Опубликовано: 24 нояб. 2014 г.Track taken from the 2CD album 'Hypnosis'. Released by Cyclic Law 2014. The video was made as part of a stage backdrop for a live performance at Volkspalast in Leipzig, june 2014.
01 Subheim — Intro
02 Subheim — Take Me Back [EO3, Tympanik Audio 2008]
03 Subheim — Dunes — [No Land Called Home, Ad Noiseam 2010]
04 Subheim — Untitled — [Unreleased]
05 The Kilimanjaro Darkjazz Ensemble — Lead Squid [Here Be Dragons, Ad Noiseam]
06 Bersarin Quartett — Mehr Als Alles Andere [Bersarin Quartett, Lidar 2010]
07 Subheim — Between Fear and Love [No Land Called Home, Ad Noiseam 2010]
08 Max Richter — Infra 7 [Infra, Fat Cat 2010]
09 Ben Lukas Boysen — Deadweight [Unreleased]
10 Subheim — Streets [No Land Called Home, Ad Noiseam 2010]
11 Subheim — Dusk [No Land Called Home, Ad Noiseam 2010]
12 Subheim — December [No Land Called Home, Ad Noiseam 2010]
13 Subheim — Hush [Approach, Tympanik Audio 2008]
14 Eraldo Bernocchi & Blackfilm — Mistakes Pt.2 [Along The Corridors, Vital 2009]
15 SE — Mimikry (Subheim remix) [L36, Tympanik Audio 2010]
16 Access to Arasaka — Sys.argv[1_] [void(), Tympanik Audio 2010]
17 Subheim — The Cold-Hearted Sea [No Land Called Home, Ad Noiseam 2010]
18 Mobthrow — Desert City Rising, Ad Noiseam 2010]
And some sounds and words from -----
X 102
Fairlight CMI 2X by It's Full Of Star
Jacques Mayol
Gaz Cobain
Welcome to the Machine by Innovative Sounds
Subheim is the personal music project of Greek-born, Berlin-based artist Kostas Katsikas. Drawing from his experience in various bands as well as his current activities for film score and sound design, Subheim appears as a deeply personal experience in sounds, atmospheres and moods. May it be with the introvert electronica of his 2008′s «Approach» debut, the successful mixture of orchestral and jazz arrangements in 2010′s «No Land Called Home», or the experiments heard in various live sets and tracks ever since (including acoustic, contact-mic performances and more beat-driven material), Subheim is a project which draws its cohesion from the truly human touch of his author more than from a small array of sonic elements. One instantly recognizes a Subheim track, not necessarily because it sounds like another one, but because it feels like another one.
At times symphonic, at times fragile, Subheim's concerts are mesmerizing experiences which seduce their audience both with the encompassing sonic ingredients as with the daring experiments from which they are drawn. Strings, deep ambiences, reverberation, nostalgic synthesizers, vocals, acoustic percussions, field recordings and found objects have all played a part in Subheim's music (both in the studio and live). No two shows are the same, for while Subheim's releases are still few, this musician never ceases to create, experiment and refine his art.
Опубликовано: 15 мая 2015 г.Andrew Weatherall on Groovetech Radio
Haywire Sessions radio show presenting the Rotters Golf Club
Andrew Weatherall is a famed DJ, producer and remixer, who has worked in and shown enthusiasm for a wide variety of genres. Previously ran Sabres Of Paradise and Emissions Audio Output.
These sets were were originally streamed in real media in the early days of online streaming radio. Unfortunately, you'll have to excuse the poor quality.
*Unfortunately, the video portion of the original RM file was corrupted. I was only ever able to recover the audio. The set remains amazing. Don't miss out.
Опубликовано: 5 окт. 2013 г.HECQ / BEN LUKAS BOYSEN http://hecq.de/
Since 2003, Ben Lukas Boysen is writing, producing and performing music, specializing in sounddesign and composition.
The focus of every project is to find an efficient and direct way to leave a strong emotional impact, whether it is the production of an album or the conception and completion of a commercial project.
The concept of investing a lot of thought and therefore making every production special rather than settling with something fast and convenient is the driving force behind every project as well as the thought that every score, commission, track, or remix should get the same amount of attention and detail. In short: moving away from music and sound as a product and perceive every project as a customizable and individual challenge.
I do not claim ownership for any of the contents on the video. If you like it, you can support the artist buying from his own website. http://hecq.de/discography/0000/