Опубликовано: 22 июл. 2013 г.1.Space Forest Part 1: Distant Monastery 0:00
2.Space Forest Part 2 19:12
album: Static Soundscapes: Three Lights At The End Of The World http://www.discogs.com/artist/O%C3%B6...
art by Pamela Sukhum
1. Dungtitled (in A major) 0:00
2. Articulate Silences part 1 5:54
3. Articulate Silences part 2 11:18
4. The Evil That Never Arrived 16:56
5. Apreludes (in C sharp major) 22:01
6. Don't Bother They're Here 25:45
7. Dopamine Clouds Over Craven Cottage 35:56
8. Even If You're Never Awake 41:51
9. Even (Out) + — 51:12
10. A Meaningful Moment Through a Meaning(less) Process 56:03
11. Another Ballad for Heavy Lids 1:00:36
12. The Daughters of Quiet Minds 1:05:09
13. Hiberner Toujours 1:18:31
14. That Finger on Your Temple is the Barrel of My Raygun 1:20:20
15. Humectez la mouture 1:25:25
16. Tippy's Demise 1:30:56
17. The Mouthchew 1:39:15
18. December Hunting for Vegetarian Fuckface 1:42:56
Robert Rich — Perpetual. A Somnium Continuum (8h Complete Masterpiece) [2014]
Опубликовано: 29 окт. 2014 г.A Somnium Continuum
The Sleep Concert has been one of the dominant threads in my musical journey through life. It marked my first solo concert ever, in January 1982, in the lounge of a Stanford University dormitory. It became a sort of trademark for me, even as I explored a range of dynamic music throughout my career.
Occasionally I feel an urge to return to this slow-motion core of my creative heart, and occasionally the world comes back to remind me that I will always be connected to sonic explorations at the edges of perception, trance consciousness, dreams, altered states, communal ritual.
I returned to making all-night music when the Unsound Festival invited me to perform a sleep concert in Krakow Poland, October 2013. This would be my first sleep concert in ten years. I decided to create new textural soundscapes to use in this performance, to reinvigorate the concept for a new generation, a new millennium. After spending at least six months developing long evolving textures for the performance in Krakow, I proceeded to hone the material into a new long-form work, a sequel to the 7-hour long Somnium from 2001.
Technical note: The Blu-ray version of «Perpetual» contains both the 8-hour «Perpetual» and the 7-hour original «Somnium.» Each is divided into three chapters, split at the most quiet moments in each piece, in order to keep file sizes under 4 Gb. The audio files are stereo 16 bit 48 kHz, using over 13 Gb of the disc for audio. The remaining 11 Gb holds highly compressed video-black, required for navigation through the disc. The download of «Perpetual» available through CD Baby is divided into ~80 minute chunks (for technical reasons due to data-entry workflow) and uses CD-resolution (16 bit 44.1 kHz) files. These should segue into each other seamlessly on your computer, although a soft click might be audible depending on the software.
1. Grasslands 0:00
2. The Forest's Edge 11:09
3. Secluded Trail 19:32
4. The Wanderer 30:59
5. Drinking from the Spring of the Earth 41:19
6. Radiant Light 47:52
1. Moments of Solitude 0:00
2. Light Trails Across the Night Sky 9:28
3. Watching the World Go By 26:42
4. The City Beneath a Veil of Calm 41:02
5. Day Becomes Night 49:40
Опубликовано: 6 дек. 2012 г.Eduard Nikolaevich Artemyev (Russian: Эдуа́рд Никола́евич Арте́мьев; born November 30, 1937) is a Russian composer of electronic music and film scores. Outside of Russia he is mostly known for his film scores from films such as Solaris, Siberiade, Stalker or Burnt by the Sun.
Artemyev was born in Novosibirsk and studied at the Moscow Conservatory under Yuri Shaporin. His interest in electronic music and synthesizers began after his graduation in the 1960, when electronic music was still in its infancy. He wrote his first composition in 1967 on one of the first synthesizers, the ANS synthesizer developed by the Soviet engineer Evgeny Murzin. He was thus one of the first composers and a pioneer of electronic music. His collaboration with the film director Andrei Tarkovsky in the 1970s made him well-known. He wrote the film scores of Tarkovsky's Solaris, Zerkalo and Stalker. Later he also wrote film scores for films by Andrei Konchalovsky and Nikita Mikhalkov. His film scores and his music received several awards, including three Nika Awards. Recently, he licensed several pieces from the Solaris soundtrack in order to use them in the upcoming Spanish production The Cosmonaut.