing, wholly fascinating and most definitely meaningful — but would his biggest fans long for the age of rust? For Virgins' listeners, the proposition is simpler: Hit play and forget what you know.
Disclaimer — This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners.
«Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for „fair use“ for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.»
I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law.
Emancipator — Soon It Will Be Cold Enough [full album & tracklist]
Опубликовано: 11 июл. 2013 г.uploading for convenience purposes for all fellow Emancipator fans *see tracklist below* ｡◕ ‿ ◕｡ BY THE WAY, I DID NOT MONETIZE THIS VIDEO, GOOGLE DID. I make no money from this! OH and I emailed Douglas AND his manager to get permission to have this up. So there should be NO complaints in the comment section of any kind. Just enjoy the chills.
Eve — 0:00
Soon It Will Be Cold Enough — 5:43
First Snow — 8:37
Wolf Drawn — 13:48
Anthem — 17:05
Smoke Signals — 22:40
When I Go — 26:25
Periscope Up — 32:00
With Rainy Eyes — 34:59
Good Knight — 39:57
Lionheart — 45:01
Maps — 51:21
Father King — 55:42
The Darkest Evening of The Year — 1:01:50
∞☯∞★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★∞☯∞
If you can keep your head when all about you are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, but make allowance for their doubting too; If you can wait and not be tired by waiting, or being lied about, don't deal in lies, or being hated, don't give way to hating, and yet don't look too good, nor talk too wise: If you can dream—and not make dreams your master; If you can think—and not make thoughts your aim; If you can meet with Triumph and Disaster and treat those two impostors just the same; If you can bear to hear the truth you've spoken twisted by knaves to make a trap for fools, or watch the things you gave your life to, broken, and stoop and build 'em up with worn-out tools: If you can make one heap of all your winnings and risk it on one turn of pitch-and-toss, and lose, and start again at your beginnings and never breathe a word about your loss; If you can force your heart and nerve and sinew to serve your turn long after they are gone, and so hold on when there is nothing in you except the Will which says to them: 'Hold on!' If you can talk with crowds and keep your virtue, or walk with Kings—nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute with sixty seconds' worth of distance run, yours is the Earth and everything that's in it, And—which is more—you'll be a Man, my son!
Zene: Horváth Boldi, Horváth Gáspár
Dalszöveg: Horváth Boldi, Eckü, M-Papa
Zenei producer: Horváth Gáspár (JumoDaddy)
Tanító: Lehel Olivér
Rendező: Horváth Boldi
Operatőr: Horváth Gáspár
Vágó: Horváth Boldi
Dalszöveg:
Nyári Gyerekek a Balaton parton
Dunakanyarban a keszegemet hajtom
Nyári gyerek vagyok kacagok nevetek
Amíg csillog a szemetek maradjatok gyerekek!
Nyári Gyerekek a Balaton parton
Dunakanyarban a keszegemet hajtom
Előfordul hogy az este kicsit meredek
Lássam a kezetek — maradjatok gyerekek!
Eckü:
Dunapartizán Mista' SwagYolo
Hullámokon szaggató csajoknál leparkoló
Verdába be — nem a lepattanó — Hello sunshine!
Nyári nyaralás a Balcsi parton megy a kánkán
Pörgesd fel a napod kell egy banán meg egy kivi
Ha este parázol a csajoknál pár ital pici iszi
Ciki vagy nem de ha hideg a víz hat centi
Bámulok a strandon közben eltakar egy napszemcsi
Nyári gyerekek a Balaton parton....
M-Papa:
Hupákolunk, pancsolgatunk, csárázunk a parton
Mármáládés palacsintát nyel most be az arcom
Csattanjunk a vízbe stégről ugorjunk egy seggest
Igénytelen fecskédre meg nem kaphatsz ma egyest
Szerecsenkirály:
Itt a vakáció, mindenki vidám
Mennyit paráztál tőle azt meg lett simán
Lazulj be most cuclifej és engedd el
Itt az idő békélj meg az élettel
Playlist: 00:00-03:33 Selfie – Жалею (Leo Burn & Alex Shik Remix) 03:34-06:28 Макс Барских – Займемся Любовью (Dj Jurbas Radio Edit) 06:29-09:57 Мот – Капкан – ( DJ TARANTINO & DJ DYXANIN Remix 09:58-12:53 LX24 – Скажи Зачем (Andrey Online Remix) 12:54-15:43 Stepa Marsel & Ron May – Танцуй Планета (Vasiliy Francesco Wildmilk Official Remix) 15:44-19:00 Иван Дорн – Ты всегда в плюсе (Artur Future Remix) 19:01-22:22 Ани Лорак – Удержи Мое Сердце (Dj Elegailo Remix) 22:23-26:13 Руки вверх – Я Буду С Тобой (Red Line Remix) 26:14-29:20 Анна Корнильева – — Красиво ( DJ МЯУС Remix )