The Disappearance of Michael Rockefeller

The Disappearance of Michael Rockefeller

Опубликовано: 10 июл. 2016 г.On this episode of Expanded Perspectives the guys start the show by talking about two people in Oregon County, Mississippi say they came across an unknown animal that looked like a mix between a dog and a kangaroo. Then, an unusual story about a headless railway conductor seen patrolling a particular section of track looking for his missing head taken from the Chicago Tribune newspaper January 15, 1890. Then, Kit Parker a bio-engineer at Harvard a recently created a small robot stingray that uses real living rat cells. Parker’s robotic stingray is tiny—a bit more than half an inch long—and weighs only 10 grams. But it glides through liquid with the very same undulating motion used by fish like real stingrays and skates. The robot is powered by the contraction of 200,000 genetically engineered rat heart-muscle cells grown on the underside of the bot. Even stranger, Parker’s team developed the robot to follow bright pulses of light, allowing it to smoothly twist and turn through obstacle courses. Then, numerous governments around the world are slowly coping with the idea that the worldwide population has a right to know whether or not we are alone in the universe. In fact, the disclosure movement has never been as strong as it is today with countless Military officers, government officials, and astronauts speaking out about the existence of alien life and Alien spacecraft. Recently the FBI released some of these documents, and whats on them will shock you. After the break Cam brings up one of the strangest missing person stories in recent years. Born in 1938, Michael Clark Rockefeller was the son of New York governor and later Vice President Nelson Aldrich Rockefeller, and was a fourth generation member of the Rockefeller family, one of the richest, most powerful, and influential families in America at the time. Michael had long had a passionate interest in art, especially in primitive and tribal art, and in 1957 helped established the first ever museum solely dedicated to such art, the Museum of Primitive Art, in Manhattan. Rockefeller was also an adventurer at heart, and yearned to travel to faraway lands and meet exotic tribes. It was this profound interest in art and his desire to experience another world that would eventually bring Michael Rockefeller across the world to the remote and little understood, mysterious land of what was then Dutch New Guinea. While exploring in that area he disappeared during an expedition in the Asmat region of southwestern Netherlands New Guinea. In 2014, Carl Hoffman published a book that went into detail about the inquest into his killing, in which villagers and tribal elders admit to Rockefeller being killed after he swam to shore in 1961. Despite these claims, no remains or other proof of his death have ever been discovered. Thanks for listening to Expanded Perspectives. You can email the show at expandedpezrspectives@yahoo.com or call the show at 817-945-3828. Have a great week!

Show Notes:
◾Dogman? Two People Spot Kangaroo-Dog Hybrid in Missouri
◾Ghost of the Beheaded Conductor
◾This Swimming Stingray Robot Is Powered by Real, Living Rat Cells
◾FBI releases document with detail of Alien bodies, spacecraft and planet
◾FBI Vault Online Database
◾Michael Rockefeller
◾What Really Happened to Michael Rockefeller
◾Unraveling the disappearance of Michael Rockefeller
◾Netflix Documentary: Cannibals Ate Michael Rockefeller Alive

Music:

All music for Expanded Perspectives is provided by Pretty Lights. Purchase, Download and Donate at www.prettylightsmusic.com and Bassnectar. You can purchase his music on iTunes or his website http://www.bassnectar.net/

Songs Used:
◾Pretty Lights vs. Led Zeppelin
◾Vibe Vendetta
◾My Other Love
◾How We Do

rob mazurek - the passion of yang kwei-fe

rob mazurek — the passion of yang kwei-fe

Дата загрузки: 11 янв. 2012 г.rob mazurek — the passion of yang kwei-fe
faixa 03 do disco«calma gente» cd, lançado pelos selos submarine e catune records, 2010.

«Parceria entre a Submarine Records e a Catune (Japão), este registro conta com colaborações de membros da Exploding Star Orchestra, Hurtmold, São Paulo Underground, Black Earth Ensemble, Kiko Dinucci e Thomas Rohrer.»

http://www.robmazurek.com/
http://submarinerecords.net/sub/calma...

http://paranoiaecaleboca.blogspot.com

LoveGreece.com presents: Christos Papadimitriou, CEO of Papadimitriou SA

LoveGreece.com presents: Christos Papadimitriou, CEO of Papadimitriou SA

Опубликовано: 13 окт. 2014 г.Although Christos Papadimitriou is very young, he holds the position of Managing Director and CEO in the family business which his grandfather started back on 1939 and today is one of the biggest food industries in Greece, with a clear export orientation.

More: http://www.lovegreece.com/people/papa...

Ο Χρήστος Παπαδημητρίου αν και πολύ νέος σε ηλικία, έχει αναλάβει την οικογενειακή επιχείρηση που ξεκίνησε ο παππούς του το 1939 και σήμερα είναι από τις μεγαλύτερες εταιρείες τροφίμων στην Ελλάδα, με έντονη εξαγωγική δραστηριότητα.

Περισσότερα: http://www.lovegreece.com/el/people/p...

Συντελεστές

Σκηνοθεσία & Post Production: Βασίλης Τσαπόπουλος
Διεύθυνση Φωτογραφίας-Κάμερα: Ανδρέας Στανωτάς
Δημοσιογραφική Επιμέλεια: Γιώργος Μητρόπουλος
Υπεύθυνη Παραγωγής: Φωτεινή Νταφώτη

Philip Glass - Music in Twelve Parts

Philip Glass — Music in Twelve Parts

Опубликовано: 1 авг. 2013 г.0:00
18:14
37:30
50:46
1:08:05
1:31:14
1:45:24
2:05:20
2:23:36
2:35:50
2:53:00
3:07:28

Music in Twelve Parts, written by Philip Glass in 1971-1974, is a deliberate, encyclopedic compendium of some techniques of repetition the composer had been evolving since the 60s. It holds an important place in Glass's repertory — not only historically (as the longest and most ambitious concert piece for the Philip Glass Ensemble) but aesthetically as well. Music in Twelve Parts is both a massive theoretical exercise and a deeply engrossing work of art.

In the past, Glass vociferously objected to being called a minimalist composer. He now grudgingly accepts the term — with the distinction that it only applies to his earliest pieces, those up to and including Music in Twelve Parts. It is difficult to see how such a mammoth work as Einstein on the Beach can possibly be called minimalist and Glass now speaks of himself as a composer of music with repetitive structures.

Part I remains some of the most soulful music Glass ever wrote, yet it is also one of his most reductive compositions: at any place in the music, reading vertically in the score, both a C# and an F# are being played somewhere in the instrumentation. Through skillful contrapuntal weaving, Glass creates a drone that is not a drone — an active, abundant, richly fertile stasis.

Part I leads directly into Part II, which introduces a different key, a faster tempo, greater rhythmic and melodic variety and the human voice. «A new sound and a new chord suddenly break in, with an effect as if one wall of a room had suddenly disappeared, to reveal a completely new view.»

Part III, one of the few self-contained movements, is a gurgling study in fourths, and one of the shortest. Part IV is extraordinary: after a brief introduction, it becomes a lengthy examination of a single, unsettled chord that sweats, strains and ultimately screams for resolution until the musicians suddenly break into the joyous, rushing catharsis of Part V.

Part VI is another example of how Glass can take what initially seems a standard chord progression and gradually build considerable interest on the part of his audience as he presents it to us, again and again, from different rhythmical perspectives. Part VII clearly derives from Music in Similar Motion, but the development is much more swift than that of the earlier work and it is infinitely more virtuosic (the soprano, in particular, does her best to avoid tongue-twisting and sibilance in the exposed, rapid-fire melismatic passages). And the close of Part VIII prefigures the «Train» scene in Einstein on the Beach, with its irresistible forward motion and sheer, «boy-with-a-gadget» fascination with a systematic augmentation and contraction of the soprano line.

«I had a specific purpose in mind when I set to work on Twelve Parts. I wanted to crystallize in one piece all the ideas of rhythmic structure that I'd been working on since 1965. By the time I got to Part VIII, I'd pretty much finished what I'd started out to do. And so the last movements were different. Parts IX and X were really about ornamentation.» Part IX, after a lithe, bouncing, broken-chord introduction, becomes a study in chromatic unison while Part X begins with a blaring, aggressively reiterated figure in the winds that is eventually softened cushioned — by the addition of complementary figures in the bass.

Parts I-X had all been based on stable harmonic roots that had remained constant throughout the movement. Part XI is just as rigorous in its application of an antithetical approach: the harmony changes with every new figure. In Part XI, which is essentially an aria for soprano and ensemble, there is more harmonic motion than in all of the mature works Glass had composed in the previous ten years put together.

Music in Twelve Parts ends with a musical joke that may be amusing to those who remember the musical politics of the 60s & 70s. Like most young composers of the time, Glass was trained to write twelve-tone music; unlike most of them, he rejected the movement entirely. And yet, in the bass line of Part XII, toward the end, the careful listener will discern a twelve-tone row, underpinning this riot of tonal, steadily rhythmic, gleeful repetition -underpinning, in other words, all the things that textbook twelve-toners shunned.

«It was a way of making fun not only of others but also of myself. I had broken the rules of modernism and so I thought it was time to break some of my own rules. And this I did, with the shifts of harmony in Part XI and then in Part XII, where, for the first and only time in my mature music, I threw in a twelve-tone row. This was the end of minimalism for me. I had worked for eight or nine years inventing a system, and now I'd written through it and come out the other end. I'd taken everything out with my early works and it was now time to decide just what I wanted to put back in — a process that would occupy me for many years to come.»

Brutal Crossbreed Mix [HQ]

Brutal Crossbreed Mix [HQ]

Опубликовано: 22 сент. 2013 г.Crossbreed, Industrial Hardcore and Dark Drum 'n' Bass mix by DJ Unknown, that i have downloaded 2012..

Mix: Unknown — The Insidious Lie

00:00 The Outside Agency — The Price Is Right http://prspctrecordings.bandcamp.com/...
03:00 DKaos — Switch https://yellowstriperecordings.bandca...
04:30 Peter Kurten, The Outside Agency, Katharsys — Favorite Sin http://store.theoutsideagency.com/alb...
07:40 Lowroller — Hood of Horror
11:30 Lowroller — Bottomless Grave
14:20 Limewax vs Bong Ra vs Thrasher — Suck Satan's Cock
18:00 Katharsys — No End For The Darkness
21:20 C.A.2K — Metal Gear
22:50 C-Netik & Fragz — Six Feet Ditch
24:00 Ymb & Fragz — Oren Ishii
25:05 Prankster — Blood & Tears (Fragz Bootleg)
26:50 Prankster — Blood & Tears
29:20 Fragz — Party Banger
31:00 I:Gor — Testify
34:00 Lowroller — Mixbreed Soldier
35:35 Triamer — Krasnodar
38:20 Dune — Hardcore Vibes (Cooh Remix) vs. Gancher — Paranoia (Ruin Remix) [Kalda Mashup]


Official Download: https://soundcloud.com/user9298552/un...
Download without fkn Soundcloud login: http://dnbshare.com/download/Unknown_...

Pic by SyanArt: http://www.thevideogamegallery.com/ga...

Модерн Токинг - You can win if you want

Модерн Токинг — You can win if you want

Опубликовано: 3 июл. 2016 г.♥Modern Talking — You Can Win — стихи (lyrics)♥
You packed your things in a carpetbag
Left and never looking back
Rings on your fingers, paint on your toes
Music wherever you go
You don't fit in a smalltown world
But I feel you are the girl for me
Rings on your fingers, paint on your toes
You're leaving town where nobody knows

You can win if you want
If you want it, you will win
On your way you will see that life is more than fantasy
Take my hand, follow me
Oh, you've got a brand new friend for your life

You can win if you want
If you want it you will win
Oh, come on, take a chance for a brand new wild romance
Take my hand for the night
And your feelings will be right, hold me tight

Oh, darkness finds you on your own
Endless highways keep on rolling on
You are miles and miles from your home
But you never want to phone your home
A steady job and a nice young man
Your parents had your future planned
Rings on your fingers, paint on your toes
That's the way your story goes

Доход в интернете, гарантия http://2run.ru/

Си Си Кетч все старые клипы смотреть CC Catch all videos

Си Си Кетч все старые клипы смотреть CC Catch all videos

Опубликовано: 11 авг. 2015 г.Си Си Кетч клипы и песни сборник. CC Catch All Songs List
1. Heaven And Hell — 00:00
2. Good Guys Only Win In Movies — 03:22
3. Strangers By Night — 09:07
4. Cause You Are Young — 12:21
5. Are You Man Enough — 15:47
6. I Can Lose My Heart Tonight — 19:22
7. Jump In My Car — 22:55
8. Heartbreak Hotel — 26:45
9. House Of Mystic Lights — 30:20
10. Backseat Of Your Cadillac — 34:34
11. Nothing But a Heartache — 37:54
12. Soul Survivor — 40:50
13. Midnight Gambler — 44:07
14. Like A Hurricane — 47:31
15. Wild Fire — 51:18
16. Hollywood Nights — 54:44
17. Big Time — 57:56
18. One Night's Not Enough — 01:00:57
19. Stay — 01:04:52
20. You Shot A Hole In My Soul — 01:08:20
21. Stop Draggin My Heart Around — 01:11:49
22. You Can Be My Lucky Star — 01:15:00
23. Don't Be A Hero — 01:18:39
24. You Can't Run Away From It — 01:22:14
25. Midnight Hour — 01:25:29
26. Heartbeat City — 01:29:17
C C Catch песни, хороший звук — https://www.youtube.com/watch?v=U5OG3...
Модерн Токинг — You can win if you want — https://youtu.be/zxn9CkaLIn8

Белый метод заработка в интернете http://2run.ru/

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