Dieselboy - Beyond The Black Bassline (Full Mix) [HD]

Dieselboy — Beyond The Black Bassline (Full Mix) [HD]

Опубликовано: 23 мая 2013 г.To download full track, click this link:
https://soundcloud.com/dieselboy/dies...

--ALL credit goes to the lovely and talented Dieselboy and his Humans!--

DIESELBOY — BEYOND THE BLACK BASSLINE (5 — 23 — 2013)
A Journey Into The Dark Reaches Of Subsonic Space

83 MINUTES. 75 TRACKS. THE FULL BLOWN SPECTRUM OF CURRENT-STATE DRUM AND BASS.

Dieselboy presents the ESSENTIAL upgrade to your current bass music listening program. Highly polished, textured and dramatic as fuck — this mix runs it from deep, hot and heavy to uplifting, energetic and euphoric. Designed to be played as LOUD as you can handle it. From the intro to the outro, it's one hell of a ride.

Everyone else...prepare to take the journey of a lifetime...BEYOND THE BLACK BASSLINE!

LIKE THIS PAGE — www.facebook.com/Dieselboy

TURN YOUR FRIENDS ON TO REAL DRUM AND BASS AND SHARE THIS MIX WITH EVERYONE

----

TRACKLIST:

Dieselboy + Sonic Mayhem — The Human Institute (VHS Edition) // PLANET HUMAN
Phace + Misanthrop + Mefjus — Twisted // NEOSIGNAL
Alix Perez — Burn Out Feat Phace + Misanthrop // SHOGUN [CLIP]
TC — Get Down Low // DONT PLAY [CLIP]
Optiv + BTK — No Way Out // VIRUS
DC Breaks — Shaman // RAM
Kasra + Enei — So Real (Mefjus Remix) // CRITICAL
NuLogic — Tripping In Space // HOSPITAL
June Miller — Change Feat Sofie Letitre // RAM [CLIP]
BTK — Be Yourself // HARDWARE
Loadstar — Dr Karg // RAM
Wilkinson — Direction // RAM
Enei — The Moment Feat DRS // CRITICAL
Xtrah — Soundclash // CRITICAL
Enei — Elephants // CRITICAL
Prolix Feat MC Coppa — Interlace // PLAYAZ [CLIP]
Phace + Misanthrop — Motor // NEOSIGNAL
Octane + DLR — Set Up The Set Feat Script // DISPATCH
Mefjus — Signalz // CRITICAL
Ulterior Motive + FD — Drum Circle // SUBTITLES
Caspa Feat Mighty High Coup — On It (TC Remix) // DUB POLICE
Skism — Red Heat (TC Remix) // NEVER SAY DIE
Metrik — Drift // VIPER
Trei + State Of Mind — Breed // SOM
Loadstar — Black And White Feat Benny Blanks // RAM
Dirtyphonics — Prelude (Black) // DIM MAK
Sub Zero — Run N Hide (Konichi Remix) // PLAYAZ
Digital + Spirit — Phantom Force (Fracture Astrophonica Edit) // PHANTOM AUDIO
Vela — Lose It (Loadstar Remix) // AATW
Document One — Moving Together Feat Maksim + Katarina (TC Remix) // BUYGORE
Rene LaVice — Regrets // RAM
Enei — Machines // CRITICAL
Telekinesis — Always Awake // BLACKOUT MUSIC [CLIP]
Upbeats — Beyond Reality // VISION
Hazard — Time Tripping // PLAYAZ
Xtrah — Going Deeper // SHOGUN LIMITED
Telekinesis — Diablo // BLACKOUT MUSIC [CLIP]
Metrik — Freefall Feat Reija Lee VIP // VIPER
Mat Zo + Porter Robinson — Easy (Andy C Remix) // ANJUNABEATS
Loadstar — Refuse To Love // RAM
Original Sin — You Scream // PLAYAZ
John B — The Journey (Instrumental Mix) // BETA
Mark Instinct — CNTRL // ROTTUN
Future Cut — Whiplash (Verb Remix) // HARDWARE
Loadstar — Warrior // RAM
Bass Brothers — Jamaican Thug // RADIUS
Icicle — Timer // SHOGUN
Caspa — War Feat Keith Flint (Hazard Remix) // DUB POLICE
Usual Suspects — Killa Beez (Inside Info Remix) // HARDWARE
Maldini — Party Time // HOSPITAL
Mark Knight — Nothing Matters Feat Skin (Noisia Remix) // TOOLROOM
Loadstar — Vatican Roulette // RAM
Mikal — Epic // METALHEADZ [CLIP]
Amit — Killer Driller // METALHEADZ
Upbeats — One Step // VISION
Dom — Goliath // DRP
Nouwa — Wild West // OBSESSIONS
BTK — Megahertz // HARDWARE
Original Sin — Therapy VIP // PLAYAZ
Upbeats — Thrasher // VISION [CLIP]
Machine Code — Dischord // SUBSISTENZ
Evol Intent + Noisia — The Liquid // VISION
Optiv + BTK — Drop The Funk // PLAYAZ
DJ Hazard — Air Guitar // PLAYAZ
Optiv + BTK — Bad Attitude // BLACKOUT
Optiv + BTK — Mind Control // VIRUS [CLIP]
Dieselboy + Bare — Beyond Thunderdome (Original Sin Remix) // HUMAN IMPRINT
Counterstrike — The Z-Word // ALGORYTHM
Birdy Nam Nam — Goin Down (Skrillex Remix) // OWSLA [CLIP]
Black Sun Empire — Dawn Of A Dark Day Feat Foreign Beggars (Prolix Remix) // BSE
Black Sun Empire — Dawn Of A Dark Day Feat Foreign Beggars (Receptor Remix) // BSE
Upbeats + Noisia — Loudmouth // VISION
Phace + Misanthrop — Progression // NEOSIGNAL [CLIP]
Dirtyphonics — Walk In The Fire // DIM MAK
Dieselboy — Tomorrow, Today // PLANET HUMAN



«Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for „fair use“ for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.»

Der Ausländer - SoulDeep [DnB Portal - #031]

Der Ausländer — SoulDeep [DnB Portal — #031]

Опубликовано: 1 окт. 2015 г.➔Free DL: Soon

✖ DnB Portal ✖
➔Visit http://dnbportal.com
➔Like http://fb.com/DNBportal.Music
➔Follow http://twitter.com/_DnBportal
➔Follow http://instagram.com/dnbportal
➔Follow http://soundcloud.com/dnbportal

✖ Der Ausländer ✖
http://dnbportal.com/DerAuslander

✖ Tracklist ✖
01 // An Eternal Way — Om Unit (Civil Audio)
02 // The Sun Also Rises — Silent Dust (None60)
03 // Little Dream — Kije (Tamrecords — Free)
04 // Blue Sky — Survival (Dispatch recordings)
05 // Midnight Heat — Gamma (Dispatch recordings)
06 // Gate — Legion, Logam & NC-17 (New Playaz)
07 // Under It All — Quentin Hiatus (Translation Recordings)
08 // Baby Grey — Ivy Lab (Critical Records)
09 // Love Vibrations — The Invaderz (Commercial Suicide)
10 // My Black & White (feat. Klose) — Klute (Commercial Suicide)
11 // Feel The Same — The Invaderz (Commercial Suicide)
12 // Baby Faced Battleaxe — Foreign Concept & Dekka (Critical Records)
13 // Baby — Eveson & Halogenix (Critical Music)
14 // Montpellier — Alix Perez, Rockwell & Spectrasoul (feat. Anthony Moriah) (Shogun Audio)
15 // Heart Speak — Need For Mirrors (Spearhead records)
16 // Gaia — HLZ (Metalheadz)
17 // Gaze Into Your Eyes (feat. MC Fava) — Klute (Commercial Suicide)
18 // Twenty Questions — Ivy Lab (Critical Audio)
19 // Triffidz — Om Unit & Sam Binga (Exit Records)
20 // Ask Yourself — Foreign Concept (Critical Records)
21 // A Dystopian Romance — Eveson (Ingredients records)
22 // Into The Void — Oliver Yorke (Vandal LTD)
23 // My World — Digital (Horizons)
24 // Pale Into Significance — Phil Tangent (Integral records)
25 // The Keeper — Bonobo (feat. Andreya Triana) (Ninja Tune)
26 // These Days — Marcus Intalex (31 Recordings)
27 // Heaven Sent — Seba (feat. Robert Manos) (Soul:R)
28 // Sum Is Wrong — Dephzac (DephRecords Dub)
29 // Too Good (feat. Zoe Klinck) — Halogenix (Critical Records)
30 // The Giant (Om Unit remix) — Silent Dust (None60)
31 // Go With Me (feat. Solis) — Boston (Symmetry)
32 // Grey Dawn — Eveson & Halogenix (Ingredients Records)
33 // Fools Love — Klute (Commercial Suicide)
34 // Life Cycle (feat. LaMeduza) — Gerwin (Dust Audio)
35 // Forever Dreaming (Dephzac remix) — Myles Sanko (Free)

rob mazurek - the passion of yang kwei-fe

rob mazurek — the passion of yang kwei-fe

Дата загрузки: 11 янв. 2012 г.rob mazurek — the passion of yang kwei-fe
faixa 03 do disco«calma gente» cd, lançado pelos selos submarine e catune records, 2010.

«Parceria entre a Submarine Records e a Catune (Japão), este registro conta com colaborações de membros da Exploding Star Orchestra, Hurtmold, São Paulo Underground, Black Earth Ensemble, Kiko Dinucci e Thomas Rohrer.»

http://www.robmazurek.com/
http://submarinerecords.net/sub/calma...

http://paranoiaecaleboca.blogspot.com

Philip Glass - Music in Twelve Parts

Philip Glass — Music in Twelve Parts

Опубликовано: 1 авг. 2013 г.0:00
18:14
37:30
50:46
1:08:05
1:31:14
1:45:24
2:05:20
2:23:36
2:35:50
2:53:00
3:07:28

Music in Twelve Parts, written by Philip Glass in 1971-1974, is a deliberate, encyclopedic compendium of some techniques of repetition the composer had been evolving since the 60s. It holds an important place in Glass's repertory — not only historically (as the longest and most ambitious concert piece for the Philip Glass Ensemble) but aesthetically as well. Music in Twelve Parts is both a massive theoretical exercise and a deeply engrossing work of art.

In the past, Glass vociferously objected to being called a minimalist composer. He now grudgingly accepts the term — with the distinction that it only applies to his earliest pieces, those up to and including Music in Twelve Parts. It is difficult to see how such a mammoth work as Einstein on the Beach can possibly be called minimalist and Glass now speaks of himself as a composer of music with repetitive structures.

Part I remains some of the most soulful music Glass ever wrote, yet it is also one of his most reductive compositions: at any place in the music, reading vertically in the score, both a C# and an F# are being played somewhere in the instrumentation. Through skillful contrapuntal weaving, Glass creates a drone that is not a drone — an active, abundant, richly fertile stasis.

Part I leads directly into Part II, which introduces a different key, a faster tempo, greater rhythmic and melodic variety and the human voice. «A new sound and a new chord suddenly break in, with an effect as if one wall of a room had suddenly disappeared, to reveal a completely new view.»

Part III, one of the few self-contained movements, is a gurgling study in fourths, and one of the shortest. Part IV is extraordinary: after a brief introduction, it becomes a lengthy examination of a single, unsettled chord that sweats, strains and ultimately screams for resolution until the musicians suddenly break into the joyous, rushing catharsis of Part V.

Part VI is another example of how Glass can take what initially seems a standard chord progression and gradually build considerable interest on the part of his audience as he presents it to us, again and again, from different rhythmical perspectives. Part VII clearly derives from Music in Similar Motion, but the development is much more swift than that of the earlier work and it is infinitely more virtuosic (the soprano, in particular, does her best to avoid tongue-twisting and sibilance in the exposed, rapid-fire melismatic passages). And the close of Part VIII prefigures the «Train» scene in Einstein on the Beach, with its irresistible forward motion and sheer, «boy-with-a-gadget» fascination with a systematic augmentation and contraction of the soprano line.

«I had a specific purpose in mind when I set to work on Twelve Parts. I wanted to crystallize in one piece all the ideas of rhythmic structure that I'd been working on since 1965. By the time I got to Part VIII, I'd pretty much finished what I'd started out to do. And so the last movements were different. Parts IX and X were really about ornamentation.» Part IX, after a lithe, bouncing, broken-chord introduction, becomes a study in chromatic unison while Part X begins with a blaring, aggressively reiterated figure in the winds that is eventually softened cushioned — by the addition of complementary figures in the bass.

Parts I-X had all been based on stable harmonic roots that had remained constant throughout the movement. Part XI is just as rigorous in its application of an antithetical approach: the harmony changes with every new figure. In Part XI, which is essentially an aria for soprano and ensemble, there is more harmonic motion than in all of the mature works Glass had composed in the previous ten years put together.

Music in Twelve Parts ends with a musical joke that may be amusing to those who remember the musical politics of the 60s & 70s. Like most young composers of the time, Glass was trained to write twelve-tone music; unlike most of them, he rejected the movement entirely. And yet, in the bass line of Part XII, toward the end, the careful listener will discern a twelve-tone row, underpinning this riot of tonal, steadily rhythmic, gleeful repetition -underpinning, in other words, all the things that textbook twelve-toners shunned.

«It was a way of making fun not only of others but also of myself. I had broken the rules of modernism and so I thought it was time to break some of my own rules. And this I did, with the shifts of harmony in Part XI and then in Part XII, where, for the first and only time in my mature music, I threw in a twelve-tone row. This was the end of minimalism for me. I had worked for eight or nine years inventing a system, and now I'd written through it and come out the other end. I'd taken everything out with my early works and it was now time to decide just what I wanted to put back in — a process that would occupy me for many years to come.»

Cosmic-Trance - Chapter 1

Cosmic-Trance — Chapter 1

Опубликовано: 20 янв. 2016 г.Released: 1997
Style: Trance, Goa Trance, Progressive Trance

Tracklist:
01 Dissidenten — Jungle Book Pt. II (Sven Vath's Mantra-Trance Mix)
02 Human Beings — Phase (Speedy J Remix)
03 Tata Box Inhibitors — Insane (It's Getting Too Much)
04 Astralasia — The Seven Pointed Star
05 Capricorn — Walking On The Moon (Jamez Remix)
06 Spicelab — Feathers (Terry Lee Brown Junior Remix)
07 OJ Project — Locator
08 Liquid Art — Liquid Art
09 Framic — Status X
10 Razor's Edge — Sleepless (Underground Contribution Mix)
01 Solid State — Welcome
02 Luke Cage — Tightrope
03 E & B Project — Feel The Love
04 Jim Clarke — Paraguay
05 Quadran — Naked Light (Trance Mix)
06 Transverse — I Am House
07 Milk Inc. — La Vache (Mad Cow Mix)
08 Sean Dexter & Frank 'Farmer' Simon — Bass
09 Unitone Rockers — Sun Arise
10 Matthew Grey — Indian Lights

NÄO - LIVE @ MASCHINENFEST 2014