Late Night Tales welcomes Jon Hopkins with a beautiful and hypnotic sequence of songs, instrumentals and cinematic electronics.
Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.
After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno, David Holmes, the Mercury nominated King Creosote collaboration 'Diamond Mine' and on three Coldplay albums. His soundtrack work includes scores for Peter Jackson's The Lovely Bones, How I Live Now, the BBC Zane Lowe rescore of Drive and 2010 film Monsters; nominated for an Ivor Novello Award for Best Original Score. He released the breakthrough album 'Immunity' in 2013, which was also nominated for the Mercury Prize.
The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.
Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.
Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with new music by Hopkins.
«Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it.»
— Jon Hopkins, December 2014
Venetian Snares + Speedranch — Making Orange Things (Full Album)
Опубликовано: 4 окт. 2012 г.Venetian Snares + Speedranch — Making Orange Things
00:00 Cheatin' 03:55 We Hate Russel 08:38 Fire beats 13:03 Molly's Reach Around 16:55 Tushe Love 20:36 Meta Abuse 24:38 Russell Hates This Track 28:11 Halfway Up The Stairway Of Mucus 31:24 Unborn Baby 34:52 Viva Las Vegas 38:14 Pay Me For Sex
Venetian Snares — Chocolate Wheelchair Album (Full album)
Опубликовано: 24 авг. 2012 г.This is the quintessential Aaron Funk LP, in my opinion, and also my personal favorite. Originally intended to be titled «Stupid Chocolate Wheelchair», Venetian Snares's second album of 2003 follows up on the previous year's Higgins Ultra Low Track Glue Funk Hits 1972-2006 in what would prove on future releases to be a more conventional fashion for the prolific producer. Funk puts on the map his bizarre and eclectic sampling tendencies, with an X-Ray Spex sample, an elusive Britney Spears sample, soundbites from The Love Bug, a Mötley Crüe remix, and a rendition of the Sesame Street theme song using a snare rush for an instrument. Yeah give this album a listen, it's great.