Опубликовано: 23 янв. 2016 г.The hour long mix takes in music from Disjecta, Industrial legends and previous guests Cabaret Voltaire & Throbbing Gristle, Raymond Scott, The Residents, John Cage, Mark Fell and The Hafler Trio.
Tracklist:
disjecta — pit
throbbing gristle — what a day
cabaret voltaire — makes your mouth go funny
pero — pommes
john carpenter — he’s still alive / romero
the human league — the dignity of labour (part 4)
raymond scott — lightworks (instr)
portion control — he is a barbarian
asmus tietchens — ausverkauf
zeebox — pepi de vince
moebius & tietchens — kattrepel
arthur kreiger — short piece
bernard parmegiani — sonare mouvement 2
moebius & plank — muffler b
severed heads — theme from the surface
paul lansky — say that again
the residents — would we be alive
bbc sound effects library — birdsong
delia derbyshire — great zoos of the world
fred frith — speechless
:zoviet*france: — kess saffer plaint
john cage — williams mix
asmus tietchens — falter-lamento
otto luening & vladimir ussachevsky — incantation
david lynch — hybrid mood
mark fell — abjection
philip jeck — thirtieth/pilot reprise
the hafler trio — a small child dreams of voiding the plague
peter rehberg — showroom dummies track 2
I´m not the owner of any copyright here. I don't earn money with this. I just share some music.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for «fair use» for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Дата загрузки: 26 мая 2011 г.Massive Attack Broadcasted on Sunday 11th December, 1994
Ennio Morricone — The Ecstasy Of Gold
Fu Schnickens — Breakdown
Jeru The Damaja — Statik
Public Enemy — Louder Than A Bomb
Main Source — Scratch And Kut? ?
ESG — UFO (Instrumental)
Gang Starr — The? Remains
Public Enemy — Yo! Bum Rush The Show
A Tribe Called Quest — God Lives Through
Black Moon — Reality (Killin' Every Nigga)
Whodini — One Love
Super Cat — Scalp Dem (RZA Remix) ?
Black Moon — Who Got Da Props
Big Daddy Kane — Word To The Mother (Land) ?
Massive Attack — Sly (Underdog Mix)
DJ Smash — Dubs On Wax [US Peace]
DJ Cam — Abstract Hip Hop Vol 1 [US Street JAzz Prods]
Massive Attack — Blue Lines [Wild Bunch/Circa]
DJ Cam — Dieu Reconnaitre Les Siens [US Street Jazz Prods]
Urban Thermo Dynamics — My Kung Fu [FFRR/Pay Day]
TLC — Creep
Nine — Whutcha Want
Stetsasonic — Talkin' All That Jazz [US Tommy Boy]
90's Lovers — You Know I Got Soul [Logic]
The Boot Man — To The Hip [Freeze]
Unreleased Project — The Pushing Dope EP [Faeze]
G Simone — I Know You Know [Front Page)
Paris — Gorilla Funky EP [US Tommy Boy]
Jamiroquai — Journey To Arnhemland [CBS]
Biz Markie — Nobody Beats The Biz [Prism]
The Buddha Baboons — Say Uptown [AV8]
Cool 2 — So Groovy Now [Rumour]
All Them Witches — Our Mother Electricity (2012) (Full Album)
Опубликовано: 7 апр. 2014 г.All Them Witches earn immediate distinction for being the first American band signed to German heavy psych purveyors Elektrohasch Schallplatten. Endorsement from the label of Colour Haze guitarist/vocalist Stefan Koglek, which has released albums from My Sleeping Karma, Sungrazer, Rotor, Been Obscene and The Machine — essentially casting the blueprint by which a goodly portion of the up and coming European scene is built — goes a long way in my book, and the feat is even more impressive when one considers that the Nashville four-piece's debut full-length, Our Mother Electricity sounds so distinctly American. They're not the first to use the wordplay, but in calling their approach «psychedelta rock,» neither are All Them Witches inaccurate. Swampy blues is definitely a major element in what they do, but along with that and the heavy psych aspect to their sound, there's also a dynamic sense of Americana in the songwriting, taking hold either in the twang of centerpiece «Elk Blood Heart» or the countrified moaning and Skynyrd solo bursting out of closer «Right Hand.»
Our Mother Electricity is a bold, at times stunning, debut, and All Them Witches impress in both their cohesiveness of sound and their obvious drive toward an individual approach. For its intricate balance of influence and for the band's brazen willingness to play in the dirty end of rock and roll, it earns the Elektrohasch logo with which it's stamped.
Amazing debut album from one of my favorite up and coming bands. This is All Them Witches with Our Mother Electricity. Enjoy!
1 Heavy Like A Witch — 0:00
2 The Urn — 5:48
3 Bloodhounds — 9:26
4 Guns — 12:58
5 Elk.Blood.Heart — 17:24
6 Until It Unwinds — 23:16
7 Easy — 31:57
8 Family Song For The Leaving — 36:12
9 Right Hand — 39:57
10. I Can't Even See Myself (Bonus Track) — 45:49
If you have not heard, I have a backup channel called Stoned Meadow Of Doom 2. Check it out and subscribe. All new full albums will now be posted there. https://www.youtube.com/channel/UCkqj...
Also check out my new website for Stoned Meadow Of Doom (Please consider donating if you appreciate the channel and radio station) ~ http://stonedmeadowofdoomradio.weebly...
Bohren & der Club of Gore — Black Earth [FULL ALBUM]
Опубликовано: 8 мая 2013 г.Black Earth is the fourth album by the jazz/ambient band Bohren & der Club of Gore. Black Earth was re-released on the American label, Ipecac Recordings(http://www.ipecac.com/) in 2004, increasing the band's exposure in the United States.
All songs written by Bohren & der Club of Gore.
«Midnight Black Earth» — 00:00
«Crimson Ways» — 08:44
«Maximum Black» — 15:25
«Vigilante Crusade» — 22:52
«Destroying Angels» — 30:14
«Grave Wisdom» — 37:22
«Constant Fear» — 43:50
«Skeletal Remains» — 50:12
«The Art of Coffins» — 58:07
The undisputed anthemking! He is constantly pushing the envelope and making sure he is on top of his game. Watch the set of Noisecontrollers at Qlimax.
Andrew Weatherall — Resident Advisor 470 (01.06.2015)
Опубликовано: 1 июн. 2015 г.Tracklist:
Vermont — Elektron (Prins Thomas Version)
Flash Atkins — The Wilderness
Simon Says — Coloritmo
Duncan Gray — I Can't Stand Lorraine (Club Bizarre Remix)
Club Bizarre — Trip To Holy Land
Flash Atkins — Acid House Creator
P.P.F. — Umbilical Cord
Duncan Gray — Churn Again
Vox Low — Something Is Wrong (Boot & Tax Remix)
Boot & Tax — Balkan Youth
«There's plenty of mythology surrounding Andrew Weatherall—Boys Own, Shoom, Primal Scream, the beard and so on. But in a career that's lasted over 30 years, and has presumably included every conceivable high and low, Weatherall has always been about cutting out the bullshit, building a reputation that's beyond reproach.
The short version of the story is that Weatherall established himself as a DJ, producer and journalist during dance music's first wave in the UK; went on to produce and remix acts like Primal Scream, Beth Orton and My Bloody Valentine; formed two influential groups—Two Lone Swordsmen, The Sabres Of Paradise—who were signed to Warp; and, through his work as a DJ, producer and label boss, became a sort of father figure for leftfield dance music in the UK. These days, collaboration is still an important part of Weatherall's artistic makeup. He runs the semi-regular „mid-tempo“ party A Love From Outer Space with Sean Johnston, which takes place at various venues in the UK and Europe. His last album, Ruled By Passion, Destroyed By Lust was written with Timothy J. Fairplay as The Asphodells; together they write dubby, synth-heavy dance tracks in the manner of a band. While Daniel Avery has almost become Weatherall's protégé, the two work from the same studio space in East London and play back-to-back whenever they get the chance.
RA.470 incorporates many of the elements that have made Weatherall so consistently interesting. The tempo is set to a carefully considered chug while rich electronics take flight overhead. The tracks are rooted in house and disco but the spirit of a guitar band never feels far away.»