Stara Rzeka — Cień chmury nad ukrytym polem Full Album
Опубликовано: 5 мая 2014 г.1. Przebudzenie boga wschodu 00:00
2. Tej nocy/Broń nas od złego 12:09
3. Cień chmury nad ukrytym polem 19:54
4. Prześwit 32:04
5. Nächtlich Spaziergang durch Klinger 37:27
6. My Only Child 44:12
Black Sun Empire represents the finest in dark and tech fuelled dance-floor drum & bass. Since bursting onto the scene back in 2000, they've continued to develop their own unique style and sound, releasing numerous singles as well as five full-length LPs and establishing themselves as leaders in the field. With their impressive DJ skills and inspirational productions, Black Sun Empire has reached far beyond their native Holland. They've toured around the world, with highlights including Glastonbury and numerous other festival appearances, and continue to build on their growing reputation as some of the most exciting and consistent performers in the scene.
From their base in Utrecht, Holland, the Black Sun Empire trio have truly gone global, taking their own brand of high-octane techno-infused drum & bass to audiences worldwide, with over 100 appearances at live stages and clubs in the last year alone.
Their own club night, Blackout, celebrated it's ninth year anniversary in February 2012 and has seen guest appearances from some of the very best artists in drum & bass and dubstep including Goldie, Dom & Roland, Klute, Optical, Spor, Nero, and Bar 9. In 2011 and now onto 2012, Blackout goes on tour with guests and related artists from their three labels (BSE Recordings, oBSEsessions, Shadows of the Empire) and now has a highly successful residency in London at Cable.
Some of the artists who played at Blackout are:
Noisia, Audio, Jade, Nymfo, SPL, State of Mind, Ed Rush, CounterStrike, Gridlok, Dom & Roland, Calyx, Spor, Klute, Concord Dawn, Eye-D, Teebee, Chris.Su, Vicious Circle, Break, The Upbeats, Phace, Optical, Bad Company, Total Science, Matrix, Futurebound, Brookes Brothers, Fresh, Mindscape, Spectrasoul, Ulterior Motive, Dieselboy, Optiv, Cause4Concern, Andy C, Goldie, Camo&Krooked, Marcus Intalex, Prolix, Bar9, N-type and many more.
This podcast serie is all about that sound!
Subscribe to the channel if you want to say informed!
With Mary Anne Hobbes championing Nils Frahm and A Winged Victory For The Sullen and Hauschka performing live orchestral performances with Icelandic experimental outfit mum on Boiler Room, Contemporary Classical (or Neo-Classical) music is gradually, gently moving into a position where songs titled 'Steep Hills Of Vicodin Tears' wouldn't sound amiss on prime time radio slots.
Patti Smith with Philip Glass 2013 Tribute to Allen Ginsberg
Опубликовано: 13 сент. 2014 г.Live at Auditorium, Parco della Musica, Roma
during 'Patti Smith: My Festival' night tribute to Allen Ginsberg 'The Poet Speaks'
April 13th, 2013
0:00:00 01 Notes to the Future 6:32
[music from 'Metamorphoses' by Philip Glass] 0:06:32 02 Wichita Vortex Sutra 8:42
[poem by Allen Ginsberg] 0:15:14 03 The Blue Thangka 4:55
[music from 'Metamorphoses' by Philip Glass] 0:20:09 04 My Blakean Year 8:43 0:28:52 05 Ghost Dance 7:23 0:36:15 06 Pissing in a River 4:47 0:41:01 07 Etudes # 2 and #10 18:59
[Philip Glass solo] 1:00:00 08 To Aunt Rose 5:25
[poem by Allen Ginsberg] 1:05:25 09 On Cremation of Chögyam Trungpa, Vidyadhara 6:01
[poem by Allen Ginsberg — music by Philip Glass] 1:11:26 10 Magic Psalm 7:56
[poem by Allen Ginsberg — music by Philip Glass] 1:19:22 11 Footnotes to Howl 5:04
[poem by Allen Ginsberg] 1:24:26 12 People Have the Power 8:34
Personnel:
track 1-3: Patti Smith (vocals), Philip Glass (piano)
track 4: Patti Smith (vocals, guitar), Lenny Kaye (guitar), Jesse Smith (piano)
track 5: Patti Smith (vocals), Lenny Kaye (guitar, back. vocals), Jesse Smith (piano)
track 6: Patti Smith (vocals), Lenny Kaye (guitar), Jesse Smith (piano)
track 7: Philip Glass (piano)
track 8-11: Patti Smith (vocals), Philip Glass (piano)
track 12: Patti Smith (vocals), Lenny Kaye (guitar), Jessie Smith (piano), Philip Glass (piano)
Note: «My Festival» is a project organized by Patti Smith and Marco Tirelli to celebrate the 10th year of life of Auditorium, Parco della Musica in Rome. During this festival, from 9th to 25th April, Patti Smith remember her own life, through her friendships and music, with the exhibit 'Memories' minded by Marco Tirelli. The Festival has seen the participation of a lot of great artists, as the director Bernardo Bertolucci and the musician Nicola Piovani. During this night, Patti wants to remember her friend Allen Ginsberg through a reading of his best poems and the musical partnership of Philip Glass on piano.
Why did Patti Smith choose this collaboration with Glass to give her personal tribute to the Master of Beat Generation? «I knew Philip» Patti said «in 1978, together with Ginsberg and Burroughs. When my husband died in 1994, we made a charity event with both of them. And then, when Allen died in 1997, we began to work together, because we missed him so much. April is the perfect month to remember Allen, because he died on 5th». Patti Smith is able to create a fantastic atmosphere with a passional and strong reading while on the back some photos of Ginsberg flow; when she comes on the stage, she turns towards the screen saying hello to his friend Allen.
Patti Smith mingles the reading of Ginsberg's poems with the Glass's execution of his best works and her great songs of her long and glorious career, with a special end that sees on the stage Patti Smith, Lenny Kaye, Jessie Smith (Patti's daughter) and Philip Glass playing the same piano while all people are dancing and singing under the stage on the fantastic notes of «People Have the Power».
Опубликовано: 24 дек. 2015 г.To celebrate a successful year and to thank all those who have supported me I have followed up last year's Party Mix with a new and better one! Here's to a great 2016!
Опубликовано: 24 окт. 2015 г.Mishima is the soundtrack of the movie «Mishima: to Life in Oven» Chapters de Paul Schrader, composed by Philip Glass.
The quartet for ropes, interpreted by Kronos Quartet, is nowadays still played, independently of the soundtrack. He is entitled String quartet No. 3 Mishima.
• Composer: Philip Glass
• String quartet interpreted by: Kronos Quartet
• Conductor: Michael Riesman
• Producer: Kurt Munkacsi
• Label: Elektra/Nonesuch 7559-79113-2
• Year: 1985
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Tracks :
0:00 — 1. Mishima / Opening 2:47 — 2. November 25: morning 6:58 — 3. 1934: grandmother & Kimitake 10:37 — 4. Temple of the golden pavillon (like some enormous music) 13:38 — 5. Osamu's Theme: Kyoko's house 16:38 — 6. 1937: Saint Sebastian 17:45 — 7. Kyoko's house (stage blood is not enough) 22:48 — 8. November 25: Ichigaya 25:02 — 9. 1957: award montage 29:00 — 10. Runaway horses (poetry written with a splash of blood) 38:09 — 11. 1962: body building 39:39 — 12. November 25: The last day 41:10 — 13. F-104: epilogue from Sun and Steel 43:09 — 14. Mishima / closing
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Over the last fifteen years, Philip Glass has defined a new form of biographical opera. There was never any doubt that he would be the ideal composer for Mishima, a mosaic film biography. I wanted a score which would unite the film's disparate elements and propel it forward. Such a score, by definition, would be a distinct, cohesive composition.
I only wondered how to induce Glass. Money was out of the question: the film was already an egregiously under-budgeted labor of love production. I opted for a soft sell. (I've subsequently learned how remarkably resistant Philip is to a hard one.) I simply gave him the script and all the materials by and about Mishima at my disposal.
Philip responded enthusiastically and after several pre-production meetings and a trip to the Tokyo locations, wrote a score from the script as he would from a libretto. With Kurt Munkacsi and Michael Riesman he recorded a temp synthesizer version.
I edited the film to this temp score, altering it as necessary: cutting, expanding and repeating cues. I then played the edited film and score for Philip. He rewrote the music to fit the film's now-precise specifications and recorded it with a full orchestra. Later, he supervised last-minute changes during the final mix.
In keeping with the original concept, Glass has re-edited the score as a distinct musical entity. His Mishima equally serves the film and stands alone.
— Paul Schrader
CREDITS:
Original music composed by Philip Glass. Conducted by Michael Riesman. String quartets performed by The Kronos Quartet: David Harrington, violin. John Sherba, violin. Hank Dutt, viola. Joan Jeanrenaud, cello.
Produced by Kurt Munkacsi for Euphorbia Productions, Ltd. NY, NY. Recording engineer: Dan Dryden, Assistant: Don Christensen. Recorded at: Greene St. Studios NY, NY and The Living Room Inc. NY, NY. Remixed by: Dan Dryden, Kurt Munkacsi, Michael Riesman. Remixed at: The Living Room, Inc. NY, NY. Contractor for the musicians: Earl Shendell. Mastered by: Bill Kipper, Masterdisk, NY, NY.
Album art direction: Eiko Ishioka. Photo: Sukita. Album design: Makoto Kumakura.
Опубликовано: 15 мая 2016 г.Extraordinary pianist-composer and proclaimed Prophet Of The Piano Lubomyr Melnyk is the creator of «Continuous Music» — a revolutionary language of sound for the piano. With his remarkable piano technique to create a never-ending stream of notes, he makes the piano come alive.