Patti Smith with Philip Glass 2013 Tribute to Allen Ginsberg
Опубликовано: 13 сент. 2014 г.Live at Auditorium, Parco della Musica, Roma
during 'Patti Smith: My Festival' night tribute to Allen Ginsberg 'The Poet Speaks'
April 13th, 2013
0:00:00 01 Notes to the Future 6:32
[music from 'Metamorphoses' by Philip Glass] 0:06:32 02 Wichita Vortex Sutra 8:42
[poem by Allen Ginsberg] 0:15:14 03 The Blue Thangka 4:55
[music from 'Metamorphoses' by Philip Glass] 0:20:09 04 My Blakean Year 8:43 0:28:52 05 Ghost Dance 7:23 0:36:15 06 Pissing in a River 4:47 0:41:01 07 Etudes # 2 and #10 18:59
[Philip Glass solo] 1:00:00 08 To Aunt Rose 5:25
[poem by Allen Ginsberg] 1:05:25 09 On Cremation of Chögyam Trungpa, Vidyadhara 6:01
[poem by Allen Ginsberg — music by Philip Glass] 1:11:26 10 Magic Psalm 7:56
[poem by Allen Ginsberg — music by Philip Glass] 1:19:22 11 Footnotes to Howl 5:04
[poem by Allen Ginsberg] 1:24:26 12 People Have the Power 8:34
Personnel:
track 1-3: Patti Smith (vocals), Philip Glass (piano)
track 4: Patti Smith (vocals, guitar), Lenny Kaye (guitar), Jesse Smith (piano)
track 5: Patti Smith (vocals), Lenny Kaye (guitar, back. vocals), Jesse Smith (piano)
track 6: Patti Smith (vocals), Lenny Kaye (guitar), Jesse Smith (piano)
track 7: Philip Glass (piano)
track 8-11: Patti Smith (vocals), Philip Glass (piano)
track 12: Patti Smith (vocals), Lenny Kaye (guitar), Jessie Smith (piano), Philip Glass (piano)
Note: «My Festival» is a project organized by Patti Smith and Marco Tirelli to celebrate the 10th year of life of Auditorium, Parco della Musica in Rome. During this festival, from 9th to 25th April, Patti Smith remember her own life, through her friendships and music, with the exhibit 'Memories' minded by Marco Tirelli. The Festival has seen the participation of a lot of great artists, as the director Bernardo Bertolucci and the musician Nicola Piovani. During this night, Patti wants to remember her friend Allen Ginsberg through a reading of his best poems and the musical partnership of Philip Glass on piano.
Why did Patti Smith choose this collaboration with Glass to give her personal tribute to the Master of Beat Generation? «I knew Philip» Patti said «in 1978, together with Ginsberg and Burroughs. When my husband died in 1994, we made a charity event with both of them. And then, when Allen died in 1997, we began to work together, because we missed him so much. April is the perfect month to remember Allen, because he died on 5th». Patti Smith is able to create a fantastic atmosphere with a passional and strong reading while on the back some photos of Ginsberg flow; when she comes on the stage, she turns towards the screen saying hello to his friend Allen.
Patti Smith mingles the reading of Ginsberg's poems with the Glass's execution of his best works and her great songs of her long and glorious career, with a special end that sees on the stage Patti Smith, Lenny Kaye, Jessie Smith (Patti's daughter) and Philip Glass playing the same piano while all people are dancing and singing under the stage on the fantastic notes of «People Have the Power».
Опубликовано: 19 сент. 2015 г.Violin Concerto
1. ♪ = 104 — ♪ = 120
2. ♪ = ca. 108
3. ♪ = ca. 150 — Coda: Poco Meno ♪ = 104
Orchestra – Wiener Philharmoniker
Conductor – Christoph Von Dohnányi
Violin – Gidon Kremer
Philip Glass
(*1937)
1 — 3: Concerto for Violin and Orchestra
Konzert für Violine und Orchester
Concerto pour violon et orchestre
Concerto per violino e orchestra
For Paul Zukofsky and Dennis Russell Davis
Commissioned by The American Composers Orchestra, Inc.
Live recording ⋅ Konzertmitschnitt ⋅ Enregistrement public ⋅ Registrazione dal vivo
Recordings, Vienna Musikverein, Grosser Saal 2/1992
Опубликовано: 11 сент. 2015 г.Fluid, dark, deep and eerie at times but yet still liquid, this mix takes you on a journey through a wonderful style of Drum & Bass.
↪ Tracklist: 00:00 ~ Anile — Don't Tell Me 04:02 ~ LSB — Loop of Love 08:26 ~ Netsky – Storm Clouds 12:51 ~ Modestep — Nightbus Home 16:43 ~ Anile — Stay With Me 20:03 ~ Technimatic & LSB — Rotary Motion (Calibre Remix) 21:22 ~ Technimatic — Innermost 24:27 ~ BCee — The Falls 29:13 ~ Etherwood — Shattered (feat. Nu:Tone) 33:31 ~ S.P.Y – Perth Sunset 38:03 ~ Riya & Enei – You or Me 43:19 ~ Netsky — Lost In This World 47:01 ~ Camo & Krooked — Afterlife (BCee Remix) 50:58 ~ Seba — Forever 54:38 ~ Sub Focus — Last Jungle
The album brings together two artists with enormous followings: Valentina Lisitsa, with her dazzling artistry and hundreds of thousands of followers on YouTube; and Philip Glass, with his hugely popular minimalist piano music.
Here is Glass at his best – using the building blocks of minimalism to achieve a huge, inventive soundscape of musical richness and contrasts. Richly harmonic, this is a deeply evocative listening experience with revelatory performances from Lisitsa; a wonderful artist with exceptional musicality and a stunning technique.
Опубликовано: 11 февр. 2014 г.Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding «a voice of its own» as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's death some sixteen years earlier: «I wrote the piece in 1987 thinking, let me write a piece that my father would have liked. A very smart nice man who had no education in music whatsoever, but the kind of person who fills up concert halls. It's popular, it's supposed to be — it's for my Dad.»
The Hours is the story of three women searching for more potent, meaningful lives. Based on Michael Cunningham's 1999 Pulitzer Prize--winning novel, the film interweaves the stories of three women—a book editor in New York (Meryl Streep), a young mother in California (Julianne Moore), and the author Virginia Woolf (Nicole Kidman). Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Philip Glass's ravishing, Oscar- and Grammy-nominated score was a key element in this acclaimed triptych of dramatic tales. «The inter-cutting of personal stories over a wide span of time, » says NPR, «is held together by a single music approach.»