Ghost Encounters at Gettysburg

Опубликовано: 28 июл. 2015 г.On this episode of Expanded Perspectives the guys talk about a new mysterious creature has washed up on shore on Sakhalin Island in Russia. Then after the break the guys talk about some mysterious ghost encounters at and around Gettysburg Pennsylvania. Thank you for listening to Expanded Perspectives. If you like the show and want to help out, please rate and write us a review on iTunes. Don’t forget if you want more Expanded Perspectives you can sign up for Expanded Perspectives Elite! Just go to the website and click on the tab in the top right of the website www.expandedperspectives.com. You can also call the show and tell us your story of just tell others why you like Expanded Perspectives. The number is 817-945-3828. Thanks and have a great week!
Show Notes:
Mysterious Creature Washes Ashore on a Russian Island
Pennsylvania Haunts and History
Ghosts of Gettysburg
Spirits of the Civil War Gettysburg
Haunted Gettysburg
Music:
All music for Expanded Perspectives is provided by permission by Pretty Lights! Purchase, Download and Donate at www.prettylightsmusic.com
Songs Used:
Around the Block
My Other Love
Understand Me Now

Hypnos I (hecq)

Опубликовано: 27 июл. 2015 г.

Brian Eno — An Ending (Ascent)

Дата загрузки: 2 сент. 2009 г.Ambient.

Brian Peter George St. John le Baptiste de la Salle Eno[1] (born 15 May 1948), commonly known as simply Brian Eno (pronounced /ˈiːnoʊ/), is an English musician, composer, record producer, music theorist and singer, who, as a solo artist, is best known as one of the principal innovators of ambient music.[2]

Eno studied at art school, taking inspiration from minimalist painting, but he had little musical education or playing experience when he joined the band Roxy Music as their keyboards and synthesisers player in the early 1970s. Roxy Music's success in the glam rock scene came quickly, but Eno soon tired of touring, and he left the group after the release of For Your Pleasure (1973), beginning his solo career with Here Come the Warm Jets (1973) and Taking Tiger Mountain (By Strategy) (1974).

Eno extended his reach into more experimental musical styles with (No Pussyfooting) (1973) (a collaboration with Robert Fripp), Another Green World (1975) and Discreet Music (1975). His pioneering efforts at «sonic landscapes» began to consume more of his time beginning with Ambient 1/Music for Airports (1978) and later Apollo: Atmospheres and Soundtracks (1983) which was composed for the documentary film For All Mankind. Eno nevertheless continued to sing on some of his records, ranging from Before and After Science (1977) to Another Day on Earth (2005).

Eno's solo work was extremely influential, pioneering ambient and generative music, innovating production techniques, and emphasizing «theory over practice.»[3] He also introduced the concept of chance music to popular audiences partly through collaborations with other musicians.[4] By the end of the 1970s, Eno had worked with David Bowie on the avant-garde «Berlin Trilogy,» helped popularise the American punk rock band Devo and the punk-influenced «No Wave» genre, and had begun to work frequently with Harold Budd, John Cale, Cluster, Robert Fripp and David Byrne, with whom he produced the influential My Life in the Bush of Ghosts (1981). He produced three albums by Talking Heads, including Remain in Light (1980), produced seven albums for U2, including The Joshua Tree (1987), and worked on records by James, Laurie Anderson, Coldplay, Paul Simon, and Slowdive, among others.

As an artist, Brian Eno pursues ventures in parallel to his music career: art installations, a newspaper column in The Observer, and «Oblique Strategies» (written with Peter Schmidt), a deck of cards wherein each card has a cryptic remark or random insight meant to resolve a dilemma. He continues to collaborate with other musicians, produce records, release his own music, and write.

Biosphere — Patashnik 2 Full Album 2014

Опубликовано: 25 мар. 2015 г.

Filthcast 005 featuring Lucio De Rimanez

Опубликовано: 24 дек. 2013 г.This Special Edition Filthcast is brought to you by an artist we consider to have an amazing talent, refreshing ideas and a great inspiration for us going forward into 2009
Born and raised near Moscow, Russia — 20 year old Lucio De Rimanez has wowed us (a couple of times now) with his production and experiemental take on drum n bass
Expect deep atmospheres, brutal drums, bleeps and bangers.

Feedburner:
http://feeds2.feedburner.com/BarcodeF...

iTunes:
http://itunes.apple.com/gb/podcast/fi...

Direct Download:
http://www.barcoderecordings.com/filt...

Donny — Search & Destroy
Current Value — Cybernetics VIP
Lucio De Rimanez — Pain
Limewax — Aria
Lucio De Rimanez — Children
Limewax — Give Up
Lucio De Rimanez — Synthetic Life
Lucio De Rimanez — Ugly Fat Reality
Current Value & Snow — Come La Neve
Current Value — Strange Peace
Gein — Simon
Lucio De Rimanez — Sorrows Of Satan
Lucio De Rimanez — Worlds
Audio — Icarus
Lucio De Rimanez — Flying Machines
Audio — Vigilante
Lucio De Rimanez — Breath Of Steel
Raiden — Sputnik
Lucio De Rimanez — To Be A Robot

Philip Glass — The Hours [HD]

Опубликовано: 21 нояб. 2013 г.Philip Glass — The Hours, 2002. Michael Riesman transcription.
Branka Parlić, piano. Synagogue, Novi Sad. 5.VII.2005


«The Hours», Music from the Motion Picture for piano.
There are movies where you notice the soundtrack, and others where you don't. The latter is usually considered ideal, and yet it's impossible to ignore Philip Glass' pervasive, all-encompassing soundtrack while watching Stephen Daldy's celebrated follow-up to Billy Elliot (the same could just as easily be said of Elmer Bernstein's majestic music for Far From Heaven). This isn't such a bad thing — far from it. The piano-dominated score, incorporating motifs from Glass' Satyagraha, Glassworks, and Solo Piano is, by turns, lush, sumptuous, and stirring.

Philip Glass' score for the film The Hours is very typical of Glass, with its nearly constant repetition and slowly evolving variations on a theme. It suits the moods of the film perfectly, reflecting mesmerically the inner thoughts and emotions of the characters, but remaining subservient to the film itself. Michael Riesman, a long-time associate of Glass, has transcribed the score of The Hours for piano. It wasn't hard for him to do this: the score prominently features the piano alongside the orchestra, and Riesman performed the piano part in the soundtrack recording. His solo piano version covers exactly the same music as on the soundtrack album, but to call it a «reduction» of an orchestral work would be unfair. Yes, it is one instrument instead of many, but just by the facts that it's a single performer being responsible for realizing the music and it's no longer an accompaniment to screen images, Riesman is able to add to it more expression and more life. Even though his tempos and the track times match the soundtrack almost exactly, he is able to take tiny liberties with the phrasing of themes so that the quiet desperation of the music isn't quite as desperate. It doesn't matter if he uses a larger array of dynamics and is not quite as strict with time. Whereas listening to the soundtrack without the film can be almost unbearably boring or depressing, depending on your state of mind, listening to Riesman's version is less so. Although the track titles make no sense without film, in this version, the music is able to stand on its own as a distinct creative work, with more vitality and wider-ranging sentiment than the soundtrack.

The complicated storyline, based on Michael Cunningham's Pulitzer Prize-winning novel (which was, in turn, inspired by Virginia Woolf's Mrs. Dalloway) is inherently dramatic and emotionally compelling enough that it doesn't really «need» music to get its message across. And the actors, including Nicole Kidman (Virginia Woolf), Julianne Moore (Laura Brown), and Meryl Streep (Clarissa Vaughn), breathe such life into these three distinct characters, living in three different time periods, that they don't need really need the music either. But it's always there, like a ghostly presence in each woman's life, helping to tie their divergent storylines together as much as the themes that are common to each. In the end, the score is as much a unifying force as Peter Boyle's deft editing and, most importantly, Woolf's Mrs. Dalloway, which was originally to be called The Hours.


Pianist Branka Parlić is one of the most prominent interpreters of contemporary classical music in Eastern Europe. She graduated from the Belgrade University of Musical Arts in the late 1970s and studies under Professor Olga Mihailović. She later honed her craft at the Summer Music Academy in Nice under Professor Pierre Sancan of the Paris Conservatory. While studying, she also co founded the well-known Ensemble for Different New Music.

Taking on the task of presenting the cycle of the legendary Phillip Glass' «Metamorphosis,» is probably the most challenging task in the sphere of contemporary minimalism since Parlic's classical undertaking of Erik Satie's ''Gnossiennes'' in the 1980s. The album which she released back then, called «Initiés,» was the first album that contained one of Satie's compositions ever recorded here.

Branka Parlić premiered the Glass' pieces in Novi Sad in 2004 and the performance of «Metamorphosis No.2» recorded at this show was broadcasted regularly on prestigious British TV channel Classics FM. Recently, another British TV channel C Music TV http://www.cmusic.tv/cmusic/ started to broadcast two videos in Parlic' rendering: «Opening» by Philip Glass and «Spiegel im Spiegel» by Arvo Pärt. She also act as Artistic Director of the Concert Series «New Ears for New Music» in Novi Sad.

Ravermeister Vol.8

Опубликовано: 13 янв. 2016 г.Released: 1997
Style: Trance, Acid, Techno, Hard Trance

Tracklist.
01. Scope — Perfect
02. Third Man — Planet Hunter
03. Liquid Bass — Monosphere
04. Backdraft — Lost Genesis
05. Virtual Atmosfear — E!Volution
06. Little Jam — The Great Bear (Re-Edit)
07. Global Control — Crazy
08. Greenforce — Sleepless (Vinyl-Mix)
09. Changall — Metropolis
10. Proxyma — Other Worlds
11. Commander Tom — The Vulcan
01. Creams — My Love Emotions
02. Error 010 — Meta Morph VI
03. Solid Sleep — Tears
04. Mass in Orbit — Overdrive (Hubble Mix)
05. Oson — in Heaven
06. Sloane Strangers — Mind Over Matter
07. Sonic Tool — Yesterday (DJ Crack Mix)
08. Framic — What Was it Like
09. Atomic Junkies — A.T.O.M.I.C. J.U.N.K.I.E.S.
10. Planet E Team — Luke
11. Interstate — Human Beings

Darude — Sandstorm

Дата загрузки: 4 июл. 2009 г.WATCH NEW DARUDE VIDEO «BEAUTIFUL ALIEN» ▶ http://youtu.be/fUy2lKEfWr8

http://darude.com, http://facebook.com/darude, http://twitter.com/darudevil, http://twitch.tv/darude

© 2010 WMG
Darude — Sandstorm
Written by V. Virtanen, arranged by V. Virtanen & J. Salovaara, produced by J. Salovaara
© 16 Inch Records, 1999

Video by Also Starring, directed by Juuso Syrjä.
Video was shot in various locations in Helsinki, Finland.

Current Value — Forbidden Society Recordings Label Night [DnBPortal.com]

Опубликовано: 10 мая 2015 г.➔ Subscribe & support DnB Portal for more video sets http://bit.ly/DnB_PortalYT

Prague / Cze / 24.04.2015 / Live / Cross Club / dnb / Hardcore / Crossbreed / Forbidden Society Label Night

➔Free DL: http://bit.ly/2a5zejv

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✖Cross Club✖
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INNA feat. Yandel — In Your Eyes | Official Music Video

Опубликовано: 16 окт. 2013 г.Official music video by INNA performing the intrernational hit single «In Your Eyes» featuring Yandel. 2013

Concerts: booking@innaofficial.com

Get it on iTunes: https://itunes.apple.com/us/album/id9...

INNA Online:
https://www.facebook.com/Inna
https://instagram.com/innaofficial
https://twitter.com/inna_ro

Global Records Online:
https://www.facebook.com/GlobalRecord...
https://www.instagram.com/globalrecords
http://globalrecords.com

Written by Steve Mac, Ina Wroldsen & Llandel Veguilla

Published by Rokstone Music Ltd under exclusive licence to BMG Rights
Management (UK) Limited / Reverb Music Ltd / La Leyenda Music Publishing

Produced by Steve Mac
Engineered by Dann Pursey & Chris Laws
Mixed by Chris Laws
Recorded and mixed at Rokstone Studios, London.
Piano & Synths: Steve Mac
Drums: Chris Laws