Опубликовано: 22 янв. 2016 г.Following the headlights
Gotta find a way back to you
I can be the white knight
You can play the princess
We'll be running like outlaws
Hiding in the midnight
Break down them gates
Let in the sunlight
Throw me over these walls
High up in the atmosphere
If I could catapult my heart
What's the empire for
I'm gonna get you outta here
If I could catapult my heart
To where you are
You say you had your heart broken
What a stupid little thing to do
Now you're tied to a train track
But I'm a gonna come
and rescue you
Make no mistake
I'll do whatever it takes
To get over these walls
High up in the atmosphere
If I could catapult my heart
What's the empire for
Ooh I'm gonna get you outta here
If I could catapult my heart
To where you are
If I could catapult my heart
Oh throw me over these walls
Ooh high up in the atmosphere
If I could catapult my heart
What's the empire for
Ooh I'm gonna get you outta here
If I could catapult my heart
To where you are
If I could catapult my heart
To where you are
I'm gonna catapult my heart.
Опубликовано: 22 мая 2015 г.Tipper on Groovetech Radio in 2001.
Tipper (real name Dave Tipper), is a British born composer and producer specializing in electronic music that ranges from Ambient, through Trip Hop, to uptempo Nu-skool Breakbeat. As a teenager, he founded Fuel Records with Ritchie Warren, label manager, in 1997.
He went to found his own imprint Tippermusic in 2005 and has released exclusively on that since.
These sets were were originally streamed in real media in the early days of online streaming radio. Unfortunately, you'll have to excuse the poor quality.
All Them Witches — Our Mother Electricity (2012) (Full Album)
Опубликовано: 7 апр. 2014 г.All Them Witches earn immediate distinction for being the first American band signed to German heavy psych purveyors Elektrohasch Schallplatten. Endorsement from the label of Colour Haze guitarist/vocalist Stefan Koglek, which has released albums from My Sleeping Karma, Sungrazer, Rotor, Been Obscene and The Machine — essentially casting the blueprint by which a goodly portion of the up and coming European scene is built — goes a long way in my book, and the feat is even more impressive when one considers that the Nashville four-piece's debut full-length, Our Mother Electricity sounds so distinctly American. They're not the first to use the wordplay, but in calling their approach «psychedelta rock,» neither are All Them Witches inaccurate. Swampy blues is definitely a major element in what they do, but along with that and the heavy psych aspect to their sound, there's also a dynamic sense of Americana in the songwriting, taking hold either in the twang of centerpiece «Elk Blood Heart» or the countrified moaning and Skynyrd solo bursting out of closer «Right Hand.»
Our Mother Electricity is a bold, at times stunning, debut, and All Them Witches impress in both their cohesiveness of sound and their obvious drive toward an individual approach. For its intricate balance of influence and for the band's brazen willingness to play in the dirty end of rock and roll, it earns the Elektrohasch logo with which it's stamped.
Amazing debut album from one of my favorite up and coming bands. This is All Them Witches with Our Mother Electricity. Enjoy!
1 Heavy Like A Witch — 0:00
2 The Urn — 5:48
3 Bloodhounds — 9:26
4 Guns — 12:58
5 Elk.Blood.Heart — 17:24
6 Until It Unwinds — 23:16
7 Easy — 31:57
8 Family Song For The Leaving — 36:12
9 Right Hand — 39:57
10. I Can't Even See Myself (Bonus Track) — 45:49
If you have not heard, I have a backup channel called Stoned Meadow Of Doom 2. Check it out and subscribe. All new full albums will now be posted there. https://www.youtube.com/channel/UCkqj...
Also check out my new website for Stoned Meadow Of Doom (Please consider donating if you appreciate the channel and radio station) ~ http://stonedmeadowofdoomradio.weebly...
Дата загрузки: 25 июл. 2011 г.GORE TECH feat Jo Roberts — WOLF NOTE -
Jo Roberts joined me to make this tune, we recorded her cello at Paul Copestake's studio
using Protools then bounced the recorded wavs back on to my flimsy laptop where i snuck off and made this. A wolf tone, or simply a «wolf», is produced when a played note matches the natural resonating frequency of the body of a musical instrument, producing a sustaining sympathetic artificial overtone that amplifies and expands the frequencies of the original note, We happend to record one making this and Jo told me what it was and i knew we had a name :D. Big Thank you to Paul Copestake for Enginering and Recording, Thanks to Jo for your time and talent, Hope you all enjoy