Опубликовано: 28 дек. 2013 г.fan video...was a free download song...
original compiled video by-czarmichal
re edit by me with a song...ok?ok
people are amazing original video…
Опубликовано: 14 окт. 2015 г.Upgrade — Superset 2015
Subscribe: http://bit.ly/UpgradeSubscribe
Our new Superset with our best Music and Some New stuff is finally out. Enjoy the music and share the love :)
Upgrade, Udi Pilo and Raz Kfir from Israel, are considered to be a worldwide phenomenon and the biggest break of the electronic Trance scene in the last three years .
Everyone who has been exposed to their unique music cannot remain indifferent, and they have been raising the bar with each new release and performance. Upgrade's unique sound, melodic motifs and monstrous beats keep creating successful party anthems (Baileys, Day Dream, The Chakra Flow with Azax Syndrom & more) that have been playing constantly around the world and puts them in the front row with the biggest names in the scene. Their uplifting melodic full power Trance music has carved a special path for them in the world of Psytrance
Опубликовано: 21 янв. 2016 г.Side Effects are Yarden Yogev and Tzahi Geller, good friends since their childhood and come from Israel. Yarden was fascinated by the whole process of writing music, sound and production from an early age, especially drawn to The Delta’s album Scizoeffective and Cosma's album Simplicity. His first encounter with Trance happened when he was 13 years old when he bought a cassette of Goa Vibes vol. 1 in a local music shop. Since that moment he was hooked and sucked into the Psytrance oblivion and knew he had to be a part of its creators. Tzahi encountered Psytrance in an early age through friends and started to go to parties in age 16 to absorb the real deal. He started to toy with production and music while experimenting with all the options that came to his mind. Both have been heavily influenced by artists such as Freq, X-Dream, Ace Ventura, Astrix, Atmos and many more. After years of mutual exchange of inspirational musical molecules they have decided to join forces to one powerful compound, and in 2011 – Side Effects was born.
The massive Side Effects that these two leave after consuming their music is immediately felt – powerful, intoxicating and exhilarating melodic sensation. They have released in various labels such as Plusquam, Iboga, TesseracTstudio and of course brewed some quality top notch ingredients at Iono Music such as the EPs One Man’s Vision, Complete Control and Black Hole. But of course as a nomad assemblage they have spread their Side Effects all over the world. Through these voyages they have joined forces with other artist to augment their contagious formula such as Symbolic, Time Lock, Egorythmia, Time in Motion, Zyce, Sideform and others. As their potion grows stronger and more sophisticated it is safe to say that every ride into their dimension will be a trip you will never forget.https://soundcloud.com/radiozora/iono...https://soundcloud.com/side-effectshttps://www.facebook.com/side.effects10
The Haxan Cloak's live set really left a mark on Primavera Sound. Though a short performance, his malevolent soundscapes pushed the parameters of the Bowers & Wilkins soundsystem to new realms. Pure evil majesty.
Опубликовано: 21 окт. 2013 г.~| no copyright infringement intended! |~
via NPR -
Over the course of 15 years, Tim Hecker's experimental electronic compositions have intensified like oceans. While few contemplated their soothing, unfathomable waves, the observant noted rising temperatures, torment and microcosmic disturbances that truly told of awesome powers. But with Virgins, Hecker may have reached his point of no return, a piece of such force and clarity that even the indifferent should tape up the windows.
From the opening seconds of «Prism,» Hecker heralds a change. His layered drones, incidental percussion and piano motifs, long submerged in deep chasms of noise, echo and static, are now exposed and glinting. «Prism» hurtles inexorably upward, piercing and shattering through sound barriers before the rest of the album bursts into fragments, then dust, then mist, almost as if Hecker himself is exploding from the murky beneath. Not only do you hear distinct notes and instruments; you also sense the room in which they were played and the people who played them. What had always been vaguely melancholy, solitary and dreamlike is now harrowingly vivid, visceral and real, yet no less mesmerizing.
On the surface, Hecker reinvents himself, but he also re-frames what he's done before. Compare Virgins' «Black Refractions» to «Borderlands,» from 2009's An Imaginary Country. Technically, they couldn't sound any different. The former sets a stunningly simple, repetitive piano melody atop distant but definite brushes, while the latter is a reverberating sound bath. But the underlying component remains the same: a beautiful, indelible melody. The comparison invites listeners to search back through these songs, to listen for what now seems obvious.
For the first time in his career, Hecker recorded his compositions with live ensembles and mixed these sessions with composer Valgeir Sigurðsson, whose engineering and producing credits include fellow Icelanders Björk and Sigur Rós. For an artist who recently referred to his process as «a kind of continual transformation,» the effect of Hecker's new way of working feels startling and revelatory. An artist many critics and fans assumed would simply continue to refine his signature sound has instead shed its most defining characteristics. The transformation is complete; this is a new being.
It is an artist's boldest move, to reject his established style, especially when his audience is relatively small yet devoted. It's as if Richard Serra demolished one of Gehry's shimmering civic trophies and built a rural mega-spiral from its scraps. Sharp, blinding, somewhat confusing, wholly fascinating and most definitely meaningful — but would his biggest fans long for the age of rust? For Virgins' listeners, the proposition is simpler: Hit play and forget what you know.
Disclaimer — This video is for Entertainment Purposes only. I do not own this, Copyrights go to the Original Owners.
«Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for „fair use“ for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.»
I must state that in NO way, shape or form am I intending to infringe rights of the copyright holder. Content used is strictly for research/reviewing purposes and to help educate. All under the Fair Use law.
Знімати кліп група DZIDZIO поїхала не абикуди, а на «Святу Землю» — в Ізраїль. Свідками знімального процесу стали мешканці та гості міст Тель-Авів і Єрусалим. Ізраїль обрали не просто так. Саме ця країна — історична Батьківщина коханої Дзідзьо Сари. Два дні «Свята Земля» стояла на вухах. «Коли я в пір'ї з'являвся на площі, — каже Дзідзьо, — народ злітався як мухи на мед, чи на що там ще злітаються мухи. Особливо то подобалося маленьким єврейським діткам. Дуже тішилися. Думали, що я індіанець, Чінгачгук якийсь і фотографували».
За сюжетом, по вуха закоханий гуцул Дзідзьо, прихопивши з собою Лесика та Юліка, вирушає до Ізраїлю знайомитися з єврейською родиною коханої Сари. Його цікавить все — мама, тато, родичі, а особливо їхні статки і маєтки. Проте знайомства так і не відбулося. Між Дзідзьо і Батьківщиною брюнетка Сара обирає останнє. І йде служити до ізраїльської армії. У результаті замість запланованого сватання Дзідзьо довелося проводжати Сару до війська.
Увага! Для абонентів українських мобільних мереж!
ВИ МОЖЕТЕ ЗАМОВИТИ ЦЮ ПІСНЮ В ЯКОСТІ РІНГБЕКТОНУ ДЛЯ СВОГО ТЕЛЕФОНУ!
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