Опубликовано: 9 окт. 2014 г.Le jeune Paul est blessé dans une bataille de boules de neige. Il est obligé de garder la chambre sous la surveillance de sa grande soeur Elisabeth. Tous deux s'inventent des jeux innocents ou cruels, ambigus ou poétiques. Prisonniers volontaires de l'enfance, ils ne permettront pas à d'autres d'entrer dans cette étrange relation où l'amour croise la mort...
Autres Philip Glass / Compositeur Stéphane Vérité / Metteur en scène Chloé Briot / Elisabeth Amalia Dominguez / Dargelos / Agathe Olivier Dumait / Gérard: le narrateur Guillaume Andrieux / Paul Emmanuel Olivier / pianiste Jean-Marc Fontana / pianiste Françoise Larrat / pianiste Emmanuel Olivier / Chef d'orchestre
Philip Glass Solo Piano played by Philip Glass 1 Full Hour 10/4/2011 Hidden Valley, Carmel CA
Дата загрузки: 14 сент. 2011 г.http://www.daysandnightsfestival.com/
This was the closing night, September 4th, 2011 at the Carmel Valley Theatre, Carmel CA. I saw the night before with my parents, with a full ensemble, and decided I needed to come back the next day by myself. Hard to believe Mr. Glass is 74 years old, go Philip.
This video is dedicated to the woman I was dating back in 1985 who suggested we drop acid and watch a movie called Koyaanisqatsi. I've never been the same since. I'm still in love with that woman to this day.
I strongly urge anyone and everyone to watch Philip Glass' masterpiece Koyaanisqatsi, I saw it performed live by Philip with the movie behind him 10 years ago, it was just as mindblowing then. WARNING — PREPARE TO BE DISTURBED:
Harmony of the spheres: cycle in five movements for mixed choir and string orchestra (2001)
Movement I — 00:00
Movement II — 10:10
Movement III a — 18:15
Movement III b — 33:45
Movement IV — 42:36
Movement V — 49:20
Netherlands Chamber Choir
Tallinn Chamber Orchestra
Conductor: Tõnu Kaljuste
Dedicated to Tõnu Kaljuste and the Nederlands Kamerkoor
Joep Franssens is a Dutch composer. He studied piano in Groningen, and composition in the Hague and Rotterdam with Louis Andriessen and Klaas de Vries respectively. He is representative of the post-serial generation of Dutch composers who use tonal means and an accessible idiom without neo-Romantic features, even if the pathos-laden, highly emotional nature of his music appears to contradict this endeavour. In his works, which consist of chamber music and choral and orchestral works, Franssens aims at a synthesis of monumentality and euphony and is initially guided by J.S. Bach and the Ligeti of Lontano and Atmosphères. Later a trend towards radical austerity becomes apparent under the influence of American minimalist music, East European mysticism (e.g. Pärt) and the symphonic pop music of the 1970s, culminating in the static diatonicism of the ensemble work Dwaallicht (1989) and the serene counterpoint of Sanctus for orchestra (1996, rev. 1999). The instrumentation increasingly shows a preference for warm, luxuriant colours.
AMAZING: Maki Namekawa plays Philip Glass Piano Etude No 9 & No 20 HD (dir. Andreas H. Bitesnich)
Опубликовано: 30 янв. 2016 г.Directed, filmed and edited by ANDREAS H. BITESNICH.
Styling: Nina Kepplinger
Make Up and Hair: Wolfgang Lindenhofer
Sound recording: Robert Lunak
Assistant: Christoph Kaltenbacher
Assistant: Michael Obex
Technician at Ars Electronica Center: Florian Wanninger